Sentences with phrase «2.32:1 anamorphic transfer»

Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.

Detail is very sharp in the 2.35:1 anamorphic transfer, though colours are on the muted side and there's a big blotch of red during one dissolve that isn't endemic to either shot.

THE DVD Released by Disney DVD in a gorgeous «Collector's Edition» with a 2.35:1 anamorphic transfer, Newsies is all dark browns, tweed patterns, and crisp blacks.

The former offers a 1.85:1 anamorphic transfer.

THE DVD Paramount releases D.A.R.Y.L. on DVD to unsuspecting nostalgia collectors in a clean 2.35:1 anamorphic transfer that nevertheless demonstrates director Simon Wincer's gift for squandering the widescreen format.

The good things to come from this disc are that the film is once again easy to buy and now sports an anamorphic transfer.

It has been 5 years since the DVD format was launched, and it is undoubtedly disappointing to see Disney still coming up short where every other studio would have given an anamorphic transfer.

In place of obvious video noise, less colour depth, and high contrast between muddy blacks and hot whites, MGM's new anamorphic transfer glistens with sharp detail.

The DVD features an anamorphic transfer and the film has been letterboxed at 2.35:1.

The film itself receives a welcome (though short of excellent) anamorphic transfer and a solid (but not the most dynamic) audio presentation.

One doesn't expect much from a 20 - year - old Roger Corman movie, but this 1.78:1 anamorphic transfer looks surprisingly good.

THE DVD The DVD release of Antitrust is presented as a sparkling, 16x9 - enhanced, widescreen anamorphic transfer at 2.35:1.

There is a great deal of grain in the 1.85:1 anamorphic transfer, enough so that its darker scenes often appear as though they were shot in a dust storm.

THE DVD The unaccountable popularity of the film and what appears to be genuine respect for all of their titles has led Fox to substitute their bare - bones, fullscreen DVD release of The Commitments with a Collector's Edition that preserves the original 1.85:1 aspect ratio (to my eye, it looks closer to 1.77:1) in an anamorphic transfer that is simply beautiful.

From the sampling I did, the anamorphic transfer and Dolby Digital 5.1 soundtrack of the standard DVD are no less than terrific in their own right.

Video: The film is presented in a wide - screen anamorphic transfer.

The DVD contains an anamorphic transfer of the film, which has been letterboxed at 2.40:1.

With a 1.85:1 anamorphic transfer the video quality of this disk is average.

Both boasted similar audio, but the new anamorphic transfer was a definite improvement on the original non-enhanced image.

Visually, the movie is rather enjoyable (shrouded raids excluded) and the anamorphic transfer delights with its vibrant colors, immaculate compositions, and perfect sharpness.

(I suppose this somehow makes up for the past when the movie's packaging specified an anamorphic transfer that did not exist.)

THE DVDs Fahrenheit 451 gets a gratifyingly exhaustive Universal / Laurent Bouzereau treatment, starting with a warm 1.85:1 anamorphic transfer that only succumbs to distracting grain for a few seconds in chapter 10 — the result, no doubt, of a bad optical transition inherent in the source print.

It lacks the sharpness and clarity it should have, and while there are no distracting flaws or inconsistencies, the film would very much stand to benefit from a new anamorphic transfer.

It's a very good film and an excellent anamorphic transfer, and features scene specific commentary by director Claude Chabrol and interviews with producer Marin Karmitz and writer Francis Szpiner among the supplements.

The video benefits from the higher resolution of an anamorphic transfer.

Presented in a 1.85:1 anamorphic transfer, Conquest, for what it's worth, suffers from no obvious digital artifacting problems, which strikes me as something like a minor miracle.

THE DVD Paramount releases Permanent Record in a barely - registering DVD that distinguishes itself from the old VHS I have only by its aspect ratio (1.85:1), the anamorphic transfer riddled with particulate debris that makes every shot look a lot like it was taken from inside a honky - tonk.

Unsurprisingly, this disc is above reproach from a technical standpoint: the 2.32:1 anamorphic transfer has razor - sharp but not overenhanced edges, allowing for detailed shadows and an evocative reproduction of the «Minority Report» grain endemic to theatrical prints.

Tarzan is presented in a THX - certified 1.85:1 anamorphic transfer, and the results are spectacular.

, and this isn't an anamorphic transfer either.

The DVD's anamorphic transfer, which also presents the movie in 1.85:1 widescreen, is decent but not much better than that.

The DVD's 2.40:1 anamorphic transfer looks good for standard definition.

A 2.35:1 anamorphic transfer with 5.1 Dolby Digital sound is supplemented by Trevor Rabin's isolated score (the South African composer and Yes founder provides mundane commentary between passages), a commercial and convincing 3 - minute infomercial for the mock franchise corporation «RePet» (see explanation above), various trailers (for The 6th Day, Hollow Man, Final Fantasy, and the similarly themed Gattaca), and a foldout case insert.

Although it was produced exclusively for the home market, Joseph: King of Dreams was shot in a 1.85:1 aspect ratio, nicely preserved on the disc in an anamorphic transfer.

Grimm's aesthetically striking set design is well - serviced by this 1.85:1 anamorphic transfer, which delivers rich colors without defect.

Not exact matches

Image detail is nice on the whole, and though the film does occasionally look a little soft, this is an artifact of the anamorphic camera process used, rather than any transfer or compression issues.

Video: It's a very crisp and lovely anamorphic widescreen (2.40:1) transfer.

Deleted scenes, production notes and stills, an anamorphic wide - screen transfer, trailers, and before - and - after special effects footage round out this muscle - bound package of no - nonsense nostalgia.

The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.

Some minor grain is hardly noticeable in the highly pleasing 2.35:1 anamorphic widescreen transfer and the Dolby 5.1 soundtrack is aptly immersive throughout.

Human Nature is presented in 1.85:1 anamorphic widescreen and fullscreen versions on the same side of a dual - layer disc; compositionally, it's a toss - up between the two transfers, since the latter opens up the bottom of the frame whilst cropping the vertical sides.

THE DVD by Bill Chambers Warner shepherds Happy Feet to DVD in a 2.40:1 anamorphic widescreen transfer.

Sufficed to say I'm not going to assess the 2.35:1 anamorphic widescreen transfer because I have no idea what consumers are getting for their ill - spent cash, though I can confirm that the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.

Presented windowboxed in 1.65 anamorphic widescreen *, the film looks exactly like it did in theatres, all but confirming that the transfer was sourced from the 35 mm blow - up (Vincent Gallo's viewing preference) rather than the Super16 negative.

THE DVD For all the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transfer.

Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.

Vadim shoots it in earthy color and CinemaScope and the disc preserves both in an anamorphic widescreen transfer.

THE DVD Touchstone brings Frank McKlusky, C.I. to DVD in a 1.85:1 anamorphic video transfer that is bright and agile.

Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.

The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the two.