Abstraction as a theme was both too broad and too cautious.
Sass chose
abstraction as the theme of the exhibition because it runs throughout her entire artistic practice, which includes paintings, collages, graphics, textiles, books and texts.
Not exact matches
And Whitehead's reopening of the
theme used this concept only in passing,
as an arbitrarily chosen case - study of the difference between scientific
abstractions and adequate common - sense.
Rich with significant examples of both gestural
abstraction and post-painterly
abstraction, the evolution of mark - making rises to the fore
as a major
theme in MOCA Jacksonville's collection.
Architectural subjects, including paintings of the weathered barns and buildings on the Stieglitz property that blend the descriptive and the abstract, emerged
as a
theme,
as did a number of panoramic landscape paintings and bold, color ‑ filled
abstractions that often visually related to the subjects she was working on at the time.
Critical and historical context is provided in the form of five thoughtful,
themed essays, interspersed throughout the book, by Whitechapel Gallery director Iwona Blazwick on the subjects of «The Found Object», «Performance», «
Abstraction», «Knowledge» and «Power Structures», which, alongside an introduction by curator Bruce Ferguson and an endorsement by Yoko Ono, add up to an artist's monograph that's
as intimate
as it is expansive.
[35] The Istanbul Biennial in 2011, instead of choosing a theory or
theme as a unifying rubric, mounted five group shows around the main
themes that inspired Gonzalez - Torres's work — love, death,
abstraction, contested histories and territories.
The
abstraction in his paintings and sculpture amounts to a physical, tangible anonymity, a
theme often developed and explored in his work
as it relates to the anonymity and obscurity Avini often feels
as he straddles American and Persian cultures.
Important figures in the revitalization of painting today, Taaffe and Tomaselli have separately explored many of the
themes central to Smith's prescient aesthetic; one rooted in the theosophical and spiritualist origins of European
abstraction as evidenced in the works of Kupka, Kandinsky and Mondrian.
Meditations on process, pattern, and material, the works engage within
themes of
abstraction, the body and gesture, race and politics,
as well
as landscape and geography.
Yet, non-Western influences are cited only in discussions of the works by artists of color, while the overarching
themes of industrialization and geometric
abstraction as American art's primary interests in that period are preserved from earlier presentations of the collection.
In addition to Abstract Expressionism, the exhibition Amplified
Abstraction offers us the opportunity to explore styles and themes such as geometric abstraction, Cubist legacies, and nature
Abstraction offers us the opportunity to explore styles and
themes such
as geometric
abstraction, Cubist legacies, and nature
abstraction, Cubist legacies, and nature simplified.
Widely heralded
as a new vanguard in contemporary German art, Reyle's work explores
themes of appropriation and
abstraction.
Wall texts lay out his basic
themes and motifs, from strange meditations on Donald Duck and the «tent paintings» in the 1960s to later works that took up symbols from Germany's Nazi past, and repurposed them
as surreal «dithyrambs,» a term borrowed from Greek poetry but reinvented by Lüpertz
as a catchall for his not - quite - abstract forays into
abstraction and not - quite - figurative exercises in drawing real things in the world.
Hilla Toony Navok's work explores
themes of high Modernism and
abstraction as they appear in consumer products,
as a way of examining the ideological underpinnings of design and the assimilation of the history of Modernism in contemporary consumer culture.
This exhibition demonstrates his protean reach
as an artist, pushing not only the boundaries of
abstraction but also bringing modern vitality and innovation to landscape, cityscape, and portraiture,
themes that preoccupied him throughout his working life in Barcelona, New York, Paris, Madrid, and Montevideo.
Combining classical influences with Neo-Expressionist features and processing
themes such
as sexuality, obsession, suffering, death and belief, Schnabel plays with both
abstraction and figuration with the use of found materials, fragments of language, paint, and digital reproduction.
Loosely organized by general
themes unobtrusively embedded in the wall text such
as «
Abstraction to Figuration,» «Biomorphic
Abstraction,» and «Abstract Expressionist Ceramics,» the curatorial rhetoric deployed in The Ceramic Presence is one of showing rather than telling.
Cohn will present a group of new paintings which will address the interaction between figuration and
abstraction, surface and depth, and the juxtaposition between traditional painting
themes as they are realized within a contemporary context.
Various movements,
themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism,
as well
as aspects of New Image Painting from the 1970s and beyond, recent developments in
abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.
The artist's oeuvre exploits the innumerable possibilities of interpreting and visualizing our physical present, while engaging with diverting
themes such
as abstractions and form, perception and reality, motion and structure.
Her work successfully embraces indigenous traditions and
themes current in international contemporary art such
as her use of
abstraction, colour and form.
He has been represented in many group exhibitions devoted to
abstraction, among other
themes,
as well
as the Whitney Biennial (1975, 1987, and 1989), Biennale of Sydney (1988), and Carnegie International (1988).
«Her new work is a distillation of
themes she has pursued throughout her career, including an examination of motion and music
as translated onto canvas and the subtle interplay of form and
abstraction.»
In an exhibition celebrating 10 years of his career, Mr. deCordova curated his oeuvre in groupings by
theme: floral, energy - fueled
abstraction, compelling immigrant narratives that explore diversity and figurative works that include pets
as memory connections to childhood pasts.
Bowling, the Guyanese - born British painter, is widely celebrated for his contributions to the field of
abstraction and his advocacy of black artists internationally, created a number of paintings in the 1970s characterized by his use of world maps
as organizational tools to explore color
as its own subject — a recurring
theme in his work.
Four
themes operate
as a framework within the exhibition: body, objects,
abstraction and display.
And in relation to the
abstraction theme, it seemed obvious that the images could be abstracted by simply zooming in on them until their origins became unrecognisable and they appeared
as abstract shapes and colours.
Stephen Gurtowski is a painter based in New York City whose work explores the history of
abstraction,
as well
as themes of queer identity and queer experience within an urban society.
«Hide / Seek» considers such
themes as the role of sexual difference in depicting modern America; how artists explored the fluidity of sexuality and gender; how major
themes in modern art — especially
abstraction — were influenced by social marginalization; and how art reflected society's evolving and changing attitudes toward sexuality, desire, and romantic attachment.
Lichtenstein continued to refine his technique and expand his subject matter in his later work, turning to such unexpected
themes as mirrors,
abstraction, the female nude, and landscape painting in the Chinese style.
Bowling, widely celebrated for his contributions to the field of
abstraction and his advocacy of black artists internationally, created a number of paintings in the 1970s characterized by his use of world maps
as organizational tools to explore color
as its own subject - a recurring
theme in his work.
Becomes interested in objects
as a
theme and experiments with
abstraction based on the figure.
The works on view showcase her investigations into
abstraction and the body through a wide range of media, from bronze and marble to mahogany and aluminum, and a wide range of
themes, such
as the relationships between mother and child, man and nature, and the individual to the group.
These performances show Pope.L working in a space between community organization and an artistic practice — mobilizing individuals while attempting to address societal concerns through an
abstraction of imposing
themes such
as labor, identity politics, and basic civil and fundamental rights.
While Rubinstein characterizes his curatorial efforts in Reinventing
Abstraction as an attempt to chart a different genealogy of abstract painting than the one traced in the «Provisional Painting» essays, I find that many related
themes and aesthetic preoccupations continue to connect these distinct critical and aesthetic exercises.
Through observation, handling, and documentation of archival materials, she hopes to collect and re-present imagery and language
as a reflection around
themes of
abstraction and emergent technologies.
Abstraction,
as the term is generally used in the art world outside of academia, is a broad designation that embraces many variations on the
theme of non-representational art.