Sentences with phrase «17th biennale»

Wallinger has also represented the British Pavilion at the 49th Venice Biennale in 2001 and participated at the 17th Biennale of Sydney in 2010.

Folkert de Jong has exhibited in the Busan Biennale, South Korea, (2016); the first Kiev International Biennale of Contemporary Art, Ukraine (2013); the Glasgow International Festival of Visual Art, Scotland (2012); the 17th Biennale of Sydney, Australia (2010); and the Athens Biennial, Greece (2007).

Selected group exhibitions include: Heaven and Hell, Stedelijk Museum, Amsterdam, NL (2016); Takeshi Murakami's Superflat Collection — From Shōhaku and Rosanjin to Anselm Keifer, Yokohama Art Museum, Yokohama, JP (2016); Le Rêve, Musée Cantini, Marseille, FR (2016); Disasters of War 1800 — 2014, Louvre - Lens Museum, FR (2014); M16: Peace one Day, Institute of Contemporary Art, London, UK (2014); Damage Control: Art and Destruction since 1950, MUDAM, Luxembourg, LU (2014); Iconoclasm, Tate Britain, UK (2013); Capita Selecta Groninger Museum, Groninger Museum, Groningen, NL (2013); 1st Kiev International Biennale, UA (2012), The Beauty of Distance, 17th Biennale of Sydney, AU (2010); Spanish Muse: A Contemporary Response, Meadows Museum, Texas, US (2010); Rude Britannia, Tate Britain, UK (2010); Curious, Bundeskunsthalle, Bonn, DE (2010); National Center of Contemporary Art, Moscow, RU (2009); Where Is The Wind, When It Doesn't Blow?

Group exhibitions include: Image to be Projected until it Vanishes, Museion Bolzano, IT; Without Reality There is No Utopia, Centro Andaluz de Arte Contemporaneo, Sevilla, SP, The Beauty and the Distance, 17th Biennale of Sydney, Sydney, AU; Les Promesses du passé, Centre Pompidou — Musée National d'Art Moderne, Paris, FR; The Seductiveness of the Interval, The Renaissance Society at The University of Chicago, Chicago, US; The Generational: Younger Than Jesus, New Museum, New York, US; The Seductiveness of the Interval, Romanian Pavilion, 53 Venice Biennale.

THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age, the 17th Biennale of Sydney is selected by internationally esteemed curator David Elliott and presented in venues and sites around Sydney Harbour.

Sydney, Australia — The Museum of Contemporary Art (MCA) is delighted to unveil the artists and projects showing at the MCA as part of the 17th Biennale of Sydney, Australia's largest and most respected contemporary arts event, running from 12 May until 1 August 2010.

Her work has been exhibited at Vancouver Art Gallery, Art Gallery of Greater Victoria, National Indian Art Centre, UBC Museum of Anthropology, 17th Biennale of Sydney, National Museum of the American Indian, Confederation Centre for the Arts, and Taipei Fine Arts Museum.

His work has been included in major international exhibitions such as 17th Biennale of Sydney, Sydney, Australia (2010) and the Sea Art Festival, Busan Biennale, South Korea (2008).

Coetzee, who first met Ballen at the 17th Biennale of Sydney in 2010, has also allowed the photographer to create a series of environments filled with animatronics, wall drawings, and props that reflect this lanky photographer's interest in outsider art (Ballen prefers the French term art brut) and will likely provide instant recognition for fans of Die Antwoord.

Since 2002, Sawa has been included in major international exhibitions such as The Dissolve, SITE Santa Fe Eighth International Biennial (2010); The 17th Biennale of Sydney, Sydney, Australia (2010); The 6th Asia Pacific Triennial of Contemporary Art (APT6), Brisbane, Australia (2009); the Sea Art Festival, Busan Biennale, South Korea (2008); and the 7th Biennale de Lyon, Lyon, France (2003).

To Know, To Dare, To Will, To Keep Silence, Schirn Kunsthalle Frankfurt, Frankfurt, Germany; travelling to CAPC de Bordeaux, Bordeaux, France (2011); British Art Show 7: In the Days of the Comet, Nottingham Castle Museum & Art Gallery, Nottingham Contemporary; Hayward Gallery, London; Glasgow Centre for Contemporary Arts, Glasgow; Plymouth Arts Centre, Plymouth (2010 - 2011); The Beauty of Distance: Songs of Survival: 17th Biennale of Sydney, Sydney, NSW, Australia (2010); Before & After Science, 2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, SA, Australia (2010); Glasgow International 2010, Washington Garcia at Mitchell Library, Glasgow (2010); The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, St Ives (2009 - 2010); Altermodern, Tate Triennial, Tate Britain, London (2009); and Tokyo Redux, Palais de Tokyo, Paris, France (2007).

Major group exhibitions include the 40th Venice Biennale (1982), the Kiev Biennale (2012) and the 17th Biennale of Sydney (2010).

She has participated in a number of international biennales including Shanghai Biennale, Moscow Biennale, Taipei Biennale, The 15th & 17th Biennale of Sydney, Istanbul Biennale, Yokohama Triennale, and The 50th, 52nd & 56th Venice Biennales.

His work has been included in numerous group exhibitions such as the 17th Biennale of Sydney (2010); 2004 Biennial Exhibition, Whitney Museum of American Art, New York.

The artist's work was also recently featured in the Kiev Biennale (2012) and the 17th Biennale of Sydney (2010).

Selected exhibitions and biennials include: 2015 Venice Biennale (2015); 12th Istanbul Biennial (2011); 17th Biennale of Sydney (2010); 6th Asia - Pacific Triennial of Contemporary Art, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia (2010).

Sawa has participated in the 6th Asia Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Brisbane (2009), the 17th Biennale of Sydney (2010), the 2011 Chengdu Biennale, and group exhibitions such as Encounter: The Royal Academy in Asia touring the Institute of Contemporary Arts Singapore and the Middle East Katara Cultural Village in Doha (2012), and Re: Quest — Japanese Contemporary Art Since the 1970's at the Museum of Art Seoul National University (2013).

In the second part of the interview with David Elliott, the Artistic Director of the 17th Biennale of Sydney 2010,...

This is the first part of VernissageTV's interview with David Elliott, Artistic Director of the 17th Biennale of Sydney.

They have shown in numerous group exhibitions including the Aichi Trieannale 2010, Nagoya, Japan; the 17th Biennale of Sydney, Sydney; the 2nd and 3rd Moscow Biennale of Contemporary Art, Moscow; the Liverpool Biennial 2006, Liverpool, United Kingdom; the 51st Venice Biennale, Venice; the Yokohama Triennial (2001), Yokohama, Japan; and the 5th Lyon Biennial of Contemporary Art, Lyon, France.

Noonan has participated in group exhibitions internationally including TABLEAUX, Magasin, Grenoble, France, (2011); The British Art Show 7 (2010 — 2011); the 17th Biennale of Sydney: THE BEAUTY OF DISTANCE Songs of Survival, Sydney, Australia (2010); Altermodern: The Tate Triennial, Tate Britain, London (2009); and The Rings of Saturn, Tate Modern, London (2006).

Recent exhibitions include the 11th Istanbul Biennale in 2009, the 2nd Thessaloniki Biennale in 2009, the 17th Biennale of Sydney in 2008, and the Documenta 12 Magazine in 2008.

She has also participated in numerous biennials including Kiev Biennale, Ukraine (2012) and the 17th Biennale of Sydney, Australia (2010) and the 40th Venice Biennale, Italy (1982).

Cao Fei's previous works had participated in a number of international biennales including 15th & 17th Biennale of Sydney (2006 & 2010), Moscow Biennale (2005), Shanghai Biennale (2004), Istanbul Biennale (2007) and 50th & 52nd Venice Biennale (2003 & 2007).

1953 Painting in the USA, Los Angeles County Fair, Los Angeles, CA International Watercolor Exhibition, 17th Biennale, The Brooklyn Museum, Brooklyn, NY 14 Painter - Printmakers, Stable Gallery, New York, NY Annual Exhibition Contemporary Watercolors and Drawings, Whitney Museum of American Art, New York, NY 1st Annual National Print Exhibition, Dallas, TX Annual Exhibition Contemporary Painting, Whitney Museum of American Art, New York, NY Candidates for Grants in the Arts, National Institute Arts & Letters, New York, NY Moderne Amerikaanse Grafiek, Municipal Museum S'Gravenhage, The Netherlands 7th Annual Print Exhibition, The Brooklyn Museum, Brooklyn, NY 1st Artists Annual Show, 9th Street Gallery, New York, NY Contemporary Religious Art, Church of the Ascension, New York., NY

Abidin presented his work at many Biennales such as: The 5th Guangzhou Triennial (2015); The 56th Venice Biennale - Iran Pavilion (2015); the Glasstress - The 56th International Art Exhibition — Venice Biennale (2015); Biennale of Contemporary Art of Bosnia (2013); 54th Venice Biennale - Iraq Pavilion (2011); 10th Sharjah Biennial (2011), 17th Biennale of Sydney (2010); 11th Cairo Biennale (2008); 4th Gothenburg Biennale (2007); 52nd Venice Biennale - Nordic Pavilion (2007); (Student workshop participation) 5th Istanbul Biennale (2005).

His work has been included in numerous group exhibitions such as the 17th Biennale of Sydney, Australia (2010); 2004 Biennial Exhibition, Whitney Museum of American Art, New York; andThe Heavenly Tree Grows Downward: Selected Works by Harry Smith, Philip Taaffe and Fred Tomaselli, James Cohan Gallery, New York (2002).

Drawing its title from her first semiautobiographical novel published in 1978, the video was produced for the 17th Biennale of Sydney in 2010.

Sugimoto's work has been presented in numerous international solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie International (1991).

The Chevrolet Metro was used in the 17th Biennale of Sydney (2010) exhibition in an experiment made by Cai Guo - Qiang, a Chinese artist from Fujian, where nine Chevrolet Metros were suspended in the air through animation.

Not exact matches

Group exhibitions include the 4th Moscow Biennale of Contemporary Art (2011); the 17th Sydney Biennale (2010); Meadows Museum, Dallas (2010); Rude Britannia, Tate Britain (2010); Bundeskunsthalle, Bonn (2010); Hareng Saur: Ensor and Contemporary Art, S.M.A.K, Ghent (2010); the National Centre of Contemporary Art, Moscow (2009); Kunstverein Hamburg (2009); British Museum, London (2009); Palais des Beaux Arts de Lille (2008); Haus der Kunst, Munich (2008); ICA, London (2008); Annenberg Courtyard, Royal Academy of Arts, London (2007); Museum of Contemporary Art Kiasma, Helsinki (2006) and the Turner Prize exhibition, Tate Britain (2003).

He has participated in group exhibitions such as the Carnegie International (2013), the 13th, 14th and 17th Sydney Biennales, Australia (2002, 2006, 2010), the Whitney Biennial, New York, USA (2006) and the Biennale d'Art contemporain de Lyon, France (2003).

For his Venice Biennale presentation, UK painter and printmaker Stephen Chambers has conjured a cast of 101 imaginary courtiers, whose quietly introspective, quizzical visages adorn the white walls of the Piano Nobile of Casa Dandolo, a 17th - century palazzo overlooking the Grand Canal, much as the typical court or ancestral portraits of the «great white male» adorn the walls of Europe's institutions and mansions.

Cao Fei has also participated in 17th & 15th Biennale of Sydney (2006/2010), Moscow Biennale (2005), Shanghai Biennale (2004), 50th Venice Biennale (2003).

For the Biennale de Paris in 1975, he made the piece titled Conical Intersect by cutting a large cone - shaped hole through two townhouses dating from the 17th century in the market district known as Les Halles which were to be knocked down in order to construct the then - controversial Centre Georges Pompidou.

His works have been displayed recently in the Centre Pompidou (Paris), the Renaissance Society (Chicago), and the New Museum (New York), as well as at the 17th Sydney Biennale.

Furthermore, he has contributed to many exhibitions throughout the world, including Terra Comunal — Marina Abramović in sesc Pompeia, São Paulo (2015), Planos de fuga, Centro Cultural Banco do Brasil, São Paulo (2012), Olafur Eliasson — Your Body of Work as part of the 17th International Festival of Contemporary Art — sesc Videobrasil in the Pinacoteca do Estado de São Paulo, in sesc Pompeia and sesc Belenzinho, São Paulo (2011), The Spiral and the Square at Bonniers Konsthall, Stockholm, at Gråmølna Kunstmuseum, Trondheim, and at Sørlandets Kunstmuseum, Kristiansand (2011), the 1st Aichi Triennale in Nagoya (2010) and the presentation of Cinthia Marcelle at the Biennale de Lyon (2007).

Previously he has taken part in The Helsinki KIASMA Museum of Contemporary Art, The DA2 Domus Atrium 2002 Centre of Contemporary Art (Salamanca), Location One Gallery in New York City, Arab Express, Mori Art Museum, Tokyo (2012), the 17th Sydney Biennale, Aksanat (İstanbul), «I Love to Love», Forum Box Gallery, Helsinki; the Biennale of Contemporary Art of Bosnia; Hauser & Wirth Gallery, London; Singapore Art Museum; Museum of Anthropology, Vancouver; MOCCA, Toronto; Mead Gallery, UK; Espace at Louis Vuitton, Paris; MAC ‐ VAL Museum, Paris; the 10th Sharjah Biennial and 52nd Venice Biennale, where he represented Finland and the Iraqi Pavilion at the 54th Venice Biennale; held solo shows at L'Institut du Monde Arabe, Paris; Kunsthalle Winterthur, Switzerland; Darat al ‐ Funun; Amman and Wharf: Centre d'Art Contemporain de Basse, Normandy.