Something like Ed Lachmann's Carol could not be further on the other side of the spectrum, with his inspired choice of shooting it on Super 16 mm film stock creating that hazy historical feel while lavishing over the faces of his two stars as they traverse 1950's a 1950's New York City resplendent with hats (so many hats!). (alphaprimitive.com)
Nolan used his own salary to pay for the 16 mm film stock used on his debut feature «Following.» (indiewire.com)
The Cremaster Cycle was all shot on video, but the footage is transferred to 35 mm film stock for projection. (cremasterfanatic.com)