Sentences with phrase «axa art»

The art world elite including Indonesian collector Budi Tek, New World Group scion Adrian Cheng and Canyon Capital Advisors co-chairman Mitchell Julis didn't need any fictional travel documents to converge on Hong Kong, where more than $ 1 billion worth of art is for sale, according to fair insurer AXA ART.

Additional support is provided by AXA Art Insurance.

More than US$ 1 billion of art was for sale, according to fair insurer AXA ART.

The value of art on display at Art Basel is $ 3 billion, up from the $ 2 billion to $ 2.5 billion estimated in 2011, according to AXA Art Insurance Corp..

With as much as $ 4 billion worth of art for sale, according to an estimate by insurer AXA Art, it's the largest edition since the fair's inception in 1970.

Sales were brisk among the world's leading galleries at Art Basel in Switzerland as 285 exhibitors from 34 countries offered as much as $ 4 billion worth of art, according to an estimate by insurer AXA Art.

The world's leading galleries at the Messe Basel exhibition center are among 285 exhibitors from 34 countries, offering as much as $ 4 billion worth of art, according to an estimate by insurer AXA Art.

Her work has been exhibited widely in the United States and Japan, and is included in many public and corporate collections including: San Francisco Museum of Modern Art — SFMOMA, San Francisco, CA; Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, CA; Museum of Contemporary Art San Diego — MCASD, CA; Frederick R. Weisman Art Foundation, Los Angeles, CA; Lancaster Museum of Art and History — MOAH, CA; Brookfield Properties, Ernst & Young Plaza, Los Angeles, CA; AXA Art, Cologne, Germany; Qualcomm, San Diego, CA, CIM Group Headquarters, Los Angeles, CA, among others.

Long - standing partner AXA ART, the international art insurance specialist, provides VIP guided tours at all shows.

Recent and current corporate supporters include AXA Art Insurance, Bloomberg, Christie's, Ernst & Young, Meissen, GAMA Property, Louis Vuitton, MUBI, and Rawlinson & Hunter.

Thomas Hess papers, Archives of American Art, Smithsonian Institution July 11 — September 14, 2008 Ad Reinhardt's Black Painting, 1960 — 66 (1960 — 66) was donated to the Guggenheim Museum in 2000 by AXA Art Insurance Corporation as a study painting after it was deemed irreparably damaged.

AXA Art Americas Corporation, a pioneering specialist in the fine art and collectibles insurance space, has returned for the sixth consecutive year as Lead Partner.

AXA Art Americas Corporation, a pioneering specialist in the fine art and collectibles insurance space, has returned for the seventh consecutive year as Lead Partner of The Art Show and tenth year as partner of the ADAA.

This month we thank AXA Art Insurance Corporation, DIA Art Foundation, NYU Steinhardt, Shapley Creative, The School of Visual Arts and Tyler School of Art.

Not exact matches

He won, and over the next eight years oversaw the transformation of the Syracuse skyline with the construction of 21 new buildings — including Presidential Plaza, the Everson Museum of Art and the landmark MONY Towers, now the AXA Towers.

Thesaurus Scienta Lancastriae was shortlisted for the prestigous AXA / Art Newspaper Exhibition Catalogue Award for 2006.

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

The Metropolitan Museum of Art, Gift of AXA Equitable, 2012

Today Linnenbrink's radical color positions can be found in numerous private collections such as Deutsche Bank and Commerzbank, Germany; AXA Insurance, Luxembourg; The Art CollTrust, Bank One, Harvard University, UCLA Hammer Museum; San Francisco Museum of Moden Art, USA; Herzliya Museum of Art Israel; Colección Olor Visual, Spain; and many other institutions.

Programming at this year's fair included a public performance by acclaimed ink artist Wang Dongling in association with his Chambers Fine Art presentation at The Art Show, as well as a keynote about the afterlives of damaged art, delivered by AXA President and CEO Christiane FischArt presentation at The Art Show, as well as a keynote about the afterlives of damaged art, delivered by AXA President and CEO Christiane FischArt Show, as well as a keynote about the afterlives of damaged art, delivered by AXA President and CEO Christiane Fischart, delivered by AXA President and CEO Christiane Fischer.

Deals For Damaged Goods — Art insurers have tapped into a new market for so - called «salvage art» in the wake of Superstorm Sandy, which has apparently spurred companies like AXA to resell artworks to a growing group of damaged - art collectoArt insurers have tapped into a new market for so - called «salvage art» in the wake of Superstorm Sandy, which has apparently spurred companies like AXA to resell artworks to a growing group of damaged - art collectoart» in the wake of Superstorm Sandy, which has apparently spurred companies like AXA to resell artworks to a growing group of damaged - art collectoart collectors.

Today the Metropolitan Museum of Art in New York announced that the AXA insurance company has given it 29 drawings and studies that served as the basis for Thomas Hart Benton's career - defining mural America Today.

AXA will no longer insure art that is kept in basements in Chelsea in order to discourage galleries from using subterranean spaces for storage.

[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.

He has curated numerous exhibitions in some of the most distinguished museums around the world, including Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, Museum Villa Stuck, Munich, Gropius Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbach Haus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam; Co-Curator of Echigo - Tsumari Sculpture Biennale in Japan; co-curator of Cinco Continente: Biennale of Painting, Mexico City; Stan Douglas: Le Detroit, Art Institute of Chicago.

The Metropolitan Museum of Art received a donation of 29 drawings and studies relating to Thomas Hart Benton's mural America Today from global insurance company AXA, announced the museum yesterday.

AXA Gallery, New York, NY (catalogue) Art at Work: Forty Years of the Chase Manhattan Collection.

Permanent murals by LeWitt can be found at, among others, the AXA Center, New York (1984 — 85); [24] The Swiss Re headquarters Americas in Armonk, New York, the Atlanta City Hall, Atlanta (Wall Drawing # 581, 1989/90); the Conrad Hotel, New York (Loopy Doopy (Blue and Purple), 1999); [24] the Albright - Knox Art Gallery, Buffalo (Wall Drawing # 1268: Scribbles: Staircase (AKAG), 2006/2010); [25] Akron Art Museum, Akron (2007); the Columbus Circle Subway Station, New York; The Jewish Museum (New York), New York; the Green Center for Physics at MIT, Cambridge (Bars of Colors Within Squares (MIT), 2007); the Embassy of the United States in Berlin; the Wadsworth Atheneum; and John Pearson's House, Oberlin, Ohio.