Sentences with phrase «3d color effect»

Not exact matches

Swipe on another layer of color and watch the texture pop out for a super chic 3D effect.

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

Camera (color, widescreen, Red Digital Cinema, 3D), Simon Duggan; editors, Matt Villa, Jason Ballantine, Jonathan Redmond; music, Craig Armstrong; executive music supervisor, Anton Monsted; production designer, Catherine Martin; supervising art director, Ian Gracie; art directors, Damien Drew, Michael Turner; set decorator, Beverly Dunn; costume designer, Martin; sound (Dolby Digital / Datasat / SDDS), Guntis Sics; sound designer / supervising sound editor, Wayne Pashley; re-recording mixers, Steve Maslow, Phil Heywood, Pashley; visual effects supervisor, Chris Godfrey; visual effects producer, Joyce Cox; visual effects, Animal Logic, Prime Focus, Rising Sun Pictures, Iloura, Industrial Light & Magic, Method Studios; stunt coordinator, Glenn Ruehland; assistant director, Jennifer Leacey; casting, Ronna Kress, Nikki Barrett.

Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.

(Color, widescreen, 3D); Music, Ramin Djawadi; production designer, Jeremie Degruson; sound (Dolby Digital), Yves Renard, Pierre Lebecque; supervising sound editors, Frederic Demolder, Simon Jamart, David Vranken; re-recording mixer, Luc Thomas; animation supervisor, Dirk De Loose; visual effects supervisor, Yannick Lasfas; line producer, Vincent Philbert; associate producers, Gina Gallo, Mimi Maynard, Domonic Paris; casting, Gina Gallo, Mimi Maynard.

, Understanding Red - Eye effect, Filters (Daily life usages), 3D Glasses, Rainbow; (Primary and Secondary Rainbow), Color on TV, Physics around us, Classroom Activities, Revision Everything is ready to be used or easily edited to suit your learners.

I love teaching the kids how to layer and blend colors to create 3D dimensional optical effects.

In case you're unable to spot this 50th Anniversary Edition based on the new colors, you should look for a «two - tone 3D - effect» badge on the rear lid with the numbers «911 50».

Located in the center of the instrument display between the tachometer and speedometer, it features a 4.0 - inch color display that has more natural 3D - effect graphics, it helps the driver to keep his or her eyes on the road longer than a traditional center - stack information monitor.

Sure this is only confirmed for 3DS so far, but they could easily achieve a similar effect on the WiiU with player auras of their team color.

I quickly realized that the 3D function of the handheld was, in general, not my favorite part of the 3DS — I had no major issues with this, because turning off the stereoscopic effects actually made the frame rate much smoother, and the colors appeared more vibrant on the screen.

Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palColor» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

Our senses are engaged through color, light, music, and special effects like 3D, as well as textures and surfaces that we can touch, walk on, or move through, enabling us to step inside the projected image and become part of it.

It brought a new design philosophy called Material Design with more vivid colors, fluid transitions, floating elements, and realistic 3D effects and shadows, lock screen notifications with the ability to choose privacy and priority settings on a per - app basis, improved Notifications Panel and Quick Settings, dynamic status bar, Android Runtime for improved in - app performance, Smart Lock, Screen Pinning, improved battery statistics, native battery saver, support for 64 - bit processors, search functionality within the Settings app, and more.

Available for both Windows and Mac desktop computers, Lens Studio allows users to customize their lens with with a handful of different tools, including importing 3D objects created in other programs and editing the existing object with different colors, textures and lighting effects.

The interface got friendlier, has more colors, more animations, and everything is more intuitive courtesy of 3D effects and shadows.

• Track record of instructing students about basic sketching and contouring techniques • Well versed in evaluating students» work, charting their progress, grading assignments and guiding them regarding their weaknesses appropriately • Hands - on experience in curriculum development, lesson planning and implementation with aid of modern and effective AV aids and instructional strategies • Expert in instructing students about working in various modes including pastels, oil colors, water colors, fabric paints, charcoal and pencil • Adept at creating and maintaining a highly stimulating, inspiring and multicultural classroom environment • Proven ability to introduce novel forms of art and inculcate the same in the curriculum effectively • Demonstrated ability to enhance creativity among students by encouraging innovation, novelty and originality in their pieces of art • Familiar with various kinds of pixel sheets, sketching paper and art material, fully capable of determining age specific art material and techniques, suitable for assigned level and grades of children • Known for initiating, designing and implementing various art contests at the school to encourage a general appreciation for art among students • Competent at identifying course goals and fulfilling the same in collaboration with students, teachers and parents • Proven skills in lesson planning, curriculum implementation, technique instruction, practice facilitation and assignment communication • Profound knowledge of various advanced level 3D effect art techniques • Strong classroom management, organization and discipline control skills • Profound ability to devise innovative learning and instructional techniques to facilitate effective transfer of skill and knowledge • Proficient in use of computer to aid art work, familiar with various graphic designing and drawing enhancement software