Sentences with phrase «accessions committee»

Peter Fischli and David Weiss, Büsi (Kitty), 2001 (still); single - channel video projection, color, with sound, 6:30 min.; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Peter Fischli and David Weiss

Harry Callahan, Atlanta, 1984; collection SFMOMA, Accessions Committee Fund purchase; © Estate of Harry Callahan

Janet Delaney, Flag Makers, Natoma at Third Street, from the series South of Market, 1978 - 1986, 1982, printed 2003; collection SFMOMA, Accessions Committee Fund purchase; © Janet Delaney; photo: Don Ross

Zoe Leonard, TV Wheelbarrow, 2001/2006; collection SFMOMA, purchase through a gift of the Art Supporting Foundation, Nion McEvoy, Kate and Wes Mitchell, and the Accessions Committee Fund; © Zoe Leonard; photo: Don Ross

Logan, a Bay Area businessman, is a member of SFMOMA's accessions committee and a board member of both CCAC and San Francisco's Capp Street Project.

Collection of the San Francisco Museum of Modern Art (Accessions Committee Fund purchase) and the Museum of Modern Art, New York, with the generous support of the New Art Trust.

BREAKAWAY, 1966; 16 mm film, black and white, sound, 5 min.; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © 2016 Conner Family Trust, San Francisco.

Jeremy Blake, 1906 (still), 2003; digital animation with sound, 21 min.; Collection SFMOMA, Accessions Committee Fund purchase: gift of Collectors Forum, Mimi and Peter Haas, Pamela and Richard Kramlich, Elaine McKeon, and Robin Wright; © Estate of Jeremy Aaron Blake

Garry Winogrand, Fort Worth, 1974, gelatin silver print, San Francisco Museum of Modern Art, Accessions Committee Fund: gift of Doris and Donald Fisher, and Marion E. Greene, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Tom Howard, The Electrocution of Ruth Snyder, 1928; collection SFMOMA, Accessions Committee Fund purchase

(27.94 x 40.64 cm); Collection SFMOMA, Accessions Committee Fund purchase; © Estate of Billy Monk

(17.5 x 17.5 cm); Collection SFMOMA, purchase through a gift of Mark McCain and the Accessions Committee Fund; © David Goldblatt

x 19 1:2 in.; Collection SFMOMA, purchase through a gift of Mark McCain and the Accessions Committee Fund; © David Goldblatt

Tomás Saraceno, Cloud Cities Thermodynamics of Self - Assembly / 005, 2015; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Tomás Saraceno; photo: courtesy the artist and Tanya Bonakdar Gallery, New York

Image: Maarten Baas, Where There's Smoke Zig Zag chair (Rietveld), 2004; burnt cherrywood, epoxy and tinted polyurethane; Collection SFMOMA, Accessions Committee Fund purchase;

Image: Bruce Nauman, Wax Impressions of the Knees of Five Famous Artists, 1966; fiberglass and polyester resin; Collection SFMOMA, The Agnes E. Meyer and Elise Stern Haas Fund and Accessions Committee Fund: gift of Collectors Forum, Doris and Donald Fisher, Evelyn Haas, Mimi and Peter Haas, Pam and Dick Kramlich, Elaine McKeon, Byron R. Meyer, Nancy and Steven Oliver, Helen and Charles Schwab, Norah and Norman Stone, Danielle and Brooks Walker, Jr., and Pat and Bill Wilson; © Bruce Nauman / Artists Rights Society (ARS), New York

Image: Gerhard Richter, Lesende (Reading), 1994; oil on linen; Collection SFMOMA, Purchase through the gifts of Mimi and Peter Haas and Helen and Charles Schwab, and the Accessions Committee Fund: Barbara and Gerson Bakar, Collectors Forum, Evelyn D. Haas, Elaine McKeon, Byron R. Meyer, Modern Art Council, Christine and Michael Murray, Nancy and Steven Oliver, Leanne B. Roberts, Madeleine H. Russell, Danielle and Brooks Walker, Jr., Phyllis Wattis, and Pat and Bill Wilson; © Gerhard Richter

(60 x 27.5 x 23 cm); collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © Rafael Lozano - Hemmer; photo: Katherine Du Tiel

Mike Mandel, Untitled, from the portfolio People in Cars, 1970, printed 2014; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Mike Mandel

(76.5 x 75.9 cm); San Francisco Museum of Modern Art, Accessions Committee Fund purchase: gift of Collectors» Forum, Susan and Robert Green, Evelyn Haas, and Pam and Dick Kramlich; © Anthony Hernandez

Collection SFMOMA, Accessions Committee Fund: gift of the Gerson and Barbara Bakar Philanthropic Fund, Collectors Forum, Diane and Scott Heldfond, Patricia and Raoul Kennedy, Phyllis and Stuart G. Moldaw, Byron R. Meyer, Madeleine H. Russell, Chara Schreyer, Elle Stephens, Norah and Norman Stone, and Phyllis Wattis © Estate of Bruce Conner / Artists Rights Society (ARS), New York; photo: Ben Blackwell.

O Grivo, Cantilena, 2017 (detail, bows / delay); kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors), overall dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © O Grivo; photo: Charles Villyard

O Grivo, Cantilena, 2017 (detail, sound pulleys); kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors), overall dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © O Grivo; photo: Charles Villyard

Kevin Beasley, Untitled (shoulders), 2014; Collection SFMOMA, Accessions Committee Fund purchase © Kevin Beasley

O Grivo, Cantilena, 2017 (detail); kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors), overall dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © O Grivo; photo: Katherine Du Tiel

Miyako Ishiuchi, ひろしま / hiroshima # 71, 2007, printed 2016; collection SFMOMA, Accessions Committee Fund purchase; © Miyako Ishiuchi

San Francisco Museum of Modern Art, Accessions Committee Fund purchase: gift of Carla Emil and Rich Silverstein, Patricia and Raoul Kennedy, Elaine McKeon, Lisa and John Miller, Chara Schreyer and Gordon Freund, and Robin Wright.

(23.7 cm) diameter Courtesy the artist and bitforms gallery, New York Amor Muñoz Mexican, born 1979 Rhythmic Manufacture, 2015/2017 Watercolor on paper, metronome, table, coverall, clock, and HD video with sound Performance at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47 min.

Image: Frame from Tacita Dean, Day for Night, 2009; 16 mm color film, silent, 10 min.; Collection SFMOMA, Accessions Committee Fund purchase; © Tacita Dean

San Francisco Museum of Modern Art, Accessions Committee Fund purchase and gift of the Martin Wong Foundation

Christina Kubisch, Cloud, 2011/2017; electrical cable, electromagnetic induction headphones, and fourteen - channel audio composition, dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © Christina Kubisch; photo: Charles Villyard

The Museum of Modern Art, New York and San Francisco Museum of Modern Art (Accessions Committee Fund purchase), with the generous support of the New Art Trust.

Christina Kubisch, Cloud, 2011/2017; electrical cable, electromagnetic induction headphones, and fourteen - channel audio composition, dimensions variable; collection SFMOMA, Accessions Committee Fund purchase; installation view, SFMOMA, 2017; © Christina Kubisch; photo: Katherine Du Tiel

(198.1 x 68.6 x 114.3 cm) San Francisco Museum of Modern Art, Accessions Committee Fund purchase Lyota Yagi Japanese, born 1980 Sound Sphere, 2011 Magnetic tape and player 11 13/16 in.

(30 cm) diameter San Francisco Museum of Modern Art, Accessions Committee Fund purchase

(41.5 x 58 cm) Courtesy the artist and Luhring Augustine, New York, and i8 Gallery, Reykjavík Christina Kubisch German, born 1948 Cloud, 2011/2017 Electrical cable, electromagnetic induction headphones, and fourteen - channel audio composition Dimensions variable Technical assistance: Eckehard Güther Headphone engineering: Manfred Fox, Berlin San Francisco Museum of Modern Art, Accessions Committee Fund purchase Drawing for Cloud, 2017 Ink on paper 11 7/16 x 16 9/16 in.

Christina Kubisch, Electrical Walks San Francisco, 2017; walk in and around SFMOMA with electromagnetic induction headphones and map; collection SFMOMA, Accessions Committee Fund purchase; © Christina Kubisch; photo: Katherine Du Tiel

San Francisco Museum of Modern Art, Purchase through a gift of Pamela Joyner and the Accessions Committee Fund

(60 x 27.5 x 23 cm) Participant and breath: Pauline Oliveros San Francisco Museum of Modern Art, Accessions Committee Fund purchase Sphere Packing: Mozart, 2014 White polymer 3 - D print and 565 - channel audio 13 3/4 in.

Pure Polygon Series was acquired for the DMA through the Janet Kendall Forsythe Fund in honor of Janet Kendall Forsythe on behalf of the Earl A. Forsythe family and for the San Francisco Museum of Modern Art through the Accessions Committee Fund.

Leo Valledor, Skeedo, 1965; collection SFMOMA, Accessions Committee Fund and purchase, by exchange, through fractional gifts of Elaine McKeon and Shirley Ross Davis and, by exchange, through a gift of Forrest Engelhart; © Estate of Leo Valledor

Paulina Olowska, A Portrait of the Artist — Indoors, 2012; collection SFMOMA, Accessions Committee Fund purchase; © Paulina Olowska

Kevin Beasley, Untitled (Monday), 2016; collection SFMOMA, Accessions Committee Fund purchase; © Kevin Beasley; photo: courtesy the artist and Casey Kaplan Gallery, New York

Image: Louise Bourgeois, Persistent Antagonism, 1947 - 49; Collection SFMOMA, purchase through the Agnes E. Meyer and Elise S. Haas Fund and the Accessions Committee Fund; © Louise Bourgeois / Licensed by VAGA, New York

Emily Jacir, Where We Come From (Jihad), 2001 — 3; Collection SFMOMA, Accessions Committee Fund purchase; © Emily Jacir

Trevor Paglen, Autonomy Cube, 2014; collection SFMOMA, Accessions Committee Fund purchase; © Trevor Paglen; photo: N. Miguletz, courtesy the artist and Altman Siegel, San Francisco, Metro Pictures, New York

Bruce Conner, BURNING BRIGHT, 1996; San Francisco Museum of Modern Art, Accessions Committee Fund: gift of the Gerson and Barbara Bakar Philanthropic Fund, Collectors Forum, Diane and Scott Heldfond, Patricia and Raoul Kennedy, Phyllis and Stuart G. Moldaw, Byron R. Meyer, Madeleine H. Russell, Chara Schreyer, Elle Stephens, Norah and Norman Stone, and Phyllis Watts; © 2016 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York

Emily Jacir, Where We Come From (Amal), 2001 — 3; Collection SFMOMA, Accessions Committee Fund purchase; © Emily Jacir

Anthony Hernandez, Forever # 20, 2007, printed 2013; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Anthony Hernandez

Anthony Hernandez, Forever # 74, 2011; San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Anthony Hernandez