Sentences with phrase «1980s drawing series»

Not exact matches

A linear extrapolation over 1880 - 1980 of the GISTEMP meteorological station series gives a temperature anomaly of 0.2 K in 2012, much lower than the lowest curve drawn.
Like many of her peers who established their reputations in the 1980s, Marrinon draws her references from both «high» and «low» culture, presenting a series of archetypes, intermingling soldiers, maids, matrons, ingénues, twins, travellers, intellectuals, performers, peasants and the privileged with a handful of identities ranging from Voltaire to Field Marshal Montgomery to Dame Joan Sutherland to MC Hammer.
Mr. Longo was 31 then and already famous for his «Men in the Cities» series, large - scale drawings of besuited men and women flailing in space that became defining images of 1980s New York (and appeared in the movie version of American Psycho).
Highlights of the exhibition are works from The Blueprint Drawings, 1990, a series of 17 silk - screens based on Sumi ink drawings Keith completed in 19Drawings, 1990, a series of 17 silk - screens based on Sumi ink drawings Keith completed in 19drawings Keith completed in 1980 - 81.
Best known for his iconic album covers and zine - style ink drawings featuring surfers, old - time baseball players, gangsters, religious nuts, trains, Gumby and the character Vavoom from the old Felix the Cat cartoon, Pettibon is also the author of a series of super-low-fi home videos, made with his friends beginning in the 1980s.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
Drawing inspiration from his own history and art practice, Flat Screen Nature is informed by the powerful odes to nature and expression found in his earlier series, as well as his Cloud (mid-to-late 1960s), Ocean (late 1980s), and Ozone (early - to - mid 1990s).
The exhibition will show some sixty works by this hitherto little noticed «artists» artist», including groundbreaking series such as his Ice Box Paintings, his comics narratives and Vietnam paintings from the 1950s and 1960s, as well as never - before - exhibited drawings and selected late works from the 1980s to the 2000s...
2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon
Highlights include American artist Jeff Koons Hon RA, whose figures for his 1980s «Banality» series were drawn from cheap tchotchkes; Frank Benson, whose Human Statue (Jessie)(2011) reproduces, using high - end digital technology, a stunning simulacrum of dancer and musician Jessie Gold; and newly elected Academician Rebecca Warren, known for her plaster figures filtered through other artists from Giacometti to cartoonist Robert Crumb.
Throughout his career, drawings have appeared in series that sometimes only consist of a few works: in the 1960s, representational and mechanical drawings from projected photographs; in the 1970s, abstract drawings; in the 1980s, drawings of people and objects; and in the 1990s, both figurative and abstract ink drawings.
During the 1970s, he's been largely focused on a series of drawings, having sculpture take over in the 1980s.
Collier's most recent series «Crying (Comic)» and «Tears (Comic)» are drawn from imagery sourced in romance comic books published between the 1950s - 1980s (that were also marketed to an adolescent female readership.)
Best - known for his iconic album covers and zine - style ink drawings featuring surfers, old - time baseball players, gangsters, religious nuts, trains, Gumby and the character Vavoom from the old Felix the Cat cartoon, Pettibon is also the author of a series of super-low-fi home videos, made with his friends beginning in the 1980s.
Twenty - Eight Colored Flowers would join two other works by Sultan in the collection, Lemons, 1984, a gift from Sydney and Frances Lewis currently on view in the 1980s gallery, and a suite of drawings from the artist's Trumpet series of 2007, a gift of the Royalls in 2011.
Dubuffet's black and white drawings, in particular his Conjectures [April 16, 1975 — May 29, 1975], Memorations [September 2, 1978 — January 5, 1979] and Situations [April 23, 1978 — April 24, 1980] series contain cut - out figurative imagery collaged into their surrounding landscape.
In the 1980s Madden paused to focus on drawing, producing a series of large works on paper executed in graphite and oil paint, which in 1983 formed her exhibition at the Fondation Maeght, and in ROSC 1984.
He is best known for his landmark series of text - based paintings, made since the late 1980s, which draw on the writings and speech of diverse figures including Jean Genet, Zora Neale Hurston, Jesse Jackson, and Richard Pryor.
This comes from Longo's 1980's series of «Combines», which extended drawings and paintings with three - dimensional elements, before he settled on his signature style: # 25 - 35,000 is estimated for this huge work as against the # 100,000 which would be expected for a large charcoal drawing of a tiger's head.
Ericka Beckman, You the Better, Film Installation (1983/2015) Adrian Piper, The Mythic Being: Sol's Drawings # 1 — 5 (1974) Trisha Brown, selection of nine works on paper (1973 - 1980) Charline von Heyl, Folk Tales (2013) and Children's Encyclopedia (2014) Pope.L, selection of ten works from his ongoing Skin Set series (selections from 2001 - 2012) James Richards, Rosebud (2013) and Radio at Night (2015) Joan Jonas, Songdelay (1973) and Glass Puzzle (1973) Renée Green, Bequest (1991)
Charles Gaines: Gridwork 1974 — 1989 The Studio Museum in Harlem, New York (travelling to Hammer Museum, Los Angeles) 2013 Notes on Social Justice Paula Cooper Gallery, New York 2012 In The Shadow of Numbers, Charles Gaines Selected Works from 1975 - 2012 Pomona College Museum of Art and Pitzer Art Gallery, Pomona and Claremont 2011 Susanne Vielmetter Los Angeles Projects, Culver City 2008 Manifestos Kent Gallery, New York Susanne Vielmetter Berlin Projects, Berlin 2007 Greenhouse LA > La Biennale di Venezia, Venice (curated by Robert Storr) Brigitte March Gallery, Stuttgart 2006 Drawings from the «Explosion» and the «Randomized Text» Series Susanne Vielmetter Los Angeles Projects, Culver City Snake River, collaboration with Edgar Arceneaux and the LA Philharmonic REDCAT, Los Angeles Lentos Kunstmuseum, Linz Kapinos Gallery, Berlin 2005 Steve Wolf Gallery, San Francisco 2004 Survey exhibition 1991 - 2004 Triple Candie, New York 2003 Lurid Stories: Charles Gaines Projects 1995 - 2001 Phoebe Conley Art Gallery, Fresno 2002 Lurid Stories: Charles Gaines Projects 1995 - 2001 Luckman Fine Art Gallery, Cal State University, Los Angeles 2001 Lurid Stories: Charles Gaines Projects 1995 - 2001, Adoline Kent Award Exhibition Walter / McBean Gallery, San Francisco Art Institute, San Francisco 2000 John Weber Gallery, New York Richard Heller Gallery, Santa Monica 1997 Brigitte March Galerie99, Stuttgart Richard Heller Gallery, Santa Monica 1996 Conley Art Gallery, California State University, Fresno John Weber Gallery, New York 1995 Santa Monica Museum, Santa Monica 1993 Fresno Art Museum, Fresno 1991 Charles Gaines: A Survey Exhibition, 1979 - 1991 Gallery Lavignes - Bastille, Paris (traveled to John Weber Gallery, New York; Leo Castelli Gallery, New York; Dorothy Goldeen Gallery, Santa Monica) 1990 Dorothy Goldeen Gallery, Santa Monica 1989 John Weber Gallery, New York Dorothy Goldeen Gallery, Fresh Visions, Santa Monica 1988 Gallery Lavignes - Bastille, Paris Brigitte March Gallery, Stuttgart 1987 John Weber Gallery, New York Leo Castelli Gallery, New York 1985 Leo Castelli Gallery, New York 1984 Artist of the Month Exhibition Los Angeles Institute of Contemporary Art, Los Angeles 1981 Leo Castelli Gallery, New York John Weber Gallery, New York 1980 John Weber Gallery, New York Leo Castelli Gallery, New York Margo Leavin Gallery, Los Angeles Daniel Weinberg Gallery, San Francisco Thomas Segal Gallery, Boston 1979 Young Hoffman Gallery, Chicago Fresno Art Center, Fresno 1978 Daniel Weinberg Gallery, San Francisco 1975 University of Southern California, Los Angeles 1972 Cinque Gallery, New York University of Southern California, Los Angeles 1971 Louisville School of Art, Anchorage 1969 State University of New York, College at Oswego, New York
Longo's 1980s photographs of suit - clad men on New York rooftops served as the basis for his classic Men in the Cities series of life - size drawings.
Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago
In the 1980s Madden stopped painting for a time and devoted herself to drawing, this resulted in a series of large works in graphite and oil paint on paper.
Around 1980 Morris returned to painting and drawing, with an apocalyptic vision of the modern world as displayed in his Firestorm series.
In the 1970s, draftsmanship became central to his practice, and in the 1980s he began a sustained series of drawings based on ancient sculpture.
A linear extrapolation over 1880 - 1980 of the GISTEMP meteorological station series gives a temperature anomaly of 0.2 K in 2012, much lower than the lowest curve drawn.
On August 26, 2009, Quebec Superior Court Judge Claude Auclair recognized that there were undeniable similarities between the two shows and that the production company Cinar and two former executives stole the children's series by plagiarizing Claude Robinson's story, characters and drawings of Robinson Curiosité from the early 1980s.
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