Sentences with phrase «1980s alongside artists»

Not exact matches

BOOKSHELF In his new book, «Today I Shall Judge Nothing That Occurs: Selections from the Ektachrome Archive,» Lyle Ashton Harris presents images of «emblematic figures shot in the 1980s and»90s,» alongside his journal entries and contributions from a diverse slate of curators, writers, and fellow artists.

At both venues, works by Los Angeles artist Mark Bradford (who is representing the United States at the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to select.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

Artists in the exhibition will include 1980s pop icons from the collection, such as Kenny Scharf and Jean - Michel Basquiat, alongside artists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Thornton Dial, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue WiArtists in the exhibition will include 1980s pop icons from the collection, such as Kenny Scharf and Jean - Michel Basquiat, alongside artists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Thornton Dial, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue Wiartists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Thornton Dial, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue Williams.

Artists in the exhibition include 1980s pop icons from the collection, such as Kenny Scharf and Jean - Michel Basquiat, alongside artists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue WiArtists in the exhibition include 1980s pop icons from the collection, such as Kenny Scharf and Jean - Michel Basquiat, alongside artists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue Wiartists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue Williams.

One of the greatest artists to use photography in the 21st century, Ruff came of age in the 1980s alongside Andreas Gursky, Candida Höfer and Thomas Struth, in what was to become known as the Düsseldorf School.

Art and Black Los Angeles, 1960 — 1980, she both unearthed the histories of previously unknown Los Angeles — based black artists and contextualized their work alongside West Coast artists of other racial and ethnic backgrounds.

A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary Weatherford, and Stephen Westfall, among others.

Bickerton was part of the Neo-conceptual (or Neo-Geo) art movement in the 1980s, becoming part of the «Fantastic Four», alongside artists Meyer Vaisman, Jeff Koons and Peter Halley.

Apple's formulation and subsequent enactment as an art work of his change of identity from Barrie Bates to Billy Apple in 1962, alongside his wider contribution to the developing language of pop art — dovetailing issues of commodification and identity — is singular within British art history and coincidentally prefigures the similar concerns of appropriation artists of the 1980s.

In 1992 she married fellow artist David Hodgson, who in the early 1980s had been her student at Croydon Art College, where she worked alongside Bruce McLean and Bridget Riley.

Robison emerged in the 1980s alongside the likes of Cindy Sherman, Julian Schnabel, and Richard Prince as a key figure in the Pictures Generation — a group of American artists who were known for appropriating images from the mass media as a way of critically analyzing media culture.

Among the works to be selected will be examples of Mapplethorpe's flower studies and portraits of the most influential artists, writers and musicians of the 1970s and 1980s, alongside iconic self portraits.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a simultaneous solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

As part of the 1980s movement of Young British Artists, alongside artists like Damien Hirst and Tracey Emin, the Chapman Brothers have spent the last two decades selectively exploring the darker side of existence and gleefully pushing people's buttons along tArtists, alongside artists like Damien Hirst and Tracey Emin, the Chapman Brothers have spent the last two decades selectively exploring the darker side of existence and gleefully pushing people's buttons along tartists like Damien Hirst and Tracey Emin, the Chapman Brothers have spent the last two decades selectively exploring the darker side of existence and gleefully pushing people's buttons along the way.

Maya Stovall: Liquor Store Theatre Performance Films is presented at Cranbrook Art Museum contemporaneously alongside three other solo exhibitions by artists that all operate at the intersection of art and street culture: Ryan McGinness: Studio Views; Basquiat Before Basquiat: East 12th Street, 1979 - 1980 (traveling from MCA Denver); and Keith Haring: The End of the Line.

Writing about Knowles» work, White Columns» director Matthew Higgs said: I first encountered Christopher Knowles» work in the late 1980s via his artist's book Typings (Vehicle Editions, New York, 1979) and his contributions to the legendary 1978 «Schizo - Culture» issue of the seminal anti-journal Semiotext (e) where his work was framed alongside that of Jack Smith, Jimmy De Sana, Andre Cadere, The Ramones, Kathy Acker, William Burroughs, John Giorno, and Robert Wilson amongst others.

Scottish artist Ken Currie emerged in the 1980s as one of four figurative painters dubbed the «New Glasgow Boys,» alongside Steven Campbell, Peter Howson, and Adrian Wiszniewski.

It is a particularly apt companion for these exhibitions, as it reveals another dimension of Surrealism and its impact, and features an artist who knew and worked alongside Sage and Tanguy in the 1930s and 1940s and who wrote a book on Tanguy's artistic process in 1980.

The presentation, on view between April - June, 2018, will bring together a selection of the artist's iconic bronze hares from the 1980s - 1990s alongside his lesser - known works made with rope, sand, cloth, stone, ceramics and light as a sculptural component (largely from the 1960s - 70s).

Paul Kasmin Gallery presents an exhibition of sculpture by Barry Flanagan (1941 — 2009), bringing together a selection of the artist's iconic bronze hares from the 1980s — 1990s alongside his lesser - known works made with rope, sand, cloth, stone, ceramics and light as a sculptural component (largely from the 1960s — 70s).

Akomfrah first came to attention in the 1980s as a founding member of the influential Black Audio Film Collective alongside the artists David Lawson and Lina Gopaul, with whom he still collaborates today.

Tacla's upcoming survey at Fundación Corpartes will showcase several never - before - seen paintings from the Sign of Abandonment series alongside some of the artist's earliest canvases from the 1980s and 1990s.