This document of artists, art - dealers and actresses, a who's who of the golden age of creative high society in New York, similarly uncovers Binion's personal history as a disregarded black artist in an overwhelmingly white majority. (kavigupta.com)
More ominously, they «are emotional defectors from a society whose white majority long ago smothered to death any notion of cultural co-ownership.» (religion-online.org)