Sentences with phrase «2.35:1 widescreen film»

Not exact matches

Kino Lorber's DVD edition of The Strongest Man gives the film a good visual presentation in letterboxed 2.35:1 anamorphic widescreen.

KEY: 1.33:1 - 4 x 3 Fullscreen; 1.66:1, 1.77:1, 1.78:1, 1.85:1, 2.35:1, 2.55:1 - Widescreen aspect ratios; Pan & Scan (p & s)- movie is modified to fill 4:3 TV screen; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby 2 - Channel Surround or Stereo SRP - Suggested Retail Price; TBA - To Be Announced; OAR - Original Aspect Ratio (DVD preserves the ratio the film was created for)

Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.

The film is presented widescreen (2.35:1) and in DTS - HD 5.1 master audio.

Twentieth Century Fox presents the film on Blu - ray in widescreen (2.35:1) and in DTS 5.1 HD audio.

The film looks pretty great in the DVD's 2.35:1 anamorphic widescreen transfer.

The film appears on DVD in its original 2.35:1 widescreen aspect ratio, and has been anamorphically enhanced.

As with the earlier edition, both films are presented in anamorphic widescreen at the original aspect ratio of 2.35:1.

THE DVD The first platter of Fox's two - disc Collector's Edition reissue of The Hustler sports the film in a slick but unfortunately nonprogressive 2.35:1 anamorphic widescreen transfer.

The only extras are animated menus, scene selection, the original trailer, and a stills gallery - but the film is presented in a restored and remastered widescreen print reviving its original Panavision 2.35:1 aspect ratio, and the DVD includes an excellent collectors booklet.

The first platter of Fox's two - disc Collector's Edition reissue of The Hustler sports the film in a slick but unfortunately nonprogressive 2.35:1 anamorphic widescreen transfer.

Presented in a widescreen 2.35:1 video transfer and a Dolby Digital 5.1 audio track, the director's cut of «Daredevil» is a completely different film for the better.

Warner Brother's release presents the film in widescreen (2.35:1) and in DTS - HD 5.1 surround.

THE DVD The Fox DVD presents the film in an anamorphic widescreen transfer (2.35:1) that takes full advantage of the vibrant jungle of Sumatra.

Cabin Fever itself quickly subverts expectations for something grainy and incompetent — the film so belies its low - budget origins (and influences) that it may have distorted my perception of the 2.35:1 anamorphic widescreen image, but I believe it to be above reproach, with striking contrast, hairline detail, and well - modulated saturation.

The DVD quality itself looks very sharp in its widescreen 2.35:1 aspect ratio, especially for a 1964 released film.

It plays under a crisply - detailed, well - compressed anamorphic widescreen transfer that for no explicable reason dispenses with the Super35 film's projected aspect ratio of 2.35:1 in favour of its negative aspect ratio of 1.78:1.

Warner's DVD version of McCabe & Mrs. Miller is unfortunately something of a disappointment in the technical department: the 2.35:1 anamorphic widescreen image is too black for a film that was pre-exposed in order to decrease contrast, while digital video noise reduction looks like it was rather severely applied to the intentionally gritty images, resulting in a general lack of detail.

The film over which this is heard is exhibited in both 2.35:1 anamorphic widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the format, making the decision to stick with letterbox a definite no - brainer.

Abandoning the optional full - frame transfer of the previous disc, the SE presents the film in 2.35:1 anamorphic widescreen and the quality of the image dazzles.

The film is presented at 2.35:1 in anamorphic widescreen; colours are outstanding and detail is fine.

Disney presents the film on DVD in a luscious 2.35:1 anamorphic widescreen transfer * — gone is the excess filtering of their more recent live - action fare, replaced by an unobtrusive, mood - setting mist of grain.

Harpoon isn't a handsome film, but it looks fine (if a little soft and big on interlacing) in the disc's 2.35:1 anamorphic widescreen presentation.

The 2.35:1 anamorphic widescreen transfer is velvety smooth and three - dimensional, the best a Mann film has yet looked on the format and in the top - tier of Columbia TriStar's efforts — it's that good.

And sate it does, at least from a technical standpoint: The 2.35:1 anamorphic widescreen transfer * is the finest for one of the film's theatrical cuts — a remarkable feat considering it's the longest instalment of the trilogy (and thus harder to squeeze onto a single - sided, dual - layered platter), though perhaps not so astonishing in light of two years having passed since The Fellowship of the Ring debuted on the format.

Audio Commentary by Director / Co-Screenwriter John Carpenter & Producer / Co-Screenwriter Debra Hill (Recorded in 1995) / Documentaries: 2002 Documentary: «Tales From The Mist - Inside The Fog» (27:55) + 1980 Documentary: «Fear On Film: Inside The Fog» (7:10) / Outtakes (4:07) Widescreen (2.35:1) / Storyboard - to - film comparison (1:25) / Advertising Gallery: Original Posters (6), Film Memorabilia (3) / Photo Gallery: Behind The Scenes (48), Publicity Stills (18) / 3 -LRB-: 30) TV Spots / 4 page colour booklet / Theatrical Trailer (2:49), 2 Teasers -LRB-: 51) each for «The Fog»

While the widescreen laser transfer presented the film in glorious 2.35:1 Panavision and was cutting edge for the time, it just doesn't match up to the digital transfer technology in use today.

KEY: 1.33:1 - Fullscreen; 1.66:1, 1.85:1, 2.25:1, 2.35:1 - Widescreen ratios; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by AWidescreen ratios; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Awidescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Awidescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Anchor Bay.

The film opens with a largely windowboxed frame that soon becomes a 2.35:1 widescreen image, enhanced for 16x9 displays.

Shout Factory has released this film with a fantastic brand new 1080p widescreen transfer with an aspect ratio of 2.35:1.

Had Anchor Bay held onto the DVD release rights to this film that they once had, we would have undoubtedly seen a 2.35:1 widescreen transfer, and there is no way it could look as bad as the pan & scan transfer looks on this DVD.

Presented in an anamorphic 2.35:1 widescreen video transfer and a 5.1 Dolby Digital audio track, the «Garden State» DVD has plenty of entertaining special features to make fans of the film excited about picking up this new disc.

The film is presented in its original 2.35:1 widescreen aspect ratio, enhanced for 16x9 screens.

The film is presented in its original 2.35:1 widescreen aspect ratio and is enhanced for 16x9 displays.

We received the former for review, thank goodness, although the 2.35:1 anamorphic widescreen transfer does lead to some measure of disappointment due to poor shadow detail, an occasionally toxic combination with the low - contrast nature of the film.

THE DVD Warner brings Unaccompanied Minors home on a flipper that renders the Super35 film in 1.33:1 fullscreen on one side and 2.35:1 anamorphic widescreen on the other.

It's an effectively nasty piece of work, well - acted and filmed with a blue - gray pallor that sometimes made the DVD image (2.35:1 anamorphic widescreen) hard to make out on my portable player but is more than apt under the circumstances.

Next to other contemporary fantasy films, the visuals aren't overly stylized, but the clean, sharp 2.35:1 anamorphic widescreen transfer allows one to easily marvel at them.

Once again, Zodiac is presented in an anamorphic widescreen transfer that upholds the film's 2.35:1 theatrical aspect ratio.

THE DVD by Bill Chambers MGM's DVD release of Hart's War presents the film in 2.35:1 anamorphic widescreen and open - matte options on opposite sides of the platter.

The film is presented in widescreen (2.35:1) and in DTS 7.1 HD Master Audio.

THE DVD Blue Underground reissues Zombie on DVD in an apparently definitive 2.35:1 anamorphic widescreen presentation; this is one of those transfers that won't be appreciated by newcomers to the film, but anybody who's had previous experience with Zombie on home video will marvel at the clarity of the image.

The film makes good use of the 2.35:1 widescreen frame, so if you somehow happen to mistakenly buy the fullscreen version, swallow your pride and do an exchange.

Fox Blu - ray comes with the film in widescreen (2.35:1) and DTS - HD surround.

KEY: 1.33:1 - 4 x 3 Fullscreen; 1.66:1, 1.85:1, 2.00:1, 2.35:1, 2.55:1 - Widescreen aspect ratios; Pan & Scan - movie is modified to fill 4:3 TV screen; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby Surround 2 - Channel; SRP - Suggested Retail Price; TBA - To Be Announced WWoD - Wonderful World of Disney television movie OAR - Original Aspect Ratio (DVD preserves the ratio the film was created for)- Pan & Scan only DVD release: movie is not available in its origiWidescreen aspect ratios; Pan & Scan - movie is modified to fill 4:3 TV screen; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby Surround 2 - Channel; SRP - Suggested Retail Price; TBA - To Be Announced WWoD - Wonderful World of Disney television movie OAR - Original Aspect Ratio (DVD preserves the ratio the film was created for)- Pan & Scan only DVD release: movie is not available in its origiwidescreen presentation enhanced for 16 x 9 widescreen TVs; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby Surround 2 - Channel; SRP - Suggested Retail Price; TBA - To Be Announced WWoD - Wonderful World of Disney television movie OAR - Original Aspect Ratio (DVD preserves the ratio the film was created for)- Pan & Scan only DVD release: movie is not available in its origiwidescreen TVs; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby Surround 2 - Channel; SRP - Suggested Retail Price; TBA - To Be Announced WWoD - Wonderful World of Disney television movie OAR - Original Aspect Ratio (DVD preserves the ratio the film was created for)- Pan & Scan only DVD release: movie is not available in its original ratio.