Sentences with phrase «2.35:1 widescreen picture»
Technical aspects: 1080p high definition, 2.35:1 widescreen picture; Italian and English LPCM monaural; English SDH subtitles.
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Technical aspects: 1080p high definition, 2.35:1 widescreen picture; Spanish 5.1 DTS - HD Master Audio, English Dolby digital 5.1 audio description track; English SDH, English and French subtitles.
Technical aspects: 1080p high definition, 2.35:1 widescreen picture; Japanese LPCM monaural; English subtitles.
The 2.35:1 widescreen picture is often muted, but always extremely sharp and clean, allowing you to admire every gruesome prosthetic effect in great detail.
Technical aspects: 1080p high definition, 2.35:1 widescreen picture; English 5.1 DTS - HD Master Audio.
Technical aspects: 1080p high definition, 2.35:1 widescreen picture; Mandarin 5.1 DTS - HD Master Audio and English DTS - HD Master Audio stereo; English subtitles.
Technical aspects: 2.35:1 widescreen picture; Spanish 5.1 Dolby digital; English and Spanish subtitles.
Not exact matches
Columbia TriStar's DVD could scarcely better accommodate an appreciation of the picture: the approximately 2.35:1 anamorphic widescreen presentation rivals the Pixar digital - to - digital transfers for clarity of textures.
Unsurprisingly for modern stop - motion animation, picture quality is excellent on the DVD's 2.35:1 anamorphic widescreen transfer.
Presented in 2.35:1 anamorphic widescreen (pan-and-scan version sold separately), the picture looks nice here, sometimes so clear as to overemphasize the CG elements.
The film over which this is heard is exhibited in both 2.35:1 anamorphic widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the format, making the decision to stick with letterbox a definite no - brainer.
THE DVD Blue Underground, gaining momentum on Anchor Bay in the area of extensive catalogue cult releases, offers The Final Countdown in an astounding, THX - certified anamorphic widescreen presentation that preserves the picture's original 2.35:1 Panavision aspect ratio for the first time on DVD legitimately.
Technical aspects: 1080p high definition, 1.78:1 widescreen picture («Human Centipede» and «Human Centipede 2») and 2.35:1 («Human Centipede 3»); English 2.0 DTS - HD Master Audio («Human Centipede) and 5.1 DTS - HD Master Audio («Human Centipede 2» and «Human Centipede 3»); English subtitles.
Immaculate is the word for the 2.35:1 anamorphic widescreen transfer of Gone in Sixty Seconds proper, and the Dolby Digital 5.1 audio is as aggro as you'd expect for a picture that leaves a residue of testosterone in its wake.
The picture looks spectacular in its 1080p high definition widescreen (2.35:1 aspect ratio).
Due to the stylized post-processing, the 2.35:1 anamorphic widescreen presentation delivered picture that was painful to look at.
This 2 - disc package offers: - Lost Moon: The Triumph of Apollo 13 - Conquering Space: The Moon and Beyond - Lucky 13: The Astronaut's Story - My Scenes - Feature Commentary with Director Ron Howard - Feature Commentary with Jim and Marilyn Lovell - D - BOX - Pocket BLU U Control - BD Live - Audio: DTS - HD Master Audio 5.1 (English), DTS 5.1 Surround (Castilian Spanish), DTS 5.1 Surround (Latin Spanish), DTS 5.1 Surround (French European), DTS 5.1 Surround (Italian), DTS 5.1 Surround (Hungarian), DTS 5.1 Surround (Czech)- Subtitles: English SDH, French Canadian, Italian, Castilian Spanish, Latin Spanish, Swedish, Danish, Finnish, Norwegian, Portuguese and Greek - Picture: Widescreen (2.35:1)