The Pavilion of Earth excels with works like Kosovar artist Petrit Halilaj's fabulous fabric moths, or Charles Atlas's fusion of the drag queen Lady Bunny's monologue about the corruption of American politics with a series of neon sunsets that form a mosaic on a vast screen. (artsy.net)
But the real strength of the show is in the backstage view that it affords, of both the hardwiring of Atkins's vast screens and the loaned costume archive of the Deutsche Oper Berlin, which hangs in each room, musky - scented, on rails. (frieze.com)