Born in 1933, James Rosenquist began his career in
the 1950s as a billboard painter.
Not exact matches
These include Joe Wright's Darkest Hour, which portrays Winston Churchill scheming in darkened chambers during the same Battle of Dunkirk that Nolan depicts; Three
Billboards Outside Ebbing, Missouri, which features a scorched - earth performance by Frances McDormand
as a mother grappling with her daughter's murder; Phantom Thread, director Paul Thomas Anderson's largely unseen drama about a
1950s fashion designer played by Daniel Day - Lewis, in his final performance on screen; and The Post, which is directed by Steven Spielberg and stars Tom Hanks and Meryl Streep
as Washington Post editor Ben Bradlee and publisher Kay Graham during the battle to print the Pentagon Papers.
Known for his candid portraits of his abstract expressionist friends like Willem de Kooning, Mark Rothko, Hans Hofmann,
as well
as his everyday photographs of memorable New York landmarks and street scenes, Burckhardt's photographs of hand - painted
billboards are considered
as magnanimous contributions to the New York art scene during the 1940s and
1950s.
In Ruscha's work, language and architecture are used to build pictures that radiate with the optimism of
1950s highway
billboards — heavenly roadside visions
as tempting and fleeting
as a mirage.
The inspiration for his compositional style and scale came from Rosenquist's experience
as a
billboard painter in the American Midwest and in New York City in the
1950s.
Rosenquist worked
as a commercial artist and sign - painter in the late
1950s and put this training to use in vast,
billboard - style canvases which appropriated images from advertising.