There was also a good amount of art not for sale: a pop - up exhibit off - site at Pivot Art
+ Culture curated by Juxtapoz Magazine and Takashi Murakami, and a video exhibition featuring an archive of public access television pieces and works by
contemporary artists curated by project space Public
Fiction in Los Angeles and the Henry Art Gallery in Seattle.
2016 These Strangers... Painting and People, Stedelijk Museum voor Aktuele Kunst, Ghent, Belgium Los Angeles: A
Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait, Astrup Fearnley Museet, Oslo, Norway; traveled to Musée d'art contemporain, Lyon, France Route to (Re) Settlement, curated by Cecelia Stucker and Kimberly Light, Mann - Simons Site, Columbia, SC A Shape That Stands Up, Hammer Museum at Art
+ Practice, Los Angeles, CA 30 Americans, Cincinnati Art Museum, Cincinnati, OH Non-
Fiction, curated by Noah Davis, The Underground Museum, Los Angeles, CA Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Intimisms, James Cohan Gallery, New York, NY Nothing Compares to You, Works from the Collection of Martin & Rebecca Eisenberg, Riverview School, Cape Cod, MA Making & Unmaking, curated by Duro Olowu, Camden Arts Centre, London, UK Dimensions of Black, Museum of
Contemporary Art, San Diego, CA; traveled to The Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis, CA