His most celebrated feature, Yoyo (65), is a clever — at times brilliant — comingling of Keaton's physical comedy, Chaplin's pathos, Tati's gentle social observation, and the broader farce of Frank Tashlin. (filmcomment.com)
Frank functions best as farce: it is endlessly amusing watching Fassbender wobble about with that vast head on, half - man, half piñata. (independent.ie)
It's the best kind of farce in that, like «Sanders,» it keeps reality percolating just underneath the surface while nearly always defying expectations. (metacritic.com)