Sentences with phrase «1960s dance work»

And with regard to Carl Andre, while he may deny it because he does not like the idea of his work in «performance,» he gave some of his sculptures as props to Yvonne Rainer for her 1960s dance work.

Not exact matches

More recently, he has continued to attract international attention though his lectures and essays on contemporary dance and on the artistic practices that emerged in the New York Underground scene of the 1960s, mainly the work of Jack Smith, Ronald Tavel and Andy Warhol (e.g. «Our Kind of Movie»: The Films of Andy Warhol, 2012)

He became the pianist for the Merce Cunningham Dance Company and he and John Cage toured during the 1950s and 1960s with programs of Cage's works.

Jankowski's performance - based works continue the spirit of the improvised nature of the dance movement from the 1960s and 70s, from its concept and process through to its eventual performance.

Join Erin Brannigan in conversation with Catherine Wood, Senior Curator of International Art (Performance) as they trace the influence of dance on Robert Rauschenberg's work from the 1950s and 1960s.

The artist's work with Experiments in Art and Technology (E.A.T), an organisation which developed collaboration between artists and engineers in the 1960s, will be explored, showing how he helped to blur the boundaries between the visual arts, dance and science.

On the walls, photographs of major dance works from the 1960s and early 1970s are accompanied by the artist's thoughts on how to create «ordinary,» unpretentious dance from the basics of human activity.

Mr. Dzama, 41, said his work had often been inspired by dance from the 1920s and dance magazines from the 1960s and»70s, material that informed his costume designs.

In addition to videotapes of many of the dances, including works from the 1960s when Brown and her company danced outdoors on the roofs of New York buildings, there's a weekly performance by Phillips Academy dance students in the Addison Gallery.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's multimedia work addresses the interrelationship between postmodern issues and broader cultural concerns.

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

Isaac Julien (b. 1960) is a British artist and filmmaker whose work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theater, painting, and sculpture, and uniting them to create a unique poetic visual language in audio visual film installations.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's work is characterized by experiments in kinetic technologies, as well as research into archaic visual morphologies, pleasure wrested from suppressive taboos and the body of the artist depicted in dynamic relationship with the social body.

In the 1960s, VanDerBeek began working with the likes of Claes Oldenburg and Allan Kaprow, as well as representatives of modern dance, such as Merce Cunningham and Yvonne Rainer.

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

Since she began presenting work as a member of the experimental Judson Dance Theater in the 1960s, Trisha Brown has staged dances on rooftops, rafts and the sides of buildings, performed inside a cloud created by mist makers and danced on a skateboard in a parking lot, lit only by a Volkswagen's headlights.

Gedney's works speak to this aesthetic of spontaneity, which by the early 1960's had established an intersection between painting, dance, automatic writing, and jazz improvisation.