Sentences with phrase «2.40:1 anamorphic»
Darkness specifications: 2.40:1 anamorphic widescreen; English 5.1 Surround; French Dolby Surround; English and Spanish subtitles.
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The DVD's 2.40:1 anamorphic transfer looks good for standard definition.
Morning Glory looks pretty terrific in the DVD's 2.40:1 anamorphic widescreen presentation.
For standard definition, the 2.40:1 anamorphic widescreen presentation isn't bad, exhibiting nothing worse than some probably deliberate grain.
The DVD's 2.40:1 anamorphic widescreen transfer is not without grain and some rare artifacts, but both are minor issues that are far from distracting.
The 2.40:1 anamorphic widescreen video is just about flawless, boasting strong colors, tremendous detail, exceptional sharpness, and a delightfully clean element.
The Sense of an Ending obviously lacks the sharpness and detail you get from Blu - ray, but by DVD standards, the 2.40:1 anamorphic widescreen transfer seems pretty okay.
The film's rather stylized look — dark, grainy, and occasionally approximating satellite imagery — is represented in utterly satisfying fashion in the DVD's solid 2.40:1 anamorphic widescreen transfer.
The 2.40:1 anamorphic widescreen transfer lacks sharpness throughout, looking a tad soft, dark, and splotchy.
Kinky Boots 107 Minutes / Rating: PG - 13 / US Theatrical Release Date: April 14, 2006 Director: Julian Jarrold / Writers: Geoff Deane, Tim Firth Cast: Joel Edgerton (Charlie Price), Chiwetel Ejiofor (Lola), Sarah - Jane Potts (Lauren), Jemima Rooper (Nicola), Linda Bassett (Melanie), Nick Frost (Don), Robert Pugh (Harold Price) 2.40:1 Anamorphic Widescreen; Dolby Digital 5.1 (English, French); Subtitles: English, Spanish; Closed Captioned Suggested Retail Price: $ 19.99 (Reduced from $ 29.99) / DVD Release Date: September 5, 2006 / Black Keepcase / Single - sided, dual - layered disc (DVD - 9) Sneak Peeks: Goal!
The Other Guys looks pretty good in the DVD's 2.40:1 anamorphic widescreen.
Seven Psychopaths» 2.40:1 anamorphic widescreen presentation is fine by DVD standards.
Specifications: 2.40:1 anamorphic widescreen; English 5.1 Surround; English Dolby Surround; English subtitles; English closed captioning.
The dark 2.40:1 anamorphic widescreen picture is free of problems and the indistinctive visual style is rather a breath of fresh air.
Housed in a regular plastic Amaray case in turn stored in a cardboard slipcover, Altitude comes to DVD presented in 2.40:1 anamorphic widescreen, divided into a dozen chapters, with an English language Dolby digital 5.1 surround sound audio mix, and optional English SDH and Spanish subtitles.
Specifications: 2.40:1 anamorphic widescreen; Cantonese / Mandarin and English 5.1 Surround; French Dolby Surround; English and French subtitles; English closed captioning.
Specifications: 2.40:1 anamorphic widescreen; English DTS; English 5.1 Surround; French and Spanish Dolby Surround; English and Spanish subtitles; English closed captioning.
The studio's transfers are consistently some of the best out there, so for standard definition, this 2.40:1 anamorphic widescreen presentation looks pretty solid.
The 2.40:1 anamorphic widescreen transfer is surprisingly soft and murky, though saturation and contrast are largely irreproachable.
The 2.40:1 anamorphic widescreen transfer lacks detail and sharpness, while the Dolby Digital 5.1 soundtrack almost never commands notice.
Both appearances satisfy in the DVD's nice 2.40:1 anamorphic widescreen transfer.
Technical aspects: Blu - ray: 1080p high definition, 2.40:1 widescreen picture; English 5.1 DTS - HD Master Audio, English 2.0 Dolby Digital audio descriptive track and French and Spanish 5.1 DTS Digital surround; English SDH, French and Spanish subtitles; DVD: 2.40:1 anamorphic widescreen picture; English, Spanish and French 5.1 Dolby Digital and English 2.0 Dolby Digital audio descriptive track; English SDH, French and Spanish subtitles.
The 2.40:1 anamorphic widescreen video isn't the sharpest or most detailed, but that's a low - budget comedy in standard definition from a small studio for you.
The DVD's 2.40:1 anamorphic widescreen transfer is good, but noticeably hampered by the limitations of that format.
THE DVD MGM releases Out of Time in a spacious, overly bright and grainy 2.40:1 anamorphic video transfer prone to moiré problems and colour bleed, but if it's a little rough around the edges (indeed, DP Theo van de Sande's work on Cruel Intentions displayed the same kind of affected autumnal defect), I'm willing to think that it's in the cause of the picture's atmosphere.
Technical aspects: 2.40:1 anamorphic widescreen picture; English, French and Spanish 5.1 Dolby digital and English and French Dolby surround audio description track; English SDH, English, French and Spanish subtitles.
The 2.40:1 anamorphic widescreen presentation suffers from no specific drawbacks other than being encoded in a format with a lower resolution than is commonly found these days.
There are no complaints to aim at the DVD's 2.40:1 anamorphic widescreen picture and Dolby Digital 5.1 audio.
The 2.40:1 anamorphic widescreen transfer is a disciplined rendering of volatile elements, as evidenced by the «control group» of those two or three shots that don't induce seizures.
Hancock is presented in 2.40:1 anamorphic widescreen, with picture as crystal clear and stunning as on any big budget studio picture.
The 2.40:1 anamorphic widescreen presentation shows that limited budget and lacks sharpness and focus somewhat consistently.
The Calling looks fine for standard definition, but the DVD's 2.40:1 anamorphic widescreen transfer is a far cry from the satisfying highs of 1080p.
Technical aspects: Blu - ray: 1080p high definition, 2.40:1 widescreen picture; English DTS X Master Audio, DTS headphone X, English 2.0 descriptive audio track and Spanish 5.1 DTS digital surround; English SDH, Spanish and French subtitles; DVD: 2.40:1 anamorphic widescreen picture; English 5.1 Dolby digital and Spanish 2.0 DTS digital surround; English SDH, Spanish and French subtitles.
The 2.40:1 anamorphic Panavision image is correctly letterboxed inside the native 16x9 HDTV frame.
THE DVD by Bill Chambers Warner shepherds Happy Feet to DVD in a 2.40:1 anamorphic widescreen transfer.
Both the theatrical and unrated cuts of The Hangover look pretty good in the DVD's 2.40:1 anamorphic widescreen presentations.
Still, the 2.40:1 anamorphic widescreen picture is perfectly satisfactory for standard definition, as is the basic but serviceable Dolby Digital 5.1 soundtrack.
Video: With an aspect ratio of 2.40:1 Anamorphic Widescreen, the video quality of the film is higher than the time period of the action allows it to appear.
Not exact matches
Video: It's a very crisp and lovely anamorphic widescreen (2.40:1) transfer.
THE BLU - RAY DISC by Bill Chambers Shot in «scope on 35 mm, Priest arrives (unrated) on Blu - ray from Sony in an ultra-fine-grain 2.40:1, 1080p transfer, the tack sharpness of which demonstrates just how much anamorphic lenses have improved in recent years.
THE BLU - RAY DISC Warner brings Soylent Green to Blu - ray in a 2.40:1, 1080p transfer that is, considering the anamorphic cinematography, adequately sharp — particularly in interiors — and colourful, with the apartment set and a certain wide shot of Heston atop a trash truck exhibiting a gratifying level of detail.
The DVD contains an anamorphic transfer of the film, which has been letterboxed at 2.40:1.