Crapstraction's homogenized formal language represents a larger flattening in the «art world». (sfaq.us)
The panel that judged the open call for inclusion in 100 Painters of Tomorrow — which included Yuko Hasegawa, chief curator at the Museum of Contemporary Art, Tokyo; Philip Tinari, director of the Ullens Center for Contemporary Art, Beijing; artist Cecily Brown; and the critic Barry Schwabsky, among others — seems equally tired of this type of «crapstraction». (artreview.com)
«Zombie Formalism» and «Crapstraction» are glib, voguish — although, it must be said, amusing — terms that have been thrown around. (dailyserving.com)