There never existed a tradition formed by a dry historical interest in the facts as facts. (religion-online.org)
Both sets of suits, however, find additional meaning in relation to one another, speaking to the myriad ways in which existing traditions of Mardi Gras function as visual culture both in New Orleans and beyond. (pelicanbomb.com)
In addition to asking us to think about postmodernist issues of painting, perception, authorship, and the like, Hablon Redux asks what art can do to make existing traditions and practices more visible, through a process that goes beyond interpretation into inspired invention. (dailyserving.com)