Sentences with phrase «20th biennale»

For the 20th Biennale of Sydney, Lee Bul will present a new installation which expands the entirety of Turbine Hall, the largest structure on Cockatoo Island.

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as the innaugural NGV Triennial, Melbourne, Australia (2017), 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

Lee Bul: Willing To Be Vulnerable, 2015 - 16 Installation view of the 20th Biennale of Sydney, 2016.

Schoorel is currently included in The Future is Already Here ---- It's Just Not Evenly Distributed, 20th Biennale of Sydney, curated by Stephanie Rosenthal, and was recently featured in the exhibition Conversation Piece Part II at Fondazione Memmo in Rome.Selected solo exhibitions include Maaike Schoorel, Gemeente Museum, The Hague (2016), Conservatory at Mendes Wood, São Paulo, curated by Carolyn H. Drake (2013), and Conversation Piece IV, Frans Hals Museum, Haarlem (2012 - 2013).

Group exhibitions include «The National: New Australian Art», Art Gallery of NSW, Carriageworks, MCA (Sydney, 2017, 2019, 2021); 20th Biennale of Sydney (2016); PERFORMA 15, New York (2015); 8th Berlin Biennale for Contemporary Art (2014).

His recent shows include «A Song A Story» for the Rolls - Royce Art Programme (2016), «Shoonya Ghar — Empty Is This House», NGMA, New Delhi and at the 20th Biennale of Sydney (2016), «Mimic Momento», Galerie Daniel Templon, Brussels (2015), «Constructs Constructions», curated by Roobina Karode, Kiran Nadar Museum of Art, New Delhi (2015), «A Passage» Staatliche Museum, Schwerin, Germany (2015), «every broken moment, piece by piece», GALLERYSKE, New Delhi (2014), «The pieces earth took away», Galerie Krinzinger, Vienna (2012), «Critical Mass», Tel Aviv Museum of Art, Tel Aviv (2012), «Indian Highway», Ullens Center for Contemporary Art, Beijing (2012), «The Matters Within: New Contemporary Art of India», curated by Betti - Sue Hertz, Yerba Buena Center for the Arts, San Francisco (2011), «Paris - Delhi - Bombay», Centre Pompidou, Paris (2011), «Sympathy for the Devil», curated by Walter Vanhaerents and Pierre - Olivier Rollin, Vanhaerents Art Collection, Brussels (2011), «India Inclusive», World Economic Forum, Davos (2011), «Contemplating the Void», curated by Nancy Spector, Solomon R. Guggenheim Museum, New York (2010), Vancouver Biennale, Vancouver (2009), among others.

The installation views of Schoorel's recent exhibitions, presented at Fondazione Memmo in Rome and in the frame of the 20th Biennale of Sydney, show the multifaceted relationships between the works and the spaces where they are installed.

Solo Exhibitions 2016 «Drunk Brown House», Serpentine Sackler Gallery, London 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlin 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, London 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, London 2012 «Evian Disease», Palais de Tokyo, Paris 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurich 2011 «Park Nights», Serpentine Gallery, London 2011 «Fruits, Flowers, and Clouds» (with T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlin 2010 «I like my heroes marble chested», Carl Kostyál, London 2010 «Wicked patterns», T293, Naples Group exhibitions 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Toulose 2017 «made on the table», Sadie Coles HQ, London 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, London 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20th Biennale of Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»

Adelina von Furstenburg, Skira, 2015); the 20th Biennale of Sydney catalogue: The future is already here — it's just not evenly distributed (ed.

Chim ↑ Pom has been the subject of many solo and group exhibitions, including the 20th Biennale of Sydney (2016); MoMA PS1 (2014 and 2011); Saatchi Gallery (2015); the 9th Shanghai Biennale (2012); and the 29th São Paulo Biennial (2010).

Created for the 20th Biennale of Sydney; photograph: Ben Symons

Additional support from Musée d'art moderne de la Ville de Paris; 20th Biennale of Sydney; Barbara Seiler, Zurich; Galerie Emanuel Layr, Vienna; Robert D. Bielecki Foundation; KIASMA Helsinki; FACT Liverpool, Metal, and Canvas, cocommissioners of Commercials, 2015

He also participated in the 9th Berlin Biennale and 20th Biennale of Sydney.

Co-commissioned by Sharjah Art Foundation, Sharjah; Chisenhale Gallery, London; Malmö Konsthall, Malmö and the 20th Biennale of Sydney.

He has also taken part in group exhibitions in international venues such as the Cuenca Biennial (2016), 20th Biennale of Sydney (2016) Stedelijk, MAXXI, Rome, Italy (2014), Istanbul Modern, Istanbul, Turkey (2014), 5th Marrakech Biennial, Marrakech, Morocco (2014), Palais de Tokyo, Paris, France (2014), MAK, Vienna, Austria (2013), 11th Sharjah Biennial, Sharjah, United Arab Emirates (2013), 7th Asia Pacific Triennial of Contemporary Art (APT), Queensland Art Gallery, Stanley Place, Brisbane, Australia (2012), CCA Wattis, San Francisco, USA (2012), dOCUMENTA (13), Kassel, Germany (2012), SALT, Istanbul, Turkey (2012), New Museum Triennial, with Ala Younis and group, New Museum, NY, USA (2012), 12th Istanbul Biennial, Istanbul, Turkey (2011), Arter, Istanbul, Turkey (2011), Tate Modern, London, UK (2011).

She has participated in group exhibitions at Kunsthalle Wien, Liverpool Biennial, 20th Biennale of Sydney, Marrakech Biennale 6, The Jerusalem Show VII, Al Ma» mal Foundation, and Henie Onstad Kunstsenter, Bærum.

Group shows and biennials include the 20th Biennale of Sydney (as part of Don't Follow the Wind), Sydney, Australia; Electronic Superhighway and Artists» Film International, Whitechapel Gallery, London (all 2016); Big Bang Data, Somerset House, London; 2050.

Her work has been included in important group exhibitions and biennials such as the 20th Biennale of Sydney (2016); 10th Gwangju Biennale, Gwangju, Korea (2014); 10th International Istanbul Biennial (2007); Taipei Biennial (2006).

Born in 1977, Xu Zhen has been the subject of solo exhibitions at the Kunsthaus Graz, Austria (2015); Long Museum, Shanghai, China (2015); Ullens Center for Contemporary Art, Beijing, China (2014); the Minsheng Museum, Shanghai, China (2012); Kunsthalle Bern, Switzerland (2011); and S.M.A.K., Gent, Belgium (2009); as well as major international group exhibitions such as 20th Biennale of Sydney, Australia (2016); Chinese artists at a time of Turbulence and Transformation, Fondation Louis Vuitton, Paris (2016); Contemporary Art from China, Qatar Museums Gallery Al Riwaq, Doha, Qatar (2016) and New Collection, Centre Pompidou, Paris (2015) 15 Rooms, co-curated by Klaus Biesenbach and Hans - Ulrich Obrist, Art Basel (2014); the 12th Biennale de Lyon (2013); Art of Change, Hayward Gallery, UK (2012); Performa07, New York (2007); the 10th International Istanbul Biennial (2007).

All works commissioned and coproduced by Berlin Biennale for Contemporary Art With the support of Schering Stiftung Coproducers De Hallen Haarlem, Kunsthalle Winterthur, Kunsthalle Aarhus Additional support from Musée d'art moderne de la Ville de Paris; 20th Biennale of Sydney; Barbara Seiler, Zurich; Galerie Emanuel Layr, Vienna; Robert D. Bielecki Foundation; KIASMA Helsinki; FACT Liverpool, Metal, and Canvas, cocommissioners of Commercials, 2015 In - kind support from Atomium, Brussels; BruBotics — The Brussels Human Robotic Research Center, Vrije Universiteit Brussel, Brussels; Andrew Martin and Contemporary Hotels, Joadja; Cow Prod, Paris; iw, Kontich; Scenic World, Blue Mountains; YEEZY; silentdisco.de, silentdiscotheque.com

Artistic Director Stephanie Rosenthal announces a dynamic artist list and sci - fi - inspired exhibition programme for the 20th Biennale of Sydney, running from 18 March to 5 June 2016 across multiple venues in the city.

Her work has been included in the 20th Biennale of Sydney (2016); Renaissance, Lille3000, Lille, France (2015); Echigo - Tsumari Art Triennale, Echigo - Tsumari, Japan (2015); Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York (2015); 10th Gwangju Biennale, Gwangju, Korea (2014); Prospect 1: A Biennial for New Orleans, New Orleans, LA (2008); 10th International Istanbul Biennial (2007); Dirty Yoga, Taipei Biennial (2006); and the 48th Venice Biennale (1999).

All signs pointed to interesting possibilities for Sydney's 20th Biennale, curated as it was by Stephanie Rosenthal, the chief curator at London's Hayward Gallery — the site of the 2008 exhibition, Psycho Buildings, which was one of the key recent shows featuring sci - fi - related art.

These abstracted forms utilize the same language of the artist's recent monumental installation for the 20th Biennale of Sydney, Willing To Be Vulnerable (2015 - 16).

20th Biennale of Sydney, Cockatoo Island, New South Wales, Australia The Future Is Already Here — It's Just Not Evenly Distributed

Heavy - duty fabric, metalized film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring dimensions variable Installation view of the 20th Biennale of Sydney, 2016.

Lee Bul Willing To Be Vulnerable, 2015 — 2016 Installation view at the 20th Biennale of Sydney, 2016.

Homo Faber: A Rainbow Caravan in Japan; the 5th Anyang Public Art Project (APAP) in Korea; the 6th Marrakech Biennale: Not New Now; the 20th Biennale of Sydney: The future is already here — it's just not evenly distributed; and Towards a Larger World at Moderna Museet, Stockholm.

Recent and forthcoming exhibitions include The Future is Already Here - It's Just Not Evenly Distributed, The 20th Biennale of Sydney; Display Show, Stroom Den Haag, The Hague, Netherlands; How institutions think, LUMA, Arles France (2016); Céline Condorelli, Chisenhale Gallery, London; bau bau, Museum of Contemporary Art, Leipzig, Germany; Ten Thousand Wiles and a Hundred Thousand Tricks, M HKA (Museum van Hedendaagse Kunst Antwerpen), Antwerp, Belgium (2014); Additionals, Project Art Centre, Dublin; Puppet Show, Eastside Projects, Birmingham; Things That Go Without Saying, Grazer Kunstverein, Austria; The Parliament, «Archive of Disobedience», Castello di Rivoli, Turin, Italy (2013) and Surrounded by the Uninhabitable, SALT Istanbul, Turkey (2012).

Murillo's works and projects have been exhibited in major institutions and biennial events worldwide, including Yarat Contemporary Art Centre in Baku, Azerbaijan (2017); the 20th Biennale of Sydney (2016); the Moderna Museet, Stockholm (2016); the Museo de Arte de la Universidad Nacional de Colombia, Bogotá (2015); Nouveau Musée National de Monaco (2016); The Museum of Modern Art, New York (2014); Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent (2014); Los Angeles County Museum of Art (2014); and the Serpentine Gallery, London (2012).

Lepecki is an attaché of the 20th Biennale of Sydney.

The Sun's Rehearsal, 2016; performance still and installation view at Carriageworks for the 20th Biennale of Sydney, 2016.

She has exhibited and performed at Dhaka Art Summit, Bangladesh (2018, 2016); Manchester Art Gallery (2017); LAMOA at Occidental College, Los Angeles (2017); Commonwealth & Council, Los Angeles (2017); Los Angeles Municipal Art Gallery (2017); Project 88, Mumbai (2016, 2013, 2010, 2009, 2007); 20th Biennale of Sydney (2016); Hayward Gallery Project Space, London (2015); Kochi - Muziris Biennale, India (2014); Armory Center for the Arts, Pasadena, California (2013); Whitechapel Gallery, London (2013); John Hansard Gallery, Southampton, UK (2012); Shanghai Biennale (2012); and Asia Pacific Triennial 7, QAGOMA, Australia (2012), among others.

She served as a curatorial Attaché for the 20th Biennale of Sydney in 2016.

Following his March homecoming at the 20th Biennale of Sydney, Berlin - based choreographer Linder will continue his «Choreographic Services» series — begun in 2013, in which he offers choreographic performance as a service for hire — in commissions from Berlin to Los Angeles.

She was included the recent 20th Biennale Sydney, and has participated in group exhibitions at The Hirshhorn Musuem, Washington DC; Moderna Museet, Stockholm; The Kitchen, NYC; Astrup Fearnley Museet, Oslo and MoMA PS1, NYC.

MUMA, in association with the Biennale of Sydney and MPavilion, are pleased to present a special illustrated lecture by Stephanie Rosenthal, Artistic Director of the 20th Biennale of Sydney (18 March - 5 June 2016).

Not exact matches

In advance of his representation of the United States at the Venice Biennale, Mark Bradford is collaborating with two institutions in Denver, Colo., presenting exhibitions that pair his work with that of Clyfford Still (1904 - 1980), a 20th century master of abstract expressionism.

Khalidi was also one of the attachés of the 20th Sydney Biennale and curator of the 5th Marrakech Biennale.

Hodges's work has also been seen in multiple group exhibitions including the 1997 Venice Biennale, the 1996 São Paulo Bienal, Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, DC; and Present Tense: Nine Artists in the Nineties, San Francisco Museum of Modern Art, CA.

- The Art Newspaper Everything Is Illuminated: Your Guide to the Venice Biennale — Art in America Polly Morgan, Sarah Lucas and the rise of the female sculptor — The Guardian «Cronocaos,» by Rem Koolhaas, at the New Museum — NYTimes Recent Art News - Texas Week of 04/24/11 Arthouse: The Dilemma of Authenticity and Visibility — Glasstire Blanton Director resigns — Austin 360 Biennial survives — and keeps thriving — as new exhibits show — Austin 360 Mayoral Candidates Debate Arts, Arts Funding, Arts Re-Districting — Art & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century art?

Her work has been included in exhibitions worldwide including «Sensation: Young British Artists from the Saatchi Collection», Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); «The Nude In 20th Century Art», Kunsthalle Emden, Germany (2002, traveled to Arken Museum of Modern Art, Copenhagen in 2003); «Painting», Museo Correr, 50th Biennale di Venezia (2003); and «Paint Made Flesh», Frist Center for the Arts, Nashville (2009, traveled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).

SELECTED EXHIBITIONS 2017 — Catalina Island Museam, Avalon, California 2017 — New York Botanical garden, The Bronx, New York 2017 — Chihuly Sanctuary, The Fred & Pamela Buffett Cancer Centre 2017 — Crystal Bridges Museam of American Art, Bentonville, Arkansas 2016 Chihuly, Royal Ontario Museum, Toronto, Ontario, Canada 2016 Chihuly in the Garden, Atlanta Botanical Garden, Atlanta, Georgia 2015 Glass Art Garden, Toyama Glass Art Museum, Japan 2015 Chihuly Drawings, Museum of Glass, Tacoma, Washington 2014 Chihuly at Fairchild: A Garden of Glass, Fairchild Tropical Botanic Garden, Florida 2014 Ulysses Cylinders, Dublin Castle, Dublin 2014 Chihuly, Denver Botanic Gardens, Colorado 2014 Dale Chihuly: Beyond the Object, Halcyon Gallery, London 2013 Chihuly, Montreal Museum of Fine Arts, Canada 2012 Chihuly at the Virginia Museum of Fine Arts, Virginia Museum of Fine Arts, Richmond, Virginia 2012 Chihuly Garden and Glass, Seattle Center, Washington 2011 Chihuly, Halcyon Gallery, London 2011 Chihuly: Through the Looking Glass, Museum of Fine Arts, Boston, Massachusetts 2010 Chihuly at Cheekwood, Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee 2010 Chihuly at the Salk, Salk Institute for Biological Studies, La Jolla, California 2009 Making Worlds (group exhibition), Venice Biennale, Venice, Italy 2008 Chihuly at the de Young, de Young Museum and the Legion of Honor, San Francisco, California 2006 Chihuly at the New York Botanical Garden, New York Botanical Garden 2005 Gardens of Glass: Chihuly at Kew, Royal Botanic Gardens, Surrey, UK 2002 Chihuly 2002: Salt Lake Olympic Winter Games, Salt Lake Art Center, Salt Lake City, Utah 2001 Chihuly at the V&A, Victoria and Albert Museum, London 2000 Chihuly in Iceland: Form from Fire, Reykjavik Art Museum, Iceland 1999 Chihuly in the Light of Jerusalem 2000, Tower of David Museum of the History of Jerusalem, Jerusalem 1995 Chihuly Over Venice, Venice, Italy 1989 20th International Biennial, São Paulo, Brazil 1986 Dale Chihuly: Objets de Verre, Musée des Arts Décoratifs, Louvre, Paris

1958 La Biennale di Venezia, Venice, Italy Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in 20th Century American Art, Whitney Museum of American Art, New York, NY; The Philips Collection, Washington, DC; Fort Worth Art Center, Fort Worth, TX, Los Angeles County Museum, Los Angeles, CA; Walker Art Center, Minneapolis, MN, City Art Museum of St. Louis, St. Louis, MO Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, PA

Her work has been exhibited or performed at Dhaka Art Summit (solo, 2018; group 2016); Manchester Art Gallery (solo, 2017); LAMOA at Occidental College, Los Angeles (solo, 2017); Commonwealth and Council, Los Angeles (solo, 2017); Los Angeles Municipal Art Gallery (2017); Project 88, Mumbai (solos 2016, 2013, 2010, 2009, 2007); 20th Sydney Biennale (commission, 2016); Hayward Gallery Project Space, London (solo, 2015); Kochi - Muziris Biennale (2014); Armory Center for the Arts, Pasadena, California (2013); Whitechapel Gallery, London (2013); John Hansard Gallery, Southampton, UK (3 - person, 2012); Asia Pacific Triennial, QAGOMA, Brisbane (2012); Shanghai Biennale (2012); Wanås Foundation and Kristianstads Konsthall, Sweden (2012; the 10th Venice Architecture Biennale (2006); among others.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

Alberto Giacometti, arguably the most famous Swiss artist of the 20th century, never represented his country at the Venice Biennale.

1995 African - American Art: 20th Century Masterworks, II, Michael Rosenfeld Gallery, New York, NY; Laguna Beach Museum of Art, Long Beach, CA The Art of Betye Saar and John Otterbridge, Africus Johannesburg Biennale, Johannesburg, South Africa Collage: Made in America, Michael Rosenfeld Gallery, New York, NY Photogenetic: Reviewing the Lens of History, Street Level Photography Gallery and Workshop, Glasgow, Scotland Works by Betye, Lezley and Alison Saar, Montgomery Glasoe Fine Art, Minneapolis, MN

The Readymade Boomerang: Certain Relations in 20th Century Art. 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?