Previously an independent curator, Morris organized, among other
projects, Decoys, Complexes and Triggers: Women and
Land Art in the
1970s at SculptureCenter, New York; 9 Evenings Reconsidered:
Art, Theatre and Engineering, 1966 for the List Visual
Arts Center, MIT, Cambridge, Massachusetts; and two exhibitions, Gloria: Another Look at Feminist
Art of the
1970s and Food at White Columns, New York.
1970 String and Rope, Sidney Janis Gallery, New York, US 995,000, The Vancouver
Art Gallery, Vancouver, CA; 3,549,000, CAYC, Buenos Aires, AR Conceptual
Art & Conceptual Aspects, The New York Cultural Center in cooperation with Farleigh Dickinson University, Madison, New Jersey, New York, US
Art in the Mind, Allen Memorial
Art Museum, Oberlin College, Oberlin, Ohio, US 18 Paris IV 70, 66 rue Mouffetard, Paris, FR Umwelt - Akzente / Die Expansion der Kunst, Kunstkreis Monschau, Monschau, DE Using Walls, The Jewish Museum, New York, US Concept
Art, Arte Povera,
Land Art, Galleria Civica d'Arte Moderna, Torino, IT 3rd Salon International des Galeries Pilots: Artistes et Découvereures de Notre Temps, Musée Cantonale des Beaux -
Arts, Lausanne, CH; Musée d'
Art Moderne de la Ville de Paris, Paris, FR Summer Show, Studio International, London, UK Information, Museum of Modern
Art, New York Summer,
Art &
Project, Amsterdam, NL Software, The Jewish Museum, New York, US; The Smithsonian Institution, Washington D.C, US American Drawings, Yvon Lambert, Paris, FR Halifax Conference, Nova Scotia College of
Art and Design, Halifax, CA 3 - 00; New Multiple
Art, Whitechapel
Art Gallery, London, UK Identifications, Fernsehgalerie Gerry Schum, Hannover, DE Beached, presentation Nirvana Exhibition, Kyoto Municipal Museum of Fine
Art, Kyoto, JP Huebler, Antin, Salvo, Weiner, Galerie Sperone, IT