Not exact matches
Richard Smith (1931 — 2016) has been described as «one
of the most original
painters of his
generation», who enjoyed huge critical and commercial success in both Britain and the United States in the
1960s and 70s.
Born in Tupelo, Mississippi and raised in Louisville, Kentucky, Gilliam has been based in Washington D.C. since the early
1960's, and is part
of a
generation of Washington - based
painters who have explored the boundaries
of color, scale, and shape in painting.
The show presented three distinct
generations of painters, the first being artists who rose to international prominence in the
1960s, such as Lucian Freud, Frank Stella, and Cy Twombly.
An heir to first -
generation Abstract Expressionism, she invented the technique
of «staining» color directly into raw canvas, and was a leader among the Color Field
painters of the
1960s.
Caulfield, who lived in London, rose to prominence in the
1960s as one
of the «new
generation»
of British
painters.
The gallery has also hosted exhibitions with artists
of older
generations such as Michelangelo Pistoletto and Gianfranco Pardi and represents the works
of British conceptual artist Stephen Willats, American feminist artist Mary Beth Edelson and Syrian born
painter and sculptor Simone Fattal who have been showing since the
1960's and have greatly influenced many
of the younger
generation of artists.
Moon was one
of a
generation of British abstract
painters that emerged in the early
1960s and included Robyn Denny (born 1930) and John Hoyland (born 1934).
Joyner's «four
generations» begin with Spiral collective
painters such as Norman Lewis and Richard Mayhew, who met in the early
1960's in New York at the studio
of Romare Bearden to discuss what it meant to be an artist
of color at the clarion call
of the civil rights movement.
Among the
generation of painters who emerged in Germany in the
1960s, Markus Lüpertz is one
of the least widely celebrated.
One
of the most respected abstract
painters of his
generation, Marden first came to prominence in the
1960s with his minimalist monochrome paintings.
Recent group exhibitions include Stories Cycle, Musée d'art moderne et contemporain, Geneva (2016); Don't Shoot The
Painter, Galleria d'Arte Moderna, Milan (2015); Art In Pop, Magasin - CNAC, Grenoble, France (2014); Abstract
Generation: Now in Print, Museum
of Modern Art, New York (2013); and The Indiscipline
of Painting: International Abstraction from the
1960s to now, Tate St. Ives, England (2011).
Above all, the
1960s generation of Colour Field
painters audaciously presented their abstraction as an end in itself.
Challenging official accounts
of the decade, which tend to ignore the individualistic abstraction exemplified by these
painters in favor
of more easily identifiable movements and styles, Rubinstein chronicles how, around 1980, a
generation of New York
painters embraced elements that had been largely excluded from the radical, deconstructive abstraction
of the late
1960s and 1970s, which had influenced many
of them.
Paintings and Drawings
1960 - 1993 March 22 — April 28, 2012 One
of the most original and powerful
painters of the postwar
generation in New York, Robert De Niro, Sr. (1922 - 1993) blended abstraction and representation, bridging the gap between European modernism and Abstract Expressionism.