The phrase
"final scene" refers to the last part of a play, movie, or book. It is the moment when the story comes to an end and all the important events or resolutions happen before the curtain goes down or the book finishes.
Full definition
This sequel hits you right there again, from the opening backstory to the heart strings -
pulling final scene.
Although I had trouble connecting all the dots of the plot, the very end is thankfully an
excellent final scene.
There's a lot of speculation about how to interpret that haunting
final scene of Twin Peaks: The Return.
Daisy Ridley discusses her emotional
final scene with Carrie Fisher in Star Wars: The Last Jedi.
Yet another set immortalizes Darth Vader's
final scene from Rogue One: A Star Wars Story, where he nearly captures the Rebel with the Death Star plans.
That includes the credits, leading up to the obligatory
final scene where Deadpool tweaks Marvel's nose one last time.
The climactic
final scene at the wedding hall begins as grotesque and humiliating, then slowly the threads come together, while Burshtein mischievously plays with perceptions about whether the unfolding miracle is a fantasy or not.
Every so often a film that has made you sceptical for its duration deals out an ambiguous
final scene which somehow slots everything to have come before into a sharp focus you're unable to describe - case in point: Personal Shopper, a mesmerising tale following Kristen Stewart's lead character and her continued attempts to make contact with her deceased twin brother in Paris.
But it's Roades and Holland's
final scenes as the adult Chiron and Kevin that seem to put Jenkins most in his element, allowing for the dynamic of two actors spending the time to really develop the relationship between their characters.
Sure, the ending ratchets things up a bit more that it probably needs to, and the tacked -
on final scene belies a cinematic catharsis that I'm not entirely sure is necessary for the success of the work.
The only «supernatural» elements to that original film are confined to the rantings of Dr. Loomis and of course that
final scene when Myers disappears after being shot six times and falling off the Doyle house balcony.
It might not sound important, and the necessary vagueness in discussing the film's
final scene does not help, either.
A huge
final scene revealed this was not a normal horror flick and was indeed the long - awaited sequel to his film UNBREAKABLE.
Strangely, only the Uncle is a despicable character, one
final scene really hammering home the old man's twisted perversions, even the conning Count a strangely charming figure.
The haunting
final scene leaves Elio's blissful summer behind, as if to remind us that, to everything, there is a season.
Believable story, good acting, some very funny lines and a tense
final scene even though you know the outcome.
I don't want spoil anything about this great film, but the showdown scene in the Donut Shop was one of the
greatest final scenes in cinema history.
The audience appears patient (so unusual these days), and maybe 5 minutes later, we take in the
haunting final scenes.
The «Star Wars» icon opened up to ET about his
emotional final scene with his long - time friend, and how watching now, after Fisher's death, is just too hard.
There are, of course, some heavy - handed touches that don't quite work; Galifianakis is an acquired taste; and the
very final scene may strike some viewers as self - referential to a fault (in fact, cynics might find it tragic, distasteful and humiliating), but The Hangover Part II acquits itself with truly surprising vivacity to an all - but - impossible task.
And I don't quite understand why he chose to finish - out the film as he did, taking a documentary approach with the final five minutes, including a jarring
final scene better suited for the 2014 Oscar - winning Snowden documentary, «Citizenfour».
Having built up to what promises to be a dramatic, fitting finale, the film's
final scenes seem to be more interested in shocking the audience and subsequently leaving them freewheeling rather than providing catharsis.
There is an element of slapstick at play here, especially in the
climactic final scene, which manages to be both wryly funny and touchingly tragic at the same time
Overall, the English and Canadian actors get it but the Americans don't quite, which becomes especially problematic in the film's
long final scene, featuring Paul Giamatti at his most irascible.
The only minor nit is that some of the book's
final scenes pick up on story threads from much earlier in the series — like from books 3 and 4 — and if (like me) you haven't read those volumes in 15 or so years, the resolution of these dimly - remembered plot points lack the narrative punch they might have had.
As the sweetly humbling
final scene reminds us, the selfless essence of love is truly universal.
He's so good at engendering your sympathy that one might yearn for a bit more mustache in his performance, but that would fundamentally alter the film's
affecting final scenes back in Oakland.
We'll never forget that
iconic final scene of Sex and the City in which Carrie says, «The most challenging, exciting and significant relationship is the one you have with yourself.
McKenzie doesn't stoop to deliver a pat happy ending, and even the moderately upbeat
final scene features an oddly discordant note in the score that suggests not all is well.
A cast of old pros (Christopher Plummer, Annette Bening, Bobby Cannavale, Jennifer Garner) and a
touching final scene elevate the material just enough to redeem it.
And, of course, there's the teaser's near -
final scene starring the Merc with a Mouth's favorite microwavable meal: A pair of Hot Pockets.
From Ben romping through a supermarket liquor section in the brilliant first shot to his hyper - dramatic, gross overtures to random women, assorted humiliations, and the brutal, bluntly sexual and
heartbreaking final scene with Shue, Cage shows us both the temporary fun of drunkenness and that his grief - destroyed ex-family man is suffering from a gruesome illness.
Across the pond, Nina Hoss mercilessly snatched ownership of «Speak Low» away from the late Kurt Weill, her warbling rendition of the jazz standard playing a key role in one of the greatest
final scenes ever shot.
Or until the following morning when, on a bus ride through icy Berlin, you find yourself tearing up like a sap, just thinking about its minute,
enormous final scene.
«Contagion» is never less than riveting, perfectly balancing multiple characters and arcs from minute one to its
spectacular final scene.
And oh yeah, the surprising
final scene just may provide a clue to Johnson's brand - new future trilogy.
Remember how, towards the end of the Wayne's World movies, Wayne and Garth would do ridiculous endings in the style of various other films, just before they'd get to the
real final scene?