Sentences with phrase «1970s black arts»

She shaped her practice in Los Angeles where she was ensconced in the 1970s Black Arts Movement and collaborated with fellow artists.

Both artists began their careers in Los Angeles during the 1970s black arts movement and continue to practice today.

Not exact matches

With new Ben Wheatley movie Free Fire on release this week, Sean Wilson chats to one of the director's closest collaborators Dan Martin about the art of great practical effects... Blasting onto screens in a hail of gunfire, mismatched accents and some choice 1970s costumes, Free Fire is the riotously entertaining new black comedy from -LSB-...]

«Woman, Thou Art Loosed,» which opens today nationwide, is the first theatrical film in 13 years from Mr. Schultz, one of the first black filmmakers to penetrate mainstream Hollywood in the heady 1970's.

Co-presented with the Human Rights Arts & Film Festival: La Noire de... (Black Girl, Ousmane Sembène, 1966) doubled with Petit à petit (Little by Little, Jean Rouch, 1970)

Behind the black gate was a world of color, hundreds of abstract works created and hidden away by Mr. Bates, who had a promising start as a painter in the 1970s before renouncing the art world and retreating to his storefront to paint.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Exhibition catalogs such as «We Wanted a Revolution: Black Radical Women 1965 - 85» and «Soul of a «Nation: Art in the Age of Black Power,» and the scholarly publication «South of Pico: African American Artists in Los Angeles in the 1960s and 1970s,» document the Black Arts Movement and the artists and works that defined the period.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

«We Speak: Black Artists in Philadelphia, 1920s - 1970s» @ Woodmere Art Museum Philadelphia This exhibition grew out of 14 oral history interviews with artists and their families, art dealers, scholar and museum curators, centers around the city organizations and institutions that provided a foundation and a platform for artists to pursue their careeArt Museum Philadelphia This exhibition grew out of 14 oral history interviews with artists and their families, art dealers, scholar and museum curators, centers around the city organizations and institutions that provided a foundation and a platform for artists to pursue their careeart dealers, scholar and museum curators, centers around the city organizations and institutions that provided a foundation and a platform for artists to pursue their careers.

Gingeras is an independent curator as well as holding an adjunct curatorship at Dallas Contemporary, where she most recently curated Black Sheep Feminism: The Art of Sexual Politics, which examined the work of four radical feminist artists from the 1970s: Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti.

Drawing from diverse sources, including the nudes of Edouard Manet and the 1970s black - is - beautiful movement, Thomas expands the representation of black women within the canon of art history.

Anthony Hernandez, Santa Monica # 14, 1970; Black Dog Collection, promised gift to the San Francisco Museum of Modern Art; © Anthony Hernandez

The early 1970s was also a moment of transition in the art world, as black artists including Alma Thomas, Melvin Edwards and Richard Hunt received exhibitions at mainstream New York art museums.

The Painterly Print The Metropolitan Museum of Art New York, NY American Drawings in Black and White: 1970 - 1980 The Brooklyn Museum Brooklyn, NY Aspects of the 1970's: Directions in Realism Danforth Museum Framingham, MA Three Decades DeCordova Museum Lincoln, MA Realist Works on Paper Virginia Museum of Fine Arts Richmond, VA

, 1970; Black Dog Collection, promised gift to the San Francisco Museum of Modern Art; © Anthony Hernandez

Among other topics, chapters focus on artists of African, South Asian and Caribbean origin; the significance of the 1970s; the rise and fall of The Black - Art Gallery; and women artists.

Including: «Bell / Irwin / Wheeler,» Tate Gallery, London, England (1970); «Fractured Light — Partial Scrim — Eye Level,» Museum of Modern Art, New York (1970 - 1971); «Black Line Room Division + Extended Forms,» Whitney Museum of American Art, New York (1977/2013); «48 Shadow Planes,» Old Post Office, Washington DC (1983); «Two Running Violet V Forms,» Stuart Collection, UCSD, California (1983); «Ascending,» Musee d' Art Moderne deVille Paris, France (1994); «Double Diamond,» Musée d'Art Contemporain, Lyon, France (1997 - 1998); «1º 2º 3º 4º,» Museum of Contemporary Art San Diego (1997); «The Central Garden,» J Paul Getty, Los Angeles (1998); «Architecture and Grounds,» DIA Art Foundation, Beacon, New York (2003); «Primaries and Secondaries,» Museum of Contemporary Art San Diego (2007 - 2008); «Black on White,» J. Paul Getty Museum, Los Angeles (2011 - 2012); «Niagara,» Albright - Knox Art Gallery, Buffalo, NY (2012); «Hedge Wedge,» San Diego Federal Courthouse Building, San Diego (2012); «Double Blind,» Vienna Secession, Vienna (2013); «Miracle Mile,» Los Angeles County Museum of Art, Los Angeles (2013); «Primordial Palm Garden,» Los Angeles County Museum of Art (2010 - 2013).

2015 Represent: 200 Years of African American Art, Philadelphia Museum of Art, Philadelphia, PA Inaugural Exhibit of the Pennsylvania Arts, The State Museum of Pennsylvania, Harrisburg, PA It's Never Just Black or White, Michael Rosenfeld Gallery LLC, New York, NY Nero su Bianco, American Academy in Rome, Italy, curated by Robert Storr We Speak: Black Artists in Philadelphia, 1920s - 1970s, Woodmere Art Museum, Philadelphia, PA

A post-minimalist who emerged during the Black arts movement of the 1970s, Charles Gaines's investigations of series and systems, cognition and language stood askew against the radical and representational gestures of his counterparts.

Jibade - Khalil Huffman (b. 1981) will present a new body of work at Anat Ebgi that focuses on the black male figure in art history, film and literature, while Jamal Cyrus (b. 1973) will explore the cultural politics of Black American music and the civil rights movement of the 1960s and 1970s at Inman Galblack male figure in art history, film and literature, while Jamal Cyrus (b. 1973) will explore the cultural politics of Black American music and the civil rights movement of the 1960s and 1970s at Inman GalBlack American music and the civil rights movement of the 1960s and 1970s at Inman Gallery.

They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.

2005 African Queen, The Studio Museum in Harlem, New York, NY Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, TX Earth and Memory: African and African American Photography, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, SC Identità & Nomadismo, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy (catalogue) Male Desire Two, Mary Ryan Gallery, New York, NY

Sherman first shot onto the New York art scene in the 1970s with her «Untitled Film Stills,» a series of black - and - white film noire style portraits of Sherman herself, donning stereotypical female roles like damsel in distress or femme fatale.

1970 Rembrandt Lamp Black: Afro - American Artists New York and Boston, Museum of the National Center of Afro - American Artists; The Museum of Fine Arts; The School of the Museum of Fine Arts Boston, Boston, MA

Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose practice has recently been rediscovered through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black Radical Women, 1965 - 85.

In 1970, Bearden became one of the fifty founding members of the Black Academy of Arts and Letters, and in 1975, he was an art consultant to the Schomburg Center for Research in Black Culture.

A post-minimalist who emerged during the Black arts movement of the 1970s, his investigations of series and systems, cognition and language stood askew against the radical and representational gestures of his counterparts.

1970 Rembrandt Lamp Black: Afro - American Artists New York and Boston, Museum of the National Center of Afro - American Artists; The Museum of Fine Arts; The School of the Museum of Fine Arts Boston, Boston, MA Dimensions of Black, La Jolla Museum of Art, LaJolla, CA Untitled I, Art Lending Service, Museum of Modern Art, New York, NY

A conceptual artist who emerged during the Black Arts Movement of the 1970s, his investigations of series and systems, cognition and language stood askew against the radical and representational gestures of his counterparts.

In late January, the artist Donelle Woolford, a black woman with short hair who looks to be in her mid 30s, was at the Los Angeles Art Book Fair, outfitted in a 1970s - style suit and mustache, doing a Richard Pryor routine.

Douglas was the art director, designer, and main illustrator for The Black Panther newspaper, which had a peak circulation of 139,000 per week in 1970.

The non-color of black and the solid sense of the material of rubber reflected a rather reticent and ascetic impression of 1970's art.

Her academic writing has been featured in several art publications, including From Craftivism to Craftwashing: The Politics of Craft in the Global Economy (edited by Anthea Black and Nicole Burisch, 2017), Modernidad y Vanguardia: Rutas de Intercambio entre España y Latinoamérica, 1920 - 1970 (Museo Nacional Centro de Arte Reina Sofía and Fundación Cisneros, 2015), and New Territories: Design, Craft, and Art from Latin America (Museum of Art and Design, New York, 201art publications, including From Craftivism to Craftwashing: The Politics of Craft in the Global Economy (edited by Anthea Black and Nicole Burisch, 2017), Modernidad y Vanguardia: Rutas de Intercambio entre España y Latinoamérica, 1920 - 1970 (Museo Nacional Centro de Arte Reina Sofía and Fundación Cisneros, 2015), and New Territories: Design, Craft, and Art from Latin America (Museum of Art and Design, New York, 201Art from Latin America (Museum of Art and Design, New York, 201Art and Design, New York, 2014).

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

In this new exhibition, Ostendarp looks more specifically at artists he has studied for decades, particularly Ad Reinhardt's late black paintings at the Jewish Museum exhibition of 1966, Lee Lozano's wave paintings at the Whitney Museum of American Art in 1970, and Barnett Newman's Stations of the Cross, which was shown in the legendary exhibition Lema Sabachthani (organized by Lawrence Alloway) at the Guggenheim Museum that same year.

In a recent interview in Artforum, the artist Howardena Pindell recalls her first efforts toward protesting the oppressive and exclusionary practices of art institutions in the 1970s: «Because I was a curator at the Museum of Modern Art in New York, I needed to remain anonymous, so I would just send little notes of complaint to magazines, to museum boards, and to the city signed «The Black Hornet.&raqart institutions in the 1970s: «Because I was a curator at the Museum of Modern Art in New York, I needed to remain anonymous, so I would just send little notes of complaint to magazines, to museum boards, and to the city signed «The Black Hornet.&raqArt in New York, I needed to remain anonymous, so I would just send little notes of complaint to magazines, to museum boards, and to the city signed «The Black Hornet.»

In South of Pico Kellie Jones explores how artists during the 1960s and 1970s in Los Angeles» black communities created a vibrant, productive, and engaged activist arts scene in the face of structural racism.

In South of Pico Kellie Jones explores how artists during the 1960s and 1970s in Los Angeles's black communities created a vibrant, productive, and engaged activist arts scene in the face of structural racism.

Drawing inspiration from sources ranging from 19th - century French painting to 1970s Blaxploitation films, Thomas's work attempts to «inject black women into the art historical canon.»

Thelma Golden, Deputy Director for Exhibitions and Programs at the Studio Museum in Harlem, synopsizes the development of «black art» from «the vital political activism of the 1960s to the focused, often essentialist, Black Arts Movement of the 1970s to the theory — driven multiculturalism of the 1980s to the late globalist expansion of the late 1990s.&rblack art» from «the vital political activism of the 1960s to the focused, often essentialist, Black Arts Movement of the 1970s to the theory — driven multiculturalism of the 1980s to the late globalist expansion of the late 1990s.&rBlack Arts Movement of the 1970s to the theory — driven multiculturalism of the 1980s to the late globalist expansion of the late 1990s.»

Arguably one of the most influential artist groups associated with the Black Arts Movement of the 1960s and 1970s in the United States, AfriCOBRA continues its work today.

Another force was the founding of the Studio Museum in Harlem in 1968 and pioneering exhibitions that began to change the conversation, like one Mr. Gaither organized at the Museum of Fine Arts in 1970, «Afro - American Artists: New York and Boston»; and «Two Centuries of Black American Art,» curated by the scholar David C. Driskell in 1976 for the Los Angeles County Museum.

1970 Institute of Contemporary Art, Boston, The Highway American Federation of Arts, New York, The Drawing Society's New York Regional Drawing Exhibition The Art Institute of Chicago, Chicago, 30th Annual Exhibition of the Society of Contemporary Art The Art Museum, Princeton University, Princeton, NJ, American Art Since 1960 Leo Castelli Gallery, New York, Moratorium Philadelphia Museum of Art, Philadelphia, Art for Peace Galerie Beyeler, Basel, Basel International Art Fair Contemporary Arts Center, Cincinnati, Monumental Art School of Fine & Applied Arts Centennial Exhibit, Boston University, Boston, American Artists of the 1960's Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Selected Works from the Collection of Mrs. A. B Sheldon Sonnabend Gallery, New York, Major Works in Black and White Institute of Contemporary Art, London, The Sidney and Harriet Janis Collection

BOOKSHELF Compelling catalogs have accompanied Valerie Cassel Oliver's recent exhibitions, including «Cinema Remixed and Reloaded: Black Women and the Moving Image Since 1970,» «Radical Presence: Black Performance in Contemporary Art,» and «Jennie C. Jones: Compilation.»

Accompanied by a dub soundtrack featuring a looped sample of Alton Ellis's 1970 classic «Black Man's World» and the 1971 remake «Black Man's Pride», the film takes in a bomb - damaged sculpture in front of the Cleveland Museum of Art; the riotous swaying of windblown trees in dark LA streets; and a fireworks display above Berlin's Olympiastadion.

1970 An Exhibition of Black American Art from Times of Slavery to the Present, Muskingum College, New Concord, OH First Annual Black Arts Festival: Operation Breadbasket, 2413 Dowling Street, Chicago, IL

In 1970, she participated in a demonstration against the exclusion of black and women artists by New York's Whitney Museum of American Art and the Museum of Modern Art.

The non-color of black and the solid sense of the materials used such as canvas or rubber, reflect a rather reticent and ascetic impression of 1970's art.

Montgomery Art Gallery, Pomona College, and Lang Art Gallery, Scripps College, Claremont, Calif., Black and White Are Colors: Paintings of the 1950s — 1970s, Jan. 28 — March 7.