The print used for the 1.78:1 anamorphic widescreen transfer is free of debris, but it looks worn all the same, with fleshtones on the pink side and an absence of deep blacks. (filmfreakcentral.net)
While all films in the set ring with Hammer's trademark attention to colour process, offering bloody reds and fleshy fleshtones, Horror of Dracula's 1.77:1 anamorphic widescreen image (recropped from its original 1.66:1 aspect ratio) is sadly jumping with grain so dense it's at times almost misty. (filmfreakcentral.net)
Also, the color on the Warner is more accurate than the French Avanti Blu - ray which has dulled the color in most scenes, the warner Blu - ray has proper MetroColor reproduction throughout with warmer fleshtones, metallically clear sterling silver, mirror & gold reproduction and more naturalistic lighting throughout. (fulvuedrive-in.com)