Sentences with phrase «1970s feminist artists»

In the 1970s feminist artists expanded the notion of labor to encompass domestic work.

The spaghetti strewn across the screen in Reception 2, 2011, and Reception 9, 2011, initially calls to mind the gestures of Jackson Pollock, although thoughts of the fleshy materiality and subversive humor of many 1970s feminist artists follow quickly.

Not exact matches

David Lewis gallery on the Lower East Side offered the opportunity to consider power imbalances as perpetuated or refuted by image economies in relation to the oeuvre of under - recognized artist Mary Beth Edelson, a pioneer of the 1970s feminist movement.

At the Fondazione Prada, the impish artist Francesco Vezzoli curated an ingenious history of Italian public television of the 1970s, mixing shimmying showgirls with footage of feminist protests and the murder of a prime minister.

These artists are expanding upon feminist themes evoked by knitting and crocheting found in art by Louise Bourgeois and Rosemarie Trockel and others back in the 1970s and 1980s.

Gingeras is an independent curator as well as holding an adjunct curatorship at Dallas Contemporary, where she most recently curated Black Sheep Feminism: The Art of Sexual Politics, which examined the work of four radical feminist artists from the 1970s: Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti.

Repeating a 1970s - era tradition of feminist exhibition - making — one that is as entangled in debate as the long modernist tradition and its claims, critiques, and counterclaims about the studio — «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» assembles thirty - four artists who were in each case selected for their work, but were also selected for being artists who are women.

In the Brooklyn Rail, Deborah Kass remembers how NYC's Second Wave Feminists changed the course of painting history in the 1970's: «When I served burgers at the Broome Street Bar and lived in a loft on West Broadway next to Towers Cafeteria, soon to be The Odeon, there were several women artists along with Elizabeth... read more... «Feminism, painting and New York City in the 1970's»

Eileen Cooper, artist and Keeper of the Royal Academy Schools, says that we should be doing everything we can to help this issue: «I am a product of the 1970s art schools, when the feminist debate was just starting.

Her exploration of femininity and masculinity has influenced many creatives since the 1970s, especially feminist - inspired body and installation artists.

She is an artist whose self - image paintings from the 1970s have become iconic feminist works of art.

A friend of left - wing writers and artists she was adopted as a feminist icon during the 1960s and 1970s, at which time she moved to the Upper West Side.

Taking as its title and starting point a statement by the pioneering British feminist artist Jo Spence, the exhibition focuses on major performance art made by women artists in the UK during the 1970s.

In the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

It originally served as studio space for a group of feminist artists in the 1970s — 80s, including Susanna Bixby Dakin (who ran for President in 1984), Judy Chicago, Barbara T. Smith, Linda Frye Burnham, and others.

AMCDIn the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

The section features nine solo presentations of women artists working at the extreme edges of feminist practice during the 1970s and «80s, all sharing a focus on explicit sexual iconography combined with radical political agency.

Though working well before the Feminist Art movement of the 1970s (and never formally affiliated with it), Bourgeois's concern with themes of sexuality, the body, family and the home influenced many feminist artists.

Amelia Jones: «How do the feminist artistic practices of the 1960s and 1970s impact on our supposedly post-feminist present, a period in which women artists are woefully under - represented in gallery and museum exhibitions?

The later sections of the show frame the intersection of feminism and painting in easel paintings, large - scale works and performances by feminist artists in the 1970s and early 90s.

Like many women artists whose careers took off in the 1960s, before second wave feminism had fully taken hold, to a certain extent she suffered from a rather cruel type of double invisibility, overlooked in relation to her male peers — particularly those associated with Pop art — but also not slotting in easily to the politicised feminist networks of the 1970s.

The group exhibition Girls Can Tell displays works by a generation of artists born after 1970 that exemplify the shifted interaction with feminist issues in contemporary art.

feminist art survey (2007), which had people desperately searching for wall tags in an exhibition so large that it made Dolly Parton's breasts seem small, yet certainly home to some of our favorite feminist artists: Cindy Sherman, the Guerrilla Girls, and Sherrie Levine — in an exhibition that is, «a survey of leading women artists that examines the crucial feminist contribution to the development of deconstructivism in the 1970s and»80s.»

Kozloff was a founding member of the Heresies collective, one of the original members of the Pattern and Decoration movement, and an early artist in the 1970s feminist art movements.

Jenny Holzer continues tradition of feminist artists from 1970s, dealing with the complex visual narratives and inscription of the women into language.

Often underrepresented in the art world, a need for rebalancing has been recognised by Frieze itself this year and a specially curated section showcases work by feminist artists from the 1970s and 1980s.

Associated with conceptual art practices from the 1970s and known as a feminist filmmaker and performance artist, Antin playfully deals with questions of identity, gender, and class.

The exhibition is curated by Alison Gingeras, and it examines the work of four radical feminist artists active since the 1970s.

An early member of Heresies, a collective of artists and writers that published the influential journal Heresies: A Feminist Publication on Art and Politics in the 1970s and»80s, Applebroog was actively involved in the development of feminist art.

He emerged as an artist in the early 1970s with groundbreaking performative installations that infused everyday life with art and politics and stood at the intersection of the gay liberation and feminist movements.

Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.»

The housewife stereotype, the conventional: the history of feminist artists of the 1970s addressed in a radical reshaping of art history at the Hamburger Kunsthalle.

I also included pieces by a few much older artists who made specifically feminist work in the 1970s: Alice Neel's portraits of Linda Nochlin and other figures from the movement, and a number of Louise Bourgeois» installation and performance works.

How do the feminist artistic practices of the 1960s and 1970s impact on our supposedly post-feminist present, a period in which women artists are woefully under - represented in gallery and museum exhibitions?

Martha Nilsson Edelheit (born September 3, 1931, in New York City), [1] also known as Martha Ross Edelheit, is an American - born artist currently living in Sweden who is known for her feminist art of the 1960s and 1970s, which focuses on erotic nudes.

An occasionally eye - watering historical section which pays homage to nine radical feminist artists making work during the 1970s and»80s which focused on bodily depictions and explicit sexual imagery.

I also found myself working with a number of artists who were looking back to the feminist initiatives of the 1970s, and directly referring to it in their work, apparently without any real knowledge or understanding of the moment or the work.

Faith Wilding (b. 1943, Paraguay, based in Rhode Island, USA) is an artist, writer and educator, widely known for her contribution to the progressive development of feminist art movement in 1970's California, and 1980 - 90s cyberfeminist networks, as part of the collective subRosa.

You've spoken out about the male - appropriation of feminist art methods of women artists in the 1970s.

Sex Work proves that conversations around feminist art in the mainstream now are becoming more nuanced, and the place of artists who galvanized other ways of thinking about women (and men) in the 1960s and 1970s is finally being elucidated.

Miralles, a vital contributor to feminist art practices in the 1970s, reminds us that although Beuys supported women's liberation, his female contemporaries did not always receive him well, and that younger women artists have drawn from his practice in highly selective ways.

Those influences reflected the trends in 1970s -»80s critical theory — the artists cited psychoanalysis, poststructuralism, feminist theory, as well as the work of Louis Althusser and Michel Foucault.

After a very good solo exhibition at Roman Road last year, the Polish artist Natalia LL is back with some early works for Photo London: «-LRB-...) the display presents varied photographs and an installation first realised in the 1970s during a decisive decade in Natalia LL's career, when she unveiled her artistic stance at a time of profound feminist awareness.

Now 78 years old, the artist — whose classic works, like Mirror Check (1970) and Vertical Roll (1972), present the body as a staging ground for feminist explorations of self — has largely absented herself from the proceedings, instead filling all four rooms of the pavilion with video projections of children and animals.

One of the most important feminist artists to emerge in the 1970s, and working under the dictatorship of Estado Novo, Almeida's works of photography and collage are subtle reflections on gender / body politics.

Being myself born in the late 1980s, I have always been overtly impressed with the feminist artists of the 1970s and 1980s who opened up for new possibilities and new questions to be asked regarding gender, identity, and society at large.

Coming to prominence with the French feminist movement of the 1970s, Hessie earned herself a solo exhibition at the Musée d'Art Moderne de la Ville de Paris in 1975, after which she was included in Combative Acts, Profile and Voices — An Exhibition of Women Artists from Paris, at New York's AIR Gallery in 1976.

Pharr is now working on a collaboration inspired by Womanhouse, the 1970s feminist installation and performance space organized by Judy Chicago and Miriam Shapiro, with Atlanta artist Martha Whittington, another professor - mentor, and dancer Onur Topal.

Judy Chicago, original name Judith Sylvia Cohen, (born July 20, 1939, Chicago, Ill., U.S.), American feminist artist whose complex and focused installations created some of the visual context of the women's liberation movement in the 1970s and beyond.

This invitational exhibition highlights recent work by feminist artists who were active in the Twin Cities in the 1970s and «80s as well as artists who self - identify as «third - wave» feminists.