Sentences with phrase «1980s by philosopher»

In addition to being regarded by many as prefiguring some of the ideas proposed in the 1980s by philosopher Judith Butler about gender performativity, many of her photo - text pieces point to territory later mined by Cindy Sherman, among many other contemporary artists.

Not exact matches

Founded by Michael Novak and Notre Dame philosopher Ralph McInerny, Crisis rendered invaluable service in the 1980s and 1990s by challenging with intellectual force the hegemony then enjoyed by liberal proponents of the «post-Vatican II Church» as represented by, inter alia, lay - edited Commonweal and Jesuit - edited America.

Not until the 1980s and»90s did archival research by biographers and analysis by philosophers of science uncover the manipulations of evidence, exploitation of patients and artful pseudoscience that were built into Freud's theoretical edifice.

By 1980, however, the somewhat chastened magazine acknowledged he was not: «God is making a comeback Most intriguingly, this is happening not among theologians or ordinary believers — most of whom never accepted for a moment that he was in any serious trouble — but in the crisp, intellectual circles of academic philosophers, where the consensus had long banished the Almighty from fruitful discourse.»

In 1980 Paul Kurtz, a SUNY - Buffalo philosopher, published a «Secular Humanist Declaration,» which was signed by a number of prominent scholars.

Tim Rollins, who passed in 2017, was deeply influenced by the educational theories of Brazilian philosopher Paulo Freire and applied them in his own work as a public school teacher combining lessons in reading and writing with the production of works of art in the South Bronx in the 1980s.

In the early 1980s there was a marked change in the Chicago art scene as the city's art schools began attracting students and working artists from around the nation who had absorbed the lessons of the previous decades» avant - garde and who were influenced by the theoretical writings of historians, philosophers, environmentalists, and literary critics.

The early 1980s marked a sea change in the Chicago art scene as the city's art schools began attracting students and working artists from around the nation who had absorbed the lessons of the previous decades» avant - garde and who were influenced by the theoretical writings of historians, philosophers, environmentalists, and literary critics.

In the 1980s, American artists such as Sherrie Levine and Jeff Koons brought appropriation to a new level, influenced by the writings of German philosopher Walter Benjamin in The Work of Art in the Age of Mechanical Reproduction, and American critic Rosalind Krauss in her 1985 book The Originality of the Avant - Garde and Other Modernist Myths.