Sentences with phrase «1.85:1 anamorphic widescreen transfer»

Picture quality on the 1.85:1 anamorphic widescreen transfer looks fine for standard definition, with no noticeable flaws arising.

Visuals are essential to Sacred Planet's success and fortunately, they are flawlessly presented on DVD in a stunning 1.85:1 anamorphic widescreen transfer.

As for the soft, greyish 1.85:1 anamorphic widescreen transfer (a separate full - frame version is also available — be careful, as the two are differentiated on the back of the case rather than on the front), do not adjust your set: you're in Adrian Lyne territory now.

THE DVDs by Bill Chambers Fox issues The Clearing on DVD in a nice but erratic 1.85:1 anamorphic widescreen transfer: Although I wouldn't have minded the shifts in definition so much if they were more aesthetically grounded, sometimes the crispness of the image varies between consecutive shots.

The 1.85:1 anamorphic widescreen transfer improves after a grainy, oversaturated start (colours remain a little too «Columbia bold» throughout) while the 5.1 Dolby Digital soundmix is humdrum and another offender of the dreaded dance club anomaly: Shouldn't the music be competing with voices — rather than yielding to them — in San Francisco's hottest disco?

Martian Child looks exquisite in this 1.85:1 anamorphic widescreen transfer, which boasts tremendous detail and nary a flaw.

The 1.85:1 anamorphic widescreen transfer smoothes over bumps in the source print with impeccable compression and stable colours; shadow detail is diaphanous.

THE DVD Artisan presents a more than adequate 1.85:1 anamorphic widescreen transfer on DVD (as well as a 1.33:1 pan-and-scan on the same side of the platter) that belies the relatively low budget and production values of the film.

THE DVD Universal's 1.85:1 anamorphic widescreen transfer is a showcase piece for the DVD format.

The costumes, the lighting — a 1.85:1 anamorphic widescreen transfer preserves it all impeccably.

With a 1.85:1 anamorphic widescreen transfer and a superfluous, cropped fullscreen version occupying the same side of a dual - layer disc, the bitrate is pathetic at times, exacerbating the tungsten haze of Laszlo Kovacs's cinematography.

In this 1.85:1 anamorphic widescreen transfer, the element stays clean, but sharpness, detail, and colors are a bit lacking, even for standard definition.

The first disc finds the picture in a lovely 1.85:1 anamorphic widescreen transfer made using a HiDef conversion process Anchor Bay calls «Divimax.»

Although captures weighing the fullscreen version of the SE (reviewed below) against the Superbit's 1.85:1 anamorphic widescreen transfer wouldn't prove much other than the disparity in aspect ratios, the Superbit platter boasts a much more expressive colour palette, blacks that approach pitch for a change, and detail so microscopically fine that, while Gobby's costume now officially looks stupid, the CGI has, conversely, never been more convincing, since all that compositing work is finally discernible.

THE DVD by Bill Chambers Artisan presents the Alliance - Atlantis production Men with Brooms on DVD in an adequate 1.85:1 anamorphic widescreen transfer.

Find the film on the first disc in a 1.85:1 anamorphic widescreen transfer that adjusts every aspect of the bare - bones DVD's 4:3 letterbox presentation — hues, saturation, contrast, framing — for the better.

Though the 1.85:1 anamorphic widescreen transfer of the film (full - frame version sold separately) starts out looking scuffed, the speckles clear up after the opening credits — but then edge - enhancement intrudes, and there's a bizarre lapse in quality during chapter 6, when intermittent shots lose so much definition as to suggest second - generation VHS.

The excellent 1.85:1 anamorphic widescreen transfer presents the darks with pleasing contrast and all those volumes of neon with clarity and the intended bleed.

Cyrus looks great in the DVD's 1.85:1 anamorphic widescreen transfer.

The DVD's 1.85:1 anamorphic widescreen transfer is certainly agreeable judged by the standards of standard definition.

Packaged in a regular Amray case, I'll Always Know What You Did Last Summer is presented in a solid, 1.85:1 anamorphic widescreen transfer, with an English language Dolby digital 5.1 audio track and a French language Dolby surround track.

THE DVD by Bill Chambers Disney presents Valiant on DVD in a plastic - fantastic 1.85:1 anamorphic widescreen transfer.

The 1.85:1 anamorphic widescreen transfer looks dingy beyond the severe diffusion that was applied to daylight and nighttime scenes alike.

THE DVD Warner presents Curly Sue on DVD in a 1.85:1 anamorphic widescreen transfer that suggests the studio didn't put every care and effort into this title.

The picture remains clean on the 1.85:1 anamorphic widescreen transfer, but very soft and with an out - of - focus look to which you must adjust.

The 1.85:1 anamorphic widescreen transfer seems recycled from the 2002 edition and, frankly, reminds at times of the comparatively cheap The Evil Dead.

THE DVDs MGM / Fox brings Lars and the Real Girl to DVD in a desaturated 1.85:1 anamorphic widescreen transfer that emphasizes beiges and flesh tones, highlighting a ruddy humanity better than the film itself does.

Besides a superb 1.85:1 anamorphic widescreen transfer that gets the soft, greyish Bill Butler look just right and a Dolby Digital 5.1 mix that fills the room with abstract thunder during each of Dad's «visions,» the disc features three good commentary tracks and more.

According to the press release, the final retail version of the Unrated DVD edition offers only a 1.85:1 anamorphic widescreen transfer, whereas the Theatrical Cut holds that and a 1.33:1 fullscreen version on opposite sides of a flipper disc.

The Sisterhood of the Traveling Pants 2 comes to Blu - ray in a 1.85:1 anamorphic widescreen transfer presented in 1080p.

THE DVD Released on a double - sided platter on the Fox Family Feature imprint, The Pagemaster's 1.85:1 anamorphic widescreen transfer is dull and undistinguished.

Though the disc recycles the supple 1.85:1 anamorphic widescreen transfer and Dolby Digital 5.1 mix of the film's previous DVD release, improvements in encoding procedures since 1998 render this new presentation definitive.

THE DVD by Bill Chambers Columbia TriStar distributes the enjoyable Laurel Canyon on DVD in a delectable 1.85:1 anamorphic widescreen transfer that makes the film look expensive.

The newly - struck 1.85:1 anamorphic widescreen transfer is bright and beautiful, however, with light edge - enhancement in a few early scenes fading admirably long about the evening picnic.

The first platter contains the film in a beautifully - saturated 1.85:1 anamorphic widescreen transfer that comes across as warm, free of defect, and exceedingly bright.

Not much to report on either end of the A / V spectrum here: the perfunctory - feeling, windowboxed 1.85:1 anamorphic widescreen transfer reproduces Kondo's muted colour palette with some fidelity, while music is the only thing giving the rear speakers any kind of workout as far as the Dolby Digital 5.1 audio is concerned.

The film's 1.85:1 anamorphic widescreen transfer rings all the lushness it can from Steven Bernstein's flatly - lit cinematography.

THE DVD Through Subversive Cinema, Absurda makes Eraserhead available for the first time outside of Lynch's website in a stunning 1.85:1 anamorphic widescreen transfer sourced from 2003's frame - by - frame restoration.

THE DVD Paramount's DVD release presents Donovan's Reef in a beautiful 1.85:1 anamorphic widescreen transfer that shows off William Clothier's (Cheyenne Autumn) stunning cinematography.

I never found the 1.85:1 anamorphic widescreen transfer anything less than gratifying; occasional fluctuations in grain or contrast are both intended and motivated.

The 1.85:1 anamorphic widescreen transfer (fullscreen sold separately) is crisp and brilliant, if prone to too much saturation and contrast.

Unlike its last Region 1 DVD, My Neighbor Totoro is treated here to a 1.85:1 anamorphic widescreen transfer.

THE DVD Paramount's DVD release of The Temp presents the film in a sharp 1.85:1 anamorphic widescreen transfer that suffers stray edge - enhancement issues.

Disc One features a nice, solid, rain - streaked 1.85:1 anamorphic widescreen transfer that shows the wear of its origins (a Spanish / Italian production on minimal funds and with time and subject limitations) yet acquits itself quite nicely and is arguably more lustrous than the Anchor Bay presentation.

We received the NC - 17 disc for review (as if the R release would receive coverage here), whose 1.85:1 anamorphic widescreen transfer is unassumingly breathtaking, a smashing success in every conceivable way.

THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.

THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.

The 1.85:1 anamorphic widescreen transfer is largely dark and murky — partially, I think, to help the little beasts believably blend into their surroundings.

THE DVD Appearing on Paramount DVD in fullscreen and 1.85:1 anamorphic widescreen transfers compressed on one side of a dual - layer platter, The Wild Thornberrys Movie looks sharp and lovely on disc.

Don't get me wrong: I'm happy as a clam that the films (remastered in effervescent 1.85:1 anamorphic widescreen transfers — pan-and-scan sold separately — supervised by co-creator Bob Gale with Dolby Digital 5.1 remixes that beef up the re-entry effects especially) look and sound as good as they do and that, for the first time in home video's history, each picture is now being seen as it appeared in theatres (more on that below).