Sentences with phrase «1960s op art»

Julie Oppermann is an American painter, whose body of work merges three very different things together — 1960s Op art,»70s video imagery and»80s abstraction.

Reminiscent of the 1960s Op Art movement, especially the British painter Bridget Riley, Auerbach's hypnotic paintings, sculptures, books and prints reflect abstraction, Minimalism and even Pop, with a meticulous attention to craft.

Taaffe derives inspiration from a variety of sources, including Islamic architecture, Pompeiian mosaics, 1960s Op Art, and nineteenth century monographs on natural history.

Kujasalo's practice has its roots in 1960s Op art, especially in the work of artists such as Bridget Riley and Richard Anuzkiewicz.

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.

So said Josef Albers, the father of hard - edge abstraction and the 1960s Op Art movement.

Sheffield artist Paul Morrison's enigmatic botanical landscapes and night gardens combine familiar and unfamiliar elements of plant forms and flowers with motifs ranging from renaissance art to Lichtenstein and 1960s Op Art.

Not exact matches

The artist likens the intended experience of her installation to that of the op - artists of the 1960s, which saw the likes of Bridget Riley manipulate traditional art techniques to create optical illusions.

But Leonardo could not have anticipated the Op Art movement of the 1960s, whose chief focus was to create the illusion of movement using static images.

Chic vintage 1960s JOSEPH MAGNIN silver and burgundy / maroon abstract op - art print silk brocade A - Line dress!

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

During the late 1960s Larry Poons whose earlier Dot paintings were associated with Op Art began to produce looser and more free formed paintings that were referred to as his Lozenge Ellipse paintings of 1967 - 1968.

A graduate of the Royal College of Art, Smith rose to prominence in the 1960s with his take on Op - Art, and represented Britain at the 1970 Venice Biennale.

The effect recalls Op Art from the 1960s, which brought dynamism to seeing aArt from the 1960s, which brought dynamism to seeing artart.

Around 1960 she began to develop her signature Op Art style consisting of black and white geometric patterns that explore the dynamism of sight and produce a disorienting effect on the eye.

At first blush, Annell Livingston's tightly gridded abstractions might appear to be successors to the Op Art frenzy of the 1960s, but on closer scrutiny her gently rippling canvases are not so much interested in playing visual tricks as in conveying the passage of light and a feeling of transience.

A pioneer of the Op Art movement of the 1960s and one of the most significant artists working today, Bridget Riley's dedication to the interaction of form and color has led to a continued exploration of perception.

Riley's black - and - white paintings of the early 1960s, in which space seems to advance and buckle, thanks to her careful calibration of repeated shapes, placed the young artist in the vanguard of Op art.

The museum's collection of post-war works on paper contains a comprehensive survey of 1960s artists who worked in prints and drawings, from minimalism (Donald Judd, Ellsworth Kelly, and Sol LeWitt) to pop art (Jim Dine, Roy Lichtenstein, and James Rosenquist) to op art (Victor Vasarely and Bridget Riley).

Far Out: Art from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiArt from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiart from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiArt, while weaving in the social and historical narrative of that time.

Returning shows include Sascha Braunig's haunting, op - art inspired paintings at Foxy Production, and Derek Eller's retrospective of Thomas Barrow, a photographer who came of age in the 1960s, but whose distempered photo collages look distinctly contemporary.

This is a celebrated example of that fashionable idiom of the 1960s, Op Art.

Examining the connection between breakthroughs in photography and new techniques in painting, the exhibition will present rooms devoted to Op Art and Kinetic Art from 1960, with paintings by Bridget Riley and installations of key photographic works from the era by artists including Floris Neussis and Gottfried Jaeger.

«The connection between these artists is direct since Katz was once Karlik's professor and Celentano is a pioneer of the Op Art movement first coined in the 1960s, though perceptual art has existed prior and sinArt movement first coined in the 1960s, though perceptual art has existed prior and sinart has existed prior and since.

In a rare interview, Riley, 81, spoke about the use of colour in her work, which was dubbed «op art», a pun on the pop art movement, in the 1960s.

The mix of primaries, the swirls closest to abstraction, and the most dizzying works date from the 1960s, the decade of Op Art, Bridget Riley, and psychedelia.

Opere scelte dalla Collezione François Pinault,» Palazzo Grassi — François Pinault Foundation (IT), «Notations / Forms of Contingency: New York and Turin 1960 / 1970s,» Philadelphia Museum of Art, Philadelphia (USA), «Zero to Infinity: Arte Povera 1962 - 1972,» Hirshhorn Museum and Sculpture Garden, Washington DC (USA), The Museum of Contemporary Art, Los Angeles, (USA), Walker Art Center, Minneapolis (USA), Tate Modern, London (UK), «Arte Povera,» Toyota Municipal Museum of Art, Toyota (JP), «The Italian Metamorphosis, 1943 - 1972,» Triennale, Milan (IT), Kunstmuseum, Wolfsburg (A), Solomon R. Guggenheim Museum, New York (USA), «The Knot Arte Povera at P.S. 1, MoMA P.S. 1, New York (USA), «Prospect» 68,» Städtische Kunsthalle, Düsseldorf (DE), «Op Losse Schroeven: Situaties en cryptostructuren,» Stedelijk Museum, Amsterdam (NL), «Live in Your Head: When Attitudes Become Form / Works, Concepts, Processes, Situations, Information,» Kunsthalle Bern, Bern (CH); and he has taken part in various international biennales, such as: 39th, 44th and 52nd Biennale di Venezia (IT), as well as VII Biennale de Paris (FR), XII Biennal de São Paulo, São Paulo (BR), Documenta IX and Documenta V, Kassel (DE).

Standing nearly five feet tall, this striking composition — which playfully evokes the swirling sky in van Gogh's The Starry Night — is an amazingly well - priced piece by Julio Le Parc, a trailblazing pioneer of Op Art and kinetic sculpture in Paris and Argentina's 1960s art scenArt and kinetic sculpture in Paris and Argentina's 1960s art scenart scenes.

The «new art» of the late 1960s was shown in two landmark exhibitions in 1969: «Op Losse Schroeven» and «When Attitudes Become Form.»

Widely known as an icon of Op art, Riley first came to prominence in the 1960s — notably after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and - white paintings that actively engaged the viewer's perception, using geometrical patterns that were quickly taken over by the fashion and design industries throughout the «Swinging Sixties».

The Optical Edge, Pratt Manhattan Gallery, New York, USA After Image: Op Art of the 1960s, Jacobson Howard Gallery, New York, USA The Optic Nerve: Perceptual Art of the 1960s, Columbus Museum of Art, Columbus, USA Op Art, Schirn Kunsthalle, Frankfurt, Germany

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition «The Responsive Eye» at The Museum of Modern Art.

Representing the contemporary trend for op art and light art, the Korean artist Chul - Hyun Ahn perfectly translates his research into geometric abstract painting from the 1960s into an art of...

«Re-Op» explores contemporary approaches to understanding, re-examining, and pushing the boundaries of visual perception beyond those initially posed by Op Art in the early 1960s.

Her approach to painting, often with the use of assistants, was to be a key component of the development of Op Art in the 1960s, with Riley at the forefront.

Born in the 1960s, psychedelic art is thriving in the capable hands of contemporary artists who have been inspired and influenced by a variety of mid-20th century art styles, including Op Art (Optical Art) and Color Field paintinart is thriving in the capable hands of contemporary artists who have been inspired and influenced by a variety of mid-20th century art styles, including Op Art (Optical Art) and Color Field paintinart styles, including Op Art (Optical Art) and Color Field paintinArt (Optical Art) and Color Field paintinArt) and Color Field paintings.

Selected references: Arnason, H.H., History of Modern Art: Painting, Sculpture, Architecture, 1968 Barr, Alfred, Painting and Sculpture in the Museum of Modern Art, 1929 - 1967, 1977 Barrett, Cyril, Op Art, 1970 Barrett, Cyril, An Introduction to Optical Art, 1971 Houston, Joe, Optic Nerve, Perceptual Art of the 1960s, 2007 Kulterman, Udo, The New Painting, 1969 Lampe, Angela, Robert Delaunay, Rythmes Sans Fin, Centre Pompidou exhibition catalog, 2014 Pellegrini, Aldo, New Tendencies in Art, 1966 Popper, Frank, Origins and Development of Kinetic Art, 1968 Rickey, George, Constructivism: Origins and Evolution, 1967/1995 Rosenthal, Erwin, Contemporary Art in the Light of History, 1971/2013 Tiampo, Ming, Gutai: Decentering Modernism, 2011 Weller, Allen S., The Joys and Sorrows of Recent American Art, 1968

There was a short period, at the start of the 1960s, when his new work drew a lot of attention, at a time when British art was erupting with new energies and optimism: St Ives going strong, plus situation painting, pop art, op art.

Michael James Kidner RA (1917 - 2009) was a pioneer of Op art in the mid 1960s.

Michael Kidner was described by American art historian and critic Irving Sandler as «arguably the first Op Artist in Britain», following his investigations of the optical effects of light, color and systemic structure during the 1960s.

• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) • Photographic Art • Collage (from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist - Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic Realism (1925 - 40) • Socialist Realism (1928 - 80) • Social Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)

• OP - ART - KINETIC ART (1950s, 1960s) Victor Vasarely (1906 - 1997) Hungarian painter, graphic designer; founder of Op - Art, explored KineticisOP - ART - KINETIC ART (1950s, 1960s) Victor Vasarely (1906 - 1997) Hungarian painter, graphic designer; founder of Op - Art, explored KineticiART - KINETIC ART (1950s, 1960s) Victor Vasarely (1906 - 1997) Hungarian painter, graphic designer; founder of Op - Art, explored KineticiART (1950s, 1960s) Victor Vasarely (1906 - 1997) Hungarian painter, graphic designer; founder of Op - Art, explored KineticisOp - Art, explored KineticiArt, explored Kineticism.

A 1958 exhibition of Jackson Pollock's work at Whitechapel Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley began to develop her signature Op Art style consisting of black and white illusionistic patterns.

Light and Space denotes a loosely affiliated [art movement] related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin.

MODERN ART Pre-Raphaelites (1848 on) Impressionistm (1870s on) Neo-Impressionism (1870s) Newlyn School (1880s) Art Nouveau (Late 19th C) Symbolism (Late 19th C) Post Impressionism (c. 1880s) Les Fauves (1898 - 1908) Expressionist Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s ART Pre-Raphaelites (1848 on) Impressionistm (1870s on) Neo-Impressionism (1870s) Newlyn School (1880s) Art Nouveau (Late 19th C) Symbolism (Late 19th C) Post Impressionism (c. 1880s) Les Fauves (1898 - 1908) Expressionist Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art Nouveau (Late 19th C) Symbolism (Late 19th C) Post Impressionism (c. 1880s) Les Fauves (1898 - 1908) Expressionist Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s Art (1960s on)

In the 1960s, Poons left the New England Conservatory of Music to pursue a career in painting, a decision honored with nearly immediate success — Poons» early works, Op art paintings of circles and dots, were included in a MoMA exhibition when he was just 28.

Some of its associated artists were part of collectives like the Anonima Group — founded in 1960 by Ed Mieczkowski, Frank Hewitt, and Ernst Benkert — but Op Art as a style wasn't nestled in the hands of a few promoters, nor situated in a specific locale.

You can't get far in a serious discussion of Op Art without eventually referring to «The Responsive Eye,» another of Seitz's vital contributions the artistic climate of the 1960s.