Take, for example, the much - anticipated (on my part) Madame Cézanne in a Red Dress, 1888 - 90 (MET); the asymmetry of the head is lively, the impromptu sketchiness of the hands (which like many instances in this show, foretells of Matisse) does nothing to destroy the solidity of the arms; but the left - hand side of the skirt (her right) is hopelessly ambiguous, spatially unworkable, and awkwardly thrust into the corner of the painting. (abcrit.org)
I'm actually kind of glad this happened, because I wouldn't have found out about Nestle's sketchiness if it hadn't. (meloukhia.net)
Ms. Koether's radiant sketchiness and pop - culture flavoring has precedent in the work of Sigmar Polke and Kenny Scharf. (nytimes.com)