Sentences with phrase «dinner scene»

An awkward dinner scene between the latter two stands as the only bad scene in the film, grinding the second act to a temporary halt.

With these TV shows, I've shot a bunch of dinner scenes, and sex scenes, and fights.

We get to see (and hear) Billy's rough family life, most noticeably in a 45 - second dinner scene in which his tough mother (played by Frances Fisher) loudly vents.

Cuisine: Seafood Perfect for: A different dinner scene with good Seafood in Souk Al Bahar.

Finally, Sarah Baker is sweet and funny as Marty's pudgy wife Mitzi, especially in a family dinner scene where she, along with her two sons, must confess their secrets, and then when making a sex tape with Cam.

There is an awkward family dinner scene that garners some laughs with scene - stealers Keegan - Michael Key and Regina Hall.

He uses it best during many of dinner scenes at the boarding house with Julie Walters» Mrs. Kehoe who's prim and proper ways are vastly different than the chatty girls who live there.

Certainly no one, not Peter Brant or Raymond Learsy, Melva Bucksbaum, Hammer Museum director Ann Philbin, or Ben Stiller (this year's Val Kilmer), deemed it appropriate to protest any issue at Aby Rosen's W South Beach Hotel, where Steve Martin read a Miami Basel dinner scene from An Object of Beauty, his deep - inside new novel about a ruthless young skirt from Sotheby's on the make for art - boom success.

The infamous dinner scenes alone make this game worth checking out, and the quirky characters, hilariously awesome soundtrack, and silly, yet slightly relatable, story make this debut (and hopefully not only!)

You could call the awkward dinner scene between Manglehorn and Dawn the climax, but it's also very similar in nature to that now iconic scene between Nicholson and Hunt.

Speaking of, did you notice how, in the video, the McDonald's sandwiches are being served on reclaimed wooden serving boards that appear to be leftover props from some Lord of the Rings dinner scene?

But somehow, it is still Thanksgiving in feeling and by the end of the movie, that same dinner scene, (minus Shirley) will bring tears because it is exactly how we do, what we do, in its best and imperfect moments, that makes it «ours» or «us».

Boston's cannabis - dinner scene includes shrimp stews, deviled eggs, biscuits, and fried green tomatoes.

A prolonged dinner scene wastes time with little payoff and the explosive finale arrives with hardly much surprise.

The film stalls and sputters badly when it gets to Candyland, plodding through a squirmingly long dinner scene and then giving us about three different Final Acts of Revenge that seem increasingly redundant.

The lynchpin of that incredible dinner scene.

Streep's early scenes play like a bit of warm - up for both the character and the star, the nasty shtick beginning to take hold in loud, scurrilous moments that build until we reach the big dinner scene, a sort of decrepit centerpiece for the whole picture during which Violet insults every damn person at the table and especially aims to tear each of her daughters apart.

Django is coiled to spring, but holds back during a nerve - shattering dinner scene in which he listens as Candie and Stephen talk of Broomhilda as flesh for use and abuse.

Much of this lies at the feet of a pivotal elongated dinner scene where all the characters are obviously due to find out each other's hidden agendas and in trying to emulate so many other classic Tarrantino scenes that stick in the memory, he tries to hard and fails to create any of the tension that this scene desperately needed.

As long as this August stays claustrophobic and «stagebound,» the film retains some of the original's acid touch — notably in a lengthy dinner scene in which chief Gorgon Violet (Meryl Streep) upbraids the men for their relaxed dress code: «I thought we were having a funeral, not a cockfight.»

Framed by a boisterous dinner scene between playwright friends, alarm bells ring early in Melinda and Melinda when conversation turns to whether a random scenario, the arrival of an unexpected stranger at a dinner party, would work best as the premise for tragic drama or comedy.

It is here that the film suffers, as the transition from a chatty dinner scene to full on metaphysical heaviness is handled with no elan.

Standout scene: A climactic dinner scene, which delivers the film's satisfying punchline in an unexpected way.

David Harbour stands out as Connolly's milquetoast partner, especially during a tense dinner scene late in the film; and Rory Cochrane brings barely checked inner turmoil as Bulger's right - hand man, Stephen Flemmi, who is arguably more cold - blooded than his boss.

This presents itself in a rather unfunny fashion during an otherwise funny dinner scene involving both families that is absolutely stolen by John Michael Higgins, who plays Brooke's a cappella singing brother.

During an uncomfortable dinner scene, Belle's brother (an honorable Southern soldier who accepts the surrender) attempts to break the tension by telling a joke that starts «So there was this old darkie...» whereupon he's interrupted for some plot - related dialogue.

They discuss the film's five scenes plus prologue structure, working with browned apples, the challenge of a long take, the writer whose Grecian house housed the central dinner scene, elements drawn from their experiences and first - hand accounts, unused bits,

What an offhand comment to come from some writer who I am sure could not direct the funeral dinner scene in this movie.

Books spawned by TV shows don't have to be «personal» - following the lead of The Sopranos Italian cookbook, Blue Bloods, the CBS show about a family of New York City cops, is launching a cookbook based on the fact that each episode features a Sunday dinner scene with the family.

After a gruesome dinner scene (made more gruesome through VR) Ethan is told he must escape the house and find Mia in the process.

Image above: Dinner scene at the 2016 Brooklyn Artists Ball, Credit: Rebecca Smeyne for the Brooklyn Museum.

The tension is broken when the boy's father appears in the door to their home, but the happy family dinner scene is haunted by a smear of darkness under the table, suggesting that anxiety never is completely removed.

The moment, so weakly melodramatic that Violet would likely roll her eyes at it, lacks the fluid self - awareness that Wells does an able job of capturing in the more tightly confined scenes (especially in the play's infamous dinner scene).

Julie Walters in particular is fantastic as the take - no - BS Irish landlady «Ma» Kehoe, and dinner scenes between a tentative Eilis and the more experienced and unforgiving girls are charming and full of sass and wit.

Initially, Laura and Toni are merely helpful indicators of Thom's alternative lifestyle, but after a few awkward dinner scenes and some excellent nonverbal emotional cat - fighting between all the women (everybody wants a piece of that Thom; it must be the suit) both women become fully - formed characters made all the more tragic for following Thom to their doom in Point Dune.

The dinner scene is probably one of the funniest moments in sitcom history.

On weekdays, power breakfasts and lunches are followed by a vibrant after - work cocktail and dinner scene.

Sometimes it's fun to mix up the dinner scene and add some variety to the week.

And then the dinner scene starts.

Filmed over 26 straight hours in the Texas heat, the dinner scene is pure anarchy.

The classic «dinner scene» is possibly one of my favourite scenes in a film, and it is just hilarious!

You'd think there'd be some perfunctory sleep analysis scenes, something more than the dinner scene, when Lili Taylor (a good actress who deserves better) tells us she can't sleep because she has no life (and a recently deceased overbearing invalid mother), while the others have too much excitement in their's.

During a dinner scene with Janelle, Ray, Jonny, and Tracy, we learn that Tracy and Jonny were lovers, and that Janelle resents it, though no one speaks of it openly.

The dinner scene is a mangled mess of a dozen or so shots that have been detrimentally assembled into a barrage of actorly attacks.

Here is a film that is constructed entirely around a dinner scene that speaks volumes about the class system.

It's hell bent in parts to simply replicate beats of the original - here's the «girl on the meat hook» bit, here's the part where the heroine jumps through the second floor window, here's the dinner scene - but it's also rife with self - conscious zigs where the original zagged.