As an
artist, I didn't necessarily view myself as a «business,» but I opted to reach out anyway (and Lucy fortunately
agreed to
accept a barter relationship in lieu of fees).
Juxtaposing and collaging seemingly disparate dichotomies, the
artist uses the extreme margins to explore the central undergirding supporting social oppositions, challenging what is falsely
agreed upon in a march toward dismantling
accepted constructs.