Sentences with phrase «1.65:1 widescreen aspect ratio»
Presented in 1080p high definition with a widescreen aspect ratio of 2.40:1 and a crystal clear DTS - HD MA (Master Audio) lossless 5.1 track, the film looks and sounds fantastic on Blu - ray disc.
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Presented in 1080p high definition and a widescreen aspect ratio of 1.85:1, the film is mastered in a lossless DTS - HD Master Audio 5.1 mix that sounds crisp and clear throughout.
KEY: 1.33:1 - 4 x 3 Fullscreen; 1.66:1, 1.77:1, 1.78:1, 1.85:1, 2.35:1, 2.55:1 - Widescreen aspect ratios; Pan & Scan (p & s)- movie is modified to fill 4:3 TV screen; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby 2 - Channel Surround or Stereo SRP - Suggested Retail Price; TBA - To Be Announced; OAR - Original Aspect Ratio (DVD preserves the ratio the film was created for)
The Blu - ray presents the film uncompromised in its intended 2.40:1 widescreen aspect ratio.
PHILOMENA DVD Street date: April 15, 2014 Pre-book: March 19, 2014 Catalog #: WC61631 UPC: 013132616315 Run time: 98 Minutes Rating: PG - 13 SRP: $ 29.98 Format: Widescreen Aspect Ratio: Widescreen 1.78:1 Audio: Dolby Digital 5.1
PHILOMENA Blu - ray ™ with Digital HD UltraViolet ™ Street date: April 15, 2014 Pre-book: March 19, 2014 Catalog #: BD61632 UPC: 013132616322 Run time: 98 Minutes Rating: PG - 13 SRP: $ 34.99 Format: Widescreen Aspect Ratio: Widescreen 1.78:1 Audio: 5.1 DTSHD - MA
Klowns is presented in 1080p high definition with a widescreen aspect ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.
Both films are presented on DVD in standard definition with a 1.66:1 full frame (original Highways) and an anamorphically enhanced 1.78:1 widescreen aspect ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.
Presented in anamorphically enhanced, standard definition with a 1.78:1 widescreen aspect ratio and a 5.1 stereo track, the film looks and sounds up to standards on DVD.
The show is presented anamorphically enhanced in its original 1.78:1 widescreen aspect ratio and has a lossy 5.1 Dolby Digital track with is up to par with the DVD format.
The film is presented on standard definition DVD with a 1.85:1 widescreen aspect ratio and a 2.0 lossy Dolby Digital Stereo track, both of which are up to standards with expectations of the format.
Now for playback performance starting with Batman, presented in 1080p high definition on Blu - ray disc with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless (48kHz, 24 - bit) mix, the animated film looks and sounds up to standards in HD.
Free To Rock is presented on standard definition DVD with an anamorphically enhanced 1.78:1 widescreen aspect ratio and a lossy Dolby Digital 2.0 Stereo track, the presentation here is fine for DVD and includes archival footage, interviews, and Sutherland's voice pushing the story forward.
Housed in a regular plastic Amaray case, the DVD is presented in a 1.78:1 widescreen aspect ratio with DTS 5.1 surround and Dolby digital 5.1 surround sound audio tracks.
Tremors is presented in 1080p high definition Blu - ray with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless mix, the presentation is up to standards and satisfactory.
The film appears on DVD in its original 2.35:1 widescreen aspect ratio, and has been anamorphically enhanced.
Presented in black and white 1080p high definition on Blu - ray with a widescreen aspect ratio of 1.78:1 (original aspect ratio was 1.85:1) and a remastered DTS - HD MA (Master Audio) 2.0 Mono lossless sound mix, the film looks better than previous releases but isn't as sharp as expected.
Presented in standard definition with an anamorphically enhanced widescreen aspect ratio of 1.78:1 and a lossy Dolby Digital 5.1 track, the show has been captured so - so on DVD.
The movie is animated in the 1.78:1 widescreen aspect ratio and presented that way on Blu - ray in 1080p.
The Muppet Movie is presented in the 1.85:1 widescreen aspect ratio (matching the dimensions of its original theatrical exhibitions) and has been enhanced for 16x9 displays.
There are contractual obligations that this film must be shown in its widescreen aspect ratio.
Like other cinematic novelties, not all filmmakers used widescreen aspect ratios to artistic effect.
Loved It's Marvel VS. Capcom 2: Aside from the widescreen aspect ratio, some next - to - useless graphics filters, and different menus, this is the same game that thrilled us in its previously released incarnations.
Jackie Brown appears in its original 1.85:1 widescreen aspect ratio on Blu - ray.
Still, the movie has been lovingly restored in its original widescreen aspect ratio with pristine image quality, a far cry from old VHS bootlegs.
Still, it's kind of a fun movie and, restored it to its original widescreen aspect ratio, this disc makes for a decent first - time purchase at the right price.
The transfer looks stunning with its 16X9 widescreen aspect ratio.
The feature film is presented in the 1:66:1 widescreen aspect ratio and is enhanced for 16x9 televisions, resulting in tiny black bars on the sides that won't be visible on most screens due to overscan.
Disney's DVD presents Return to Oz in its original 1.85:1 widescreen aspect ratio.
Blu - ray presents Thunderbolt and Lightfoot in its original 2.35:1 widescreen aspect ratio.
In part three, set in 2025 Australia, and in the 2:35 widescreen aspect ratio, «Mountains May Depart» falls into ludicrous disarray.
Holding almost half the first season and selling for less than one - fourth the price, Turn Your World Around seems like a good deal and a great way for casual «Punky Brewster» fans to begin a DVD collection, but the episodes are packed too tight and, if it affects you, that widescreen aspect ratio is inexcusable.
Filmmakers began to create their films in widescreen aspect ratios, ranging from 1.75:1 to the extremely wide 2.75:1.
Presented in its original 1.66:1 widescreen aspect ratio and enhanced for 16:9 displays, black & white Hand in Hand looks great.
KEY: 1.33:1 - Fullscreen; 1.66: 1, 1.77:1, 1.85:1, 2.35:1 - Widescreen aspect ratios; DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround 2.0; DTS 5.1 - Digital Theater Surround Sound (5.1 channels); CE - Collector's Edition; 16:9 - widescreen presentation enhanced for 16 x 9 widescreen TVs (anamorphic)
The film is presented in its original 2.35:1 widescreen aspect ratio, enhanced for 16x9 screens.
Summit's DVD presents Push in its 2.35:1 widescreen aspect ratio.
The film is presented in its original 2.35:1 widescreen aspect ratio and is enhanced for 16x9 displays.
Image kindly restores the film to its original intended and theatrical 1.85:1 widescreen aspect ratio.
Fortunately, A Far Off Place is presented in its original 2.35:1 widescreen aspect ratio and has been enhanced for 16x9 televisions.
This episode is shot, often handheld, on digital video, not film like its predecessors, and home video presents it, questionably, in the less cinematic 1.78:1 widescreen aspect ratio.
Also presented in standard definition with an anamorphically enhanced 1.78:1 widescreen aspect ratio and a lossy Dolby Digital 5.1 surround mix on the disc as well, the Shadowman presentation is up to par with the format.
Presented in 1080p high definition with a widescreen aspect ratio of 2.39:1 and a English DTS - HD MA (Master Audio) 5.1 lossless track, the film looks and sounds up to standards on Blu - ray.
Additionally, the pan-and-scan version on US streaming services has excised the score, but the UK version has the correct widescreen aspect ratio and soundtrack (although the latter is a little poorly mixed at times.)
The film is presented in standard definition with a widescreen aspect ratio and a lossy English Dolby Digital 5.1 track, both of which play fine for the format.
The standard definition presentation is fine for DVD with an anamorphically enhanced 1.85:1 widescreen aspect ratio and a lossy 5.1 mix.
The film is presented with a widescreen aspect ratio of 2.39 X 1 and both DTS - HD MA (Master Audio) 5.1 lossless track and a LPCM 2.0 track.
Presented and remastered in 4K from the original camera negative, the 1080p presentation of the classic film has a 1.66:1 widescreen aspect ratio and a restored LPCM Mono track, both of which are of very high quality.
Presented in 1080p high definition on Blu - ray disc with a widescreen aspect ratio of 1.85:1 and a great sounding DTS - HD MA (Master Audio) Mono lossless track, the low budget film has been superbly restored for HD.
#artoffline is presented on standard definition DVD and an anamorphically enhanced 1.78 X 1 widescreen aspect ratio with a lossy Dolby Digital 2.0 Stereo track, both of which are fine for a documentary such as this but nothing breathtaking.