Sentences with phrase «a social documentary»
Seis del Sur: BARRIOS is a photographic group exhibition featuring both the vintage and contemporary photojournalistic and social documentary work of the six members of the Seis del Sur photo collective: Joe Conzo, Ricky Flores, Ángel Franco, David González, Edwin Pagán, and Francisco Molina -LSB-...]
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Los Angeles CA, About Blog John Free is a social documentary / street photographer who lives in Los Angeles.
London, England About Blog Linda Wisdom is a London Street Photographer and social documentary artist.
Los Angeles CA, About Blog John Free is a social documentary / street photographer who lives in Los Angeles.
Los Angeles CA, About Blog John Free is a social documentary / street photographer who lives in Los Angeles.
Opie was originally inspired by social documentary photographers like Lewis Hine, but outside of photojournalism, there aren't a lot of contemporary artists looking at the world the way Hine did.
The MFA in Social Documentary Film program guides and supports emerging artists to fully explore the social documentary film form.
His use of color film in the early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.
Pairs have been chosen for the dynamic interplay between the two selected works, and based on similar or contrasting themes, formal motifs, or geographic interests, as well as topics endemic to photography's discretely defined history: social documentary, performative, and formal modes will be explored within the expanded discourse of film and video.
Looking to forbears such as Walker Evans, Robert Frank and Dorothea Lange, Opie's work continues in the lineage of social documentary but with a profound emphasis on community.
Photographer and media artist LaToya Ruby Frazier uses the conventions of social documentary to probe and upend traditional narratives of urban growth and the triumph of industry.
LATOYA RUBY FRAZIER A social documentary photographer and video artist, LaToya Ruby Frazier «s family and hometown of Braddock, Pa., a decimated steel town near Pittsburgh, have been central to her work.
Opie has long been one of the preeminent inheritors of the social documentary tradition.
While the pictures on view fall into a more conventional category of portraiture, carefully constructed images of sitters who pose and allow themselves to be choreographed and photographed over time, Opie's portraits arguably extend social documentary into the present moment.
During his career of almost 60 years, Mr. DeCarava the founder of a school of African - American photography that broke with the social documentary traditions.
LaToya Ruby Frazier: A Haunted Capital January 17 — March 9 Anderson Gallery VCUarts Informed by an intensely personal and socially activist stance that combines elements of portraiture and social documentary, LaToya Ruby Frazier's photographs and videos portray her family and her hometown of Braddock, Pennsylvania, the site of Andrew Carnegie's first steel mill.
«Life and Labor: The Photographs of Milton Rogovin,» drawn entirely from the permanent collection of the San Jose Museum of Art, is deeply in the tradition of social documentary.
Social documentary photographers Radcliffe «Ruddy» Roye and Jamel Shabazz recently joined author and curator Dr. Sarah Lewis on Pratt Institute's Brooklyn campus for a lively and thought - provoking discussion that revolved around their work and themes...
Like Gordon Parks, Dorothea Lange, and other social documentary photographers, Frazier uses the camera to call attention to complex and challenging conditions.
Sebastião Salgado: The 70 - year - old Brazilian is one of the world's leading lights in social documentary photography.
These photographers» wide range of approaches to social documentary is relevant in regard to an idea of community that has radically changed in the seven decades of the history of Magnum.
The works include personal social documentary that I photographed in Israel in the 80's, staged tableaux, self portraits, still life and portrait photography of icons in different social fields throughout the years.
The Social Medium features work spanning from the mid-twentieth century to the present, and includes multiple photographic genres such as social documentary, street, society / celebrity, and portrait photography.
LaToya Ruby Frazier: A Haunted Capital features approximately 40 photographic works that intimately connect the artist's family and hometown, Braddock, Pennsylvania through portraiture and social documentary.
The project is led by Gina Minielli Gunkel, a professional social documentary photographer (SPQ class of 2016), and Nancy Bruno, a NYC public school teacher and ceramic sculpture artist (Queens College MFA class of 2017).
Social documentary photographers Radcliffe «Ruddy» Roye and Jamel Shabazz recently joined author and curator Dr. Sarah Lewis on Pratt Institute's Brooklyn campus for a lively and thought - provoking discussion that revolved around their work and themes of representation, community, and social justice.
Weems's vibrant explorations of photography, video, and verse breathe new life into traditional narrative forms: social documentary, tableaux, self - portrait, and oral history.
Beginning in the 1940's, Aaron's imagery shifted from social documentary to symbol and form.
Ed van der Elsken: «Love» & Other Stories, Howard Greenberg Gallery, New York Known for a ground - breaking social documentary approach, street photographer Ed van der Elsken (b. 1925) captured the urban landscapes of Amsterdam, Paris and Tokyo in the 1950s and 1960s.
Among the great masters of European photography, Chim and Vishniac are famed for photojournalism and social documentary depicting tumultuous events of the 20th century, as well portraits of some of the most important celebrities of the time.
She says early on she was «obsessed with early 20th century social documentary photography and that in the photo history books that she was trained with one of the only significant African Americans was Gordon Parks.»
Ken Light (born 1951) is a social documentary photographer with a particular focus on America.
Today, the photographer and artist describes her work as social documentary photography.
Itochu Aoyama Art Square presents «Since That Day,» a solo exhibition of social documentary photographer Magdalena Solé's haunting photographs of the Great East Japan Earthquake and Tsunami aftermath.
Located in SoHo, NY's historic photo building at 100 Crosby Street, the gallery represents a wide range of emerging and established photographers whose practices include landscape and architectural installation, abstract and concrete photography, experimental mixed media works, and social documentary.
Tanya Houghton is a social documentary photographer and interdisciplinary practitioner based in London.
«Recreation» includes portraits, self - portraits and social documentary images that explore how we reveal ourselves when playing in pools or at the beach.
Her photography - based art features abstracted portraits set in distinctive Guyanese landscapes, and her social documentary photography focuses on the diversity of Guyanese people, places, and cultural experiences.
Its photojournalism and social documentary photography, especially the work of Gordon Parks and Jim Goldberg, greatly expands the Gallery's holdings in these areas.
Now regarded as a classic photography project, Tulsa has been acclaimed as a powerful and highly personal social documentary, still emulated by art and fashion photographers alike — a reputation due in no small part to its enduring capacity to shock.
On the eve of a museum retrospective, the acclaimed social documentary photographer discusses people and stories he's photographed over four decades.
This exhibition uses social documentary and portraiture to create a personal visual history of an industrial town's decline.
In November, the museum will show the brilliant LaToya Ruby Frazier, whose photographs of Braddock, Pennsylvania marry social documentary to a deep intimacy, and a survey of the late Chicago - based feminist painter Christina Ramberg.
In the Time Flies retrospective catalog essay, art historian Liz Wells suggests that Männikkö's imagery moves «from social documentary towards a more expressionist formal aesthetic, and from the more specifically located to a more generalized engagement with the nature of existence.»
From social documentary and street photography to portraiture and architectural photography, «strange and familiar» includes works by Tina Barney, Gian Butturini, Henri Cartier - Bresson, Bruce Davidson, Raymond Depardon, Rineke Dijkstra, Jim Dow, Hans Eijkelboom, Robert Frank, Bruce Gilden, Frank Habicht, Candida Höfer, Evelyn Hofer, Axel Hütte, Sergio Larrain, Shinro Ohtake, Akihiko Okamura, Cas Oorthuys, Gilles Peress, Paul Strand, Edith Tudor - Hart, Hans van der Meer, and Garry Winogrand.
Katherine Green is a social documentary photographer, who has recently exhibited at Kettle's Yard, National Portrait Gallery and The Lowry.
His use of color film in the late 1970s and early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.
Her unique form of social documentary photography has led her to create work about subjects ranging from lesbian families and San Francisco's S&M community to high school football players and surfers.
The ideas driving her practice sit within the realm of social documentary, community, memory and the contribution environment makes on social relationships.
LaToya Ruby Frazier: A Haunted Capital uses social documentary and portraiture to create a personal visual history of an industrial town's decline.