The last couple of months have been spent researching George Hallett pre-exile photography practice in 1960s South Africa, visiting the 13th Sharjah Biennial (read the review on Contemporary And) and Reunion Island as part of the Frac (Fonds Régional d'Art Contemporain), which was also an occasion to meet artists across the island and give a talk at the Ecole Supérieure d'Art. (eyonart.org)
See Through: Windows and Mirrors in UMMA's Photography Collection explores how photographers employ windows and mirrors across 100 years of photography practice — from street photography to self - portraiture. (umma.umich.edu)
Linking the then - emerging conceptual photography practices of the «80s with its contemporary reflections, the exhibition promises a museum - quality experience at the gallery's three times larger new location. (artspeak.nyc)