Sentences with phrase «action edit screen»

Not exact matches

For all the cinematic dreck currently peddling disorienting editing as «action,» no one in good conscience could deride Tarantino for his indulgence in split screens or extreme close ups or smash zooms or any other mode of cinematic gimmickry, when it affords us hauntingly sparse centerpieces such as The Bride's live burial, an aural choir of oppressive dirt, panting whimpers, and futile struggling set to the visual accompaniment of pitch black confinement that stretches on well past any spectator's comfort level.

Director David Yates (at the helm since Order of the Phoenix) has again thriftily transplanted the action to the screen, embracing the increasing darkness of Rowling's vision while judiciously editing her baggier passages with the help of long term series screenwriter Steve Kloves.

He delivers a running, screen - specific look at story / character issues and connections with the comics, cast and performances, costumes and makeup, production design, sets and locations, music and editing, cinematography and effects, stunts and action, themes and tone, and the use of 3D.

Several of the action sequences are impossible to follow, with thousands of Lego bricks moving about the screen, not to mention an impatient editing style.

He brings us a running, screen - specific look at story / characters, cast and performances, sets and locations, music, stunts and action, editing and related areas.

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

Cinematographer Bradford Young lends the movie a dark and distinctive look, although his compositions feel hemmed in by the series» overall stylistic parameters, and Pietro Scalia's editing gives the action sequences a pleasing snap that makes you wish the combination of Howard's Rush and Apollo 13 played as well on screen as it does on paper.»

He offers a running, screen - specific look at the source and its adaptation, cast and performances, sets and locations, story / character areas, stunts and action, how he came to the project and personal influences, music, editing and related topics.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

A fateful Sundance Film Festival screening of D.E.B.S. — the action / comedy that Robinson wrote, directed, and edited — reportedly caught the eye of a Disney executive and before her debut picture made it to theaters, Robinson was already in the helm of Fully Loaded, the $ 70 million production with which Disney placed its summer box office hopes.

We have to admit that we're at least a little excited to check out Taraji P. Henson's upcoming action thriller Proud Mary; despite the not - especially - great sign of Sony skipping press screenings for the film, the idea of Henson gunning down a bunch of gangsters in a slickly edited action flick has an undeniable appeal.

Others include support for customizing software and hardware keys, transparent navbar and status bar, navbar arrow keys, navbar ring can be edited, power menu that allows you to change the action you wish to take, notification power widget, customizable quick settings screen, LCD Density, Theme Engine, Quiet Hours, volume rocker music controls, full rotation.

We will cover topics such as: Advantages of mixed reality, origin of the idea, Adapting Colin's streaming tech to work in Post Production, Camera Choice, Frame Rate, Slating & World Rotation, The Green Screen Stage & Shooting on Set, Capturing first person VR footage, Post Production & Compositing mixed reality footage, Footage Calibration & Alignment, Shooting Contraptions in the living room, Editing live action VR reactions, Unresolved Problems & Hope for the Future Attendee Takeaway The audience will understand how to create mixed reality livestreams and trailers for their own VR projects.

Others include support for customizing software and hardware keys, transparent navbar and status bar, navbar arrow keys, navbar ring can be edited, power menu that allows you to change the action you wish to take, notification power widget, customizable quick settings screen, LCD Density, Theme Engine, Quiet Hours, volume rocker music controls, full rotation.