For me, going on television was as much about the medium as it was about using it as a kind
of exhibition format.
Those involved in communicating and teaching art can respond by setting focal highlights within the thematic orientation and by incorporating
new exhibition formats.
The series challenges the viewer to engage with an artist's work by removing familiar viewing elements such as comparison and contrast from the
traditional exhibition format.
I am keen to observe the ways in which this
sprawling exhibition format might be complicated by the sincerity of a personal / political perspective.
In recent years his work has found resonance within a variety of non-traditional and artist -
run exhibition formats.
An important part of Overgaden's profile also consists of experimenting
with exhibition formats and the relationship between artists, art institution, and audience.
Here, the
group exhibition format is approached as a work in and of itself, with all of the included pieces echoing Stockholder's idiosyncratic method, and in many cases approximating her work.
The New Scenario project was launched by Paul Barsch and Tilman Hornig as a time - based platform for
performative exhibition formats taking place «outside the realm of the white cube», and the two founders team up to for the concept and curation of Jurassic Paint, described as having works on canvas and «live size (sic) dinos».
A dozen artworks are accessible via a playlist, creating a layered salon -
style exhibition format which debuted this summer at the Minnesota Street Project in San Francisco (2016).
As always, the mixture of quasi-narrative films, which require the viewer's attention for a fixed period of time, with more traditional
exhibition formats where the viewer sets the pace, feels unsatisfactory.
A similar change occurred in the 1960s when Cinerama was adapted from the complex three - camera and projector system to the «Super Cinerama»
exhibition format based around a single 70 mm projector.
Moderated by Independent Curator Fionn Meade, this panel will take a close look at the recent examples of reenergized
classical exhibition formats, including the thematic group exhibition, the solo show, and the biennial.
Natalie Campbell is an independent curator and arts worker active in DC and New York whose interests include
alternative exhibition formats and artists» books.
do it began in Paris in 1993 with a discussion between the artists Christian Boltanski and Bertrand Lavier, and curator Hans Ulrich Obrist, who was experimenting with
how exhibition formats could be made more flexible and open - ended.
Their most recent project No matter how much you push the envelope it'll still be stationery, explores opportunities to destabilize normative modes of artistic production through the adoption of various labor techniques and
shifting exhibition formats.
The
FIF exhibition format remains open plan with polished concrete flooring and no pre-fabricated shell systems.
Within that framework, we strive to create a perfect event, which could be an all - in format (including stand build, space rental, stand furniture and participation in the marketing programme), a space rental
only exhibition format, a conference and exhibition (confex), a business summit, a congress or conference — the possibilities are limitless and flexible to best suit the market.
Wifredo Lam's work, whose major retrospectives at the Tate Modern London and the Centre Georges Pompidou Paris just finished last year, will be shown at the Art Basel Hong Kong in the context of «Art Kabinett», a specially
curated exhibition format, hand - picked by a selection committee of the Art Basel Hong Kong, and limited to about 20 exhibitors at the fair.
This anniversary exhibition borrows its title from an essay Tucker wrote on the conceptual artist John Baldessari, whose 1981 exhibition was one of the New Museum's earliest solo shows by an artist whose work had not yet been sufficiently examined — one of several
foundational exhibition formats that continues today.
Other exhibition formats, old and new, have taken their cue from artists» changing modes of creating and presenting work, often intentionally pushing at the limits of what a traditional museum can support.
Art Berlin Contemporary, the «independent,
hybrid exhibition format, between curated show and gallery event», was founded four years ago by a group of Berlin galleries.
On top of being a physical space, OJ describes itself as an international network of artists, curators and writers with a shared aim of pushing the limits of
contemporary exhibition formats and the post-conceptual potentials in the visual arts.
Created through a shared open - studio process in the New Museum Theater (September 10 — 14, 2014), the nine works that comprise this exhibition were first presented as an immersive moving - image installation for the club environment of Trouw (November 6 — 30, 2014) and have now returned to the New Museum where they can be viewed on monitors installed in a
dispersed exhibition format in various interstitial non-gallery spaces throughout the building.
With an exhibition area of more than 100 square meters the new project space will be dedicated to
different exhibition formats of young and experimental art projects (access possible only through the central staircase)
Works by Moebius and Jim Shaw mark the show out as a paranoiac's equivalent to the «eccentrically taxonomized highbrow junk shop»
exhibition format recently explored by artists including Mark Leckey («UniAddDumThis», now at Gavin Brown's Enterprise, Rome) and Camille Henrot («The Pale Fox», Chisenhale, London, 2014).
The TRANSFER Download is a
virtual exhibition format that presents a «download» of artists exploring simulation, algorithm, procedural animation and online practice.
Each work is accessible via a playlist, creating a layered salon - style
exhibition format first tested during Art Basel Miami in 2014.
Organisers of the 2012 edition of Art Jog hope to stand out on the now - crowded Asian art fair calendar with their focus on emerging practitioners and an artist -
centred exhibition format.
In other words, by bringing to the foreground hidden aspects of the production of the work and of its context, the work starts to operate, not only in the realm of art contemplation, but also as a critically active element in its
own exhibition format.
In 1976, he represented Japan at the 37th Venice Biennale — the first time a
solo exhibition format was adopted by the Japanese Pavilion.
Seven working hypotheses through which we can read, reinterpret and tell Italian art also through the analysis of some of the
possible exhibition formats: from the solo exhibition to the site - specific installation, through to the thematic group show and chronological group show, the group exhibition on specific movement and the medium - based group exhibition and on to the archive exhibition.
Under Hofmann's leadership, SITE took a step back to evaluate the
biennial exhibition format, and in 2012 announced a new focus in its programming, a reimagined biennial exhibition series entitled SITElines: New Perspectives on Art of the Americas, with exhibitions in 2014, 2016, and 2018, which explore contemporary art from Nunavut to Tierra del Fuego.
Moderna Museet is an open museum and a lively forum for discussions, talks and artist presentations that can not be comprised by the
usual exhibition format.
The project is given an unmistakable touch by Emi Fontana — an Italian curator who lives in Los Angeles and worked closely with Mike Kelley during the last fifteen years of his life — and by Andrea Lissoni's unique experience in devising
unconventional exhibition formats at HangarBicocca.
This two -
part exhibition format derives from Dujourie's artistic practice, in which the notion of the «fragment» is an essential element.
Eschewing the traditional «from the archives»
anniversary exhibition format, the development of contemporary art is narrated through three individual shows: «I Am You», «You Are Here», «We Are Everywhere».
Established in New York City's Chelsea neighborhood, Cheim & Read has an airy, 6,000 square foot building with multiple spaces, allowing for intimate or
expansive exhibition formats.
This
collective exhibition format will present artworks in shared rather than individual terms, illustrating the total debts amongst participating artists and identifying the institutions in which these debts are rooted (banks, schools, cultural programs, life expenses, etc.).
is focused on both the investigation of new contemporary languages and on the development and implementation of
new exhibition formats.
The previous seven editions of the Berlin Biennale explored a variety
of exhibition formats and involved diverse curatorial agendas.