This may have something to do with the film's length, which is a bit too much for the story to support, and the odd pacing of the thing. (alcohollywood.com)
Somehow the brilliant cinematographer Christopher Doyle shot this, and his images came out disconnected and flat, as if they were put together wrong; or maybe it's just the odd, leaden, nonsensical pace of this thing that just render Doyle's images useless. (combustiblecelluloid.com)
The tactility, the pliancy, the incisive, organic handling and yes, the sheer pace of the thing are not just a big step on from the 360 Modena but a big step on for Ferrari road cars full - stop. (evo.co.uk)