Sentences with phrase «2.32:1 anamorphic»

Ku - band DIGITAL satellite window: (with SAP Spanish Translation Available) 16x9 Anamorphic Clean Feed for News

Ku - Band SCPC MPEG - 2 — 16x9 Anamorphic Full Mixed Feed for PBS Stations (with SAP Spanish Translation Available)

Get ready to trick your mind with amazing anamorphic illusions that will make you question your view of reality.

This exhibit includes paradoxical 3 - D images and anamorphic distortions (check out those reflective cylinders revealing... you'll have to see for yourself).

It wasn't just the anamorphic dimensions (full16x9 stills) but the glass was really flattering too.

Other Info: Anamorphic Widescreen (1.85:1) Dolby 5.1 Digital Surround Sound DTS 5.1 Surround Sound English, Spanish, and French Language English, Spanish, and French Subtitles Running Time: 3 Hours 16 Minutes

Image detail is nice on the whole, and though the film does occasionally look a little soft, this is an artifact of the anamorphic camera process used, rather than any transfer or compression issues.

Video: It's a very crisp and lovely anamorphic widescreen (2.40:1) transfer.

The Video and Audio Presented in 2.39:1 anamorphic widescreen, The Stanford Prison Experiment looks very strong on IFC's DVD release.

Shot on an iPhone outfitted with an anamorphic clip - on adapter, the movie bobs, weaves, and glides down sidewalks, while the soundtrack blasts out semi-obnoxious dance beats in between snatches of Beethoven and Armenian - language holiday song.

Deleted scenes, production notes and stills, an anamorphic wide - screen transfer, trailers, and before - and - after special effects footage round out this muscle - bound package of no - nonsense nostalgia.

One stylized montage, unexpectedly set to a surging symphonic work by Beethoven, uses anamorphic lens effects to distort and flatten out the sun - drenched streetscape behind its subject's head.

The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.

Video: With an aspect ratio of 2.40:1 Anamorphic Widescreen, the video quality of the film is higher than the time period of the action allows it to appear.

The picture is 1.85:1 anamorphic widescreen, though I have to say that there is one momentwhich suggested to me that the image was still slightly cropped.

Screen formats: Widescreen Anamorphic 1.85:1 Subtitles: English; French; Spanish Language and Sound: English: Dolby Digital 5.1; English: Dolby Digital 2.0 Stereo; French: Dolby Digital 2.0 Stereo; Spanish: Dolby Digital 2.0 Stereo Other Features: Color; interactive menus; scene access; trailers; making - of featurettes; commentary; games.

Much of the attention for the movie has centered on its preposterously low shooting budget and camera, an iPhone 5s with a $ 7.99 high - def app, a Steadicam rig, and the odd anamorphic lens.

The anamorphic enhancement offered only the first of many improvements found on this disc when compared to its predecessor.

Another motif of Carpenter's is to shoot the action entirely in widescreen (or occasionally anamorphic).

Kino Lorber's DVD edition of The Strongest Man gives the film a good visual presentation in letterboxed 2.35:1 anamorphic widescreen.

Still, the 2.40:1 anamorphic widescreen picture is perfectly satisfactory for standard definition, as is the basic but serviceable Dolby Digital 5.1 soundtrack.

The anamorphically enhanced 2.35 X 1 image was masterfully shot by cinematographer Stephen Burum, A.S.C., in real anamorphic Panavision and brought back the pre-Reagan-era look of Spy genre films.

Its 1.85:1 anamorphic widescreen presentation is top - notch, and it showcases Tim Suhrstedt's fine cinematography.

The film was shot in two anamorphic 35 mm 2.35 X 1 scope formats: Panavision and Technovision, the latter an Italian format that has a good look.

It's presented in anamorphic widescreen, 1.85:1, and comes with a liberal selection of audio choices: 5.1 in English, French, and Spanish.

The cartoons are presented in 1.85 anamorphic widescreen and Dolby Digital 5.1 audio.

So, I was okay with their doing it, as long as I could shoot the movie the way I wanted to, in anamorphic film, and then let them convert it.

The final supplement on Disc 1 is a rather cool easter egg — the film's groundbreaking original Theatrical Trailer, presented in anamorphic widescreen.

The video is in 2.35:1 anamorphic widescreen.

Both the theatrical and unrated cuts of The Hangover look pretty good in the DVD's 2.40:1 anamorphic widescreen presentations.

Chapters: 13 Ratio: 2.35:1 (Anamorphic) Sound: Dolby Digital Extra Features: Scene selection, trailer, multiple language subtitles, English subtitles for the hearing impaired

Some minor grain is hardly noticeable in the highly pleasing 2.35:1 anamorphic widescreen transfer and the Dolby 5.1 soundtrack is aptly immersive throughout.

Video: With an aspect ratio of 2.35:1 Anamorphic Widescreen, the video is top notch.

Human Nature is presented in 1.85:1 anamorphic widescreen and fullscreen versions on the same side of a dual - layer disc; compositionally, it's a toss - up between the two transfers, since the latter opens up the bottom of the frame whilst cropping the vertical sides.

THE DVD by Bill Chambers Warner shepherds Happy Feet to DVD in a 2.40:1 anamorphic widescreen transfer.

THE DVD Universal's DVD release features a sharp 1.85:1 anamorphic widescreen presentation of the film featuring a minimum of grain and edge enhancements and superior contrast.

Shot entirely on an iPhone (though you wouldn't necessarily guess that by looking at it, as director Sean Baker outfitted his phone with an anamorphic lens adapter), this gleefully hyperactive Sundance favorite observes the odyssey of two transgender sex workers — played by actual transgender actors, refreshingly — who are angrily looking for a cheating pimp.

Sufficed to say I'm not going to assess the 2.35:1 anamorphic widescreen transfer because I have no idea what consumers are getting for their ill - spent cash, though I can confirm that the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.

Presented windowboxed in 1.65 anamorphic widescreen *, the film looks exactly like it did in theatres, all but confirming that the transfer was sourced from the 35 mm blow - up (Vincent Gallo's viewing preference) rather than the Super16 negative.

THE DVD For all the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transfer.

Still, I've seen worse: while the 2.42:1 anamorphic widescreen presentation is unnecessarily gritty and choppy, it's not the sandpaper to the eyes that Unaccompanied Minors was.

Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.

Vadim shoots it in earthy color and CinemaScope and the disc preserves both in an anamorphic widescreen transfer.

The 2.40:1 anamorphic Panavision image is correctly letterboxed inside the native 16x9 HDTV frame.

THE DVD Touchstone brings Frank McKlusky, C.I. to DVD in a 1.85:1 anamorphic video transfer that is bright and agile.

A similar premise is at work here, as the Alexa 65 enabled the filmmakers to shoot wide and zoom in / recompose in post without a significant drop in PQ: The resultant 2K image proved comparable to the surrounding 35 mm footage once anamorphic filters and faux - grain were applied.

Something about this anamorphic black and white excursion through the barren terrain of Middle America keeps me coming back for more.

I told them, «These frames and references are probably not yours, but I only want to do it if I can shoot in anamorphic 35 mm, in Athens, Georgia, where I'm from, and with these actors»... and they embraced all of it.

Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.

The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the two.