He's called it an ode to
1980s chase movies such as «E.T.» and «Close Encounters of the Third Kind,» but there's also plenty of 1980s comic - book sensibility.
He's called it an ode to
1980s chase movies such as «E.T.,» «Close Encounters of the Third Kind» but there's also plenty of «80s comic book sensibility (not for nothing do we see Reagan - era issues of «Superman» and «New Teen Titans») and call - backs to the 1970s meta - human - kid craze (see also the Witch Mountain books and movies).
Not exact matches
Wilson, a pop savant, was
chasing some kind of dragon, and as the
movie toggles years forward to the scared, over-medicated Wilson of the
1980s (John Cusack, convincingly strange), you sense that the dragon bit back.
-- that all essentially say the same things, i.e., that the Coens comprise a hydra monster with a pleasant disposition and a touring company of technicians; that No Country for Old Men adds new wrinkles to the
chase formula; and that setting a
movie in West Texas circa
1980 is a hell of a thing.