Although, for example, Gobba, zoppa e collotorto, from the Cones and Pillars series (1985), directly references the impact of Caravaggio on his resolve to create and radiate outward an expanding pictorial space, it illustrates «cones», «posts» and «outward» — but not Caravaggio. (studiointernational.com)
Frank Stella, Gobba, zoppa e collotorto, 1985. (whitney.org)
Frank Stella, Gobba, zoppa e collotorto (Hunchback Wryneck Hobbler), 1985, oil, urethane enamel, fluorescent alkyd, acrylic, and printing ink on etched magnesium and aluminum, 11 1/2» × 10» × 34». (artforum.com)