Not exact matches
There are more than a dozen works on view in Trump's apartment, including a series of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a small, colorful
abstract painting by the young art -
world star Alex Da Corte.
Painted in 1939, just before the outbreak of
World War II, it then represented a new line for Picasso, whose
abstract techniques have done more to influence 20th century
painting than that of any other artist.
In addition to pieces of ochre that appear to have been engraved — the oldest such
abstract art in the
world — archaeologists have found tool kits that included abalone shells used as containers to mix ochre with crushed bone, charcoal, quartz and other material to make
paint.
And in their talk about an
abstract show, called The
Painted World, the students are concerned with how the art — and the world — makes them simultaneously laugh and l
World, the students are concerned with how the art — and the
world — makes them simultaneously laugh and l
world — makes them simultaneously laugh and learn.
The problem I found with most of these
paintings is that they're all either the very traditional detailed oil
paintings, or they're the modern
abstract cartoonish looking
paintings, which is fine if that's your thing, but that seems to be the extent of the Judaic art
world.
Among the shows opening by emerging artists, it is hard to ignore the trend towards
abstract painting that has swept over the art
world.
Behind the black gate was a
world of color, hundreds of
abstract works created and hidden away by Mr. Bates, who had a promising start as a painter in the 1970s before renouncing the art
world and retreating to his storefront to
paint.
Alongside letter - based graffiti, Myne
paints abstract images that fuse elements of the organic, natural
world and the rigidity of man - made structures and architecture.
Question: I would like someone to ask me why, in an art
world that loves fashion, entertainment and spectacle, and in an age that loves movies and social media, I keep on
painting small
abstract paintings.
Hop into the colorful, poetic
world of Angel Otero's
abstract paintings during an afternoon of family art - making activities.
They became more colorful and less representational, leading to his first totally
abstract piece, Composition I, a colorful
painting destroyed during
World War II, known now only through a black and white photograph.
In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape
paintings, which don't present landscapes so much as a kind of floating
abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their atmospheric effect.
His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged
paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating
abstract nature of the technological
world we now live in - as prisons or cells.
Exploring social and political themes, Bradford's
abstract collage
paintings have been exhibited around the
world, but the Los Angeles native has never had a solo museum show in his hometown.
Through Aug. 16, 2014 Mark Bradford at White Cube Hong Kong Known for his
abstract, layered collage
paintings, Los Angeles - based Mark Bradford is presenting «a series of new works about Hong Kong that explore structures of power and politics through the lens of urban planning, in the
world's most densely populated city.»
Le Grice
abstracts from nature and architecture «the patterns which form part of our everyday
world» making
paintings in acrylic or mixed media, that are quite modest in size.
After spending time in California and gaining notice for his increasingly
abstract paintings, he moved to the hub of the American art
world: New York.
She uses odd humor, interior logic, and palimpsest - like surfaces — evidence of her working everything out on the canvas, to create
paintings of
abstract characters in imaginary
worlds.
«Among the wildly disparate features of today's art -
world landscape, two modes of pictorial thought with venerable lineages have recently re-emerged: materials - oriented
abstract painting, and a linear approach to the investigation of the third dimension that may conveniently be referred to as «drawing in space.»
The disarray that characterizes the art
world of today makes painfully clear the need for a show that expresses the real strength of the art of
abstract painting.
Seeing a second view of the scene implies that even an
abstract painting promises some other, continuous
world inside its frame.
Holland Cotter: With
abstract painting again in the art
world's eye, the time is right to renew an acquaintance with the American artist John McLaughlin....
As in those landscapes, Soutine's
world has no firm foundations left, not even an
abstract artist's faith in
paint.
These successes launched Hoptman back to MoMA in 2010 as curator of contemporary art in its
painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previo
painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary
Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previo
Painting in an Atemporal
World,» the 2014 conversation - starter billed as the first contemporary
painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previo
painting survey at the institution in some 30 years, featuring 17 contemporary
abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.
Thibaut de Reimpré belongs to the second generation of the French School of
abstract painting after the second
World War.
I may yet remember Jason Gringler's shattered mirrors as
painting from Stefan Röpke in Cologne, Sheila Gallagher's
painting in plastic from Dodge, Rachel Beach's
abstract sculpture of reclaimed wood from Blackston (like Dodge, on the Lower East Side), videos by Araya Rasdjarmrearnsook of art students from Tyler Rollins, or Patrick Jacobs's peepholes onto constructed other
worlds from The Pool NYC.
Aesthetically, the presentation includes Valledor's early expressionist
abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s that included illusory and optical constructs exploring space and creating a tension between the two - dimensional and three - dimensional
worlds.
• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and
abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored -
painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist
world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter
For over four decades, Nozkowski has produced richly colored, intimately — scaled
abstract paintings that derive from his personal experiences and everyday encounters in the
world, using shapes, lines, and color to depict his immediate environment in an improvisational manner.
Brilliantly combining
world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long
abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).
Is it, perhaps that the certainties of
abstract monochrome
paintings as the clean, minimal sign for
painting has slipped, perhaps messily, into a
world of commodification, of lipstick, whale stomach contents and selfie poses.
A new exhibition of Wassily Kandinsky's work shows how the artist used his synaesthesia - the capacity to see sound and hear colour - to create the
world's first truly
abstract paintings.
The Whitney calls a show of
abstract art «Remote Viewing: Invented
Worlds in
Painting and Drawing.»
While drawing on the language of 20th century abstraction, White's pattern
paintings temper that language's impulse towards epic, auratic significance, and emphasize, rather, the endless adjustments that are made when
abstract forms encounter the
world of the everyday.
For example, included are the exhibition are two preparatory drawings and their related
painting, Blue, Black and Grey of 1960, which reveal her sensitivity to
abstract forms in the natural
world and her debt to Dow, five decades after studying his methods.
There is in the history of
abstract painting as it pulled away from representation, a certain cool posture of detachment from the
world.
She explains, «Having run away from seemingly inadequate definitions for
abstract painting, I find myself immersed in a relationship that tracks, exchanges, and shreds the
world of news, front - page photography, design, and pictorial memory into a subject-less pictorial mash - up.
The Chicago painter Miyoko Ito (1918 - 1983), who was born in Berkeley and interned during
World War II, is one of the latter: her strange
abstract paintings, informed as much by Giorgio Morandi's sallow still lifes as by the legacy of Surrealism, come as a revelation.
Although these painters started out
painting in what was called an objective style, deploying
abstract shapes in large space, they soon migrated to using the physical
world and representative subjects to experiment with shape, color, texture and temperature in their
painting.
Back in the 1990s, when many in the art
world had turned their back on
painting as a «dead» medium, Amy Sillman was one of the leaders of an underground revival, combining cartoonish imagery, a draughtsmanlike line, and jazzy color combinations to give new life to the legacy of
abstract expressionism.
In her playful
abstract landscapes, Barbara Demsar
paints the natural
world with a vivid, childlike optimism.
For her second solo exhibition at Magician Space, Beijing - based Liang Wei presents a series of
abstract paintings generated from her constantly - evolving imaginative
world.
This exhibition also features The Last
Painting of the Century (1999) and Ultrazoomazipzamapopdeluxa (1998), two large
paintings depicting retro - futuristic
worlds of animated plants, monsters,
abstract forms, and graffiti.
At a time when the
world is increasingly
abstract, Borremans submits his
paintings as evidence that this particular form of painterly expression retains its validity.
'» At a time when abstraction remained on the fringes of the art
world, the group aimed to «foster public appreciation of [
abstract]
painting and sculpture,» and grant «each artist an opportunity for developing his own work by becoming familiar with the efforts of others.»
The three artists share an interest in depicting — in hard - edged artworks of pulsating
abstract painting — the vibrating, undetermined power of the universe and the movement of the
world as reflected in everyday life, according to the gallery press release.
Named after a type of Arabic alphabet, this exhibition proves that
abstract painting still makes sense in our postmodern, digitally mediated
world.
Willem de Kooning's
abstract painting Untitled XXV, 1977, broke a
world record at auction when the
painting sold for $ 66.3 million at Christie's evening sale of Post-War and Contemporary Art on November 15, 2016 in New York.
Georgia O'Keeffe created
abstract paintings that distilled the natural
world to its most basic elements.
Painting a landscape on the face of an old hand saw or polishing an extraordinary tree root into an
abstract sculpture reflected one's access to free time, materials, the natural
world and tradition.»