Sentences with phrase «additional exhibition support»

Additional exhibition support is provided by the Martin & Rebecca Eisenberg Foundation.

Additional exhibition support is provided by the David and Francie Horvitz Family Foundation, Wege Foundation, Vontobel Swiss Wealth Advisors AG, and Sandra Mussy

Not exact matches

To support the visitor experience on the island, @Large will feature a team of Art Guides positioned at each of the installations and available to provide additional background about the creation of the works, the history of the locations, and the themes of the exhibition.

To support the visitor experience on the island, @Large will feature a team of Art Guides positioned at each of the installations, providing additional background about the creation of the works, the history of the locations, and the themes of the exhibition.

Reed Travel Exhibitions Director World Travel Market Simon Press said: «Eurosport's continued support gives our Sports Tourism programme additional kudos.

The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.

Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.

Additional support is provided by the MoMA PS1 Annual Exhibition Fund and the French Institute Alliance Française (FIAF) and the Institut français within the framework of the TransARTE program.

This exhibition is organized by The Phillips Collection, Washington, DC, and is made possible through the generosity of William and Laura Buck with additional support from Wilmington Trust and FREEMAN»S.

This exhibition is made possible through generous contributions from Lawton W. Fitt, Ronald S. Lauder, David Teiger, the exhibition fund of the P.S. 1 Board of Directors, and the partners of New Enterprise Associates, with additional support from Scharff Weisberg Inc., Electronic Arts Intermix and Video Data Bank.

Additional support of the exhibition has been provided by the Center for Visual Music; Feuer / Mesler; Gagosian Gallery; Massimo De Carlo Gallery; Michael Rosenfeld Gallery; and Venus Over Manhattan.

This exhibition is made possible by The Approach, London with additional support from Dietl International, Inc..

If the artist is organizing their history for a retrospective or large scale exhibition, publication, or documentary film, CALL Services will seek to work with the museum, arts organization, publisher, dealer or collector, to raise additional funds in support of this work.

Additional support is provided by the New York State Council on the Arts, the Toby Devan Lewis Emerging Artists Exhibitions Fund, and the Andy Warhol Foundation for the Visual Arts.

Additional generous support is provided by the Janine Luke and Melvin R. Seiden Fund for Exhibitions and Publications.

The Heidi Bucher exhibition was organized in collaboration with the Centre Culturel Suisse, Paris, with generous additional support from Jill & Peter Kraus.

Additional support for the exhibition is generously provided by the Blavatnik Family Foundation.

Swiss Institute is grateful for additional support from Dvir Gallery, Tel Aviv and thanks each of the lenders to the exhibition: Dvir Gallery, Marian Goodman, Mark Kelman, Yvon Lambert, Metro Pictures, Francesca Pia, Rhonda Roland Shearer, Team Gallery, Roger Walton, and Tracy Williams Ltd..

Additional support comes from the Cecil Amelia Blaffer von Furstenberg Endowment for Exhibitions and Program, the Houston Endowment, Inc., the City of Houston through the Houston Arts Alliance, the Texas Commission on the Arts, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and The George and Mary Josephine Hamman Foundation.

In Philadelphia this project was funded by The Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative with additional support from the Marketing Innovation Program.

Sponsorship This exhibition is supported by a grant from the Artist's Resource Trust with additional funding provided by the Horace W. Goldsmith Foundation and the Massachusetts Cultural Council.

The presenting sponsor of the exhibition is Elizabeth Locke Jewels, with additional support from the Francena T. Harrison Foundation Trust, the Peachtree House Foundation, Mrs. Frances Massey Dulaney, Sotheby's, and Mrs. Patricia R. St. Clair.

This exhibition is made possible by the Annual Exhibition Fund with support from Hoor Al Qasimi, Richard Chang and Tina Lee, Adam Kimmel, Peter Norton and the Peter Norton Family Foundation, Jennifer McSweeney, Beth Swofford, David Teiger, Agnes Gund, Dana Farouki, Sydie Lansing, John Comfort, Philip E. Aarons and Shelley Fox Aarons, Mimi and Peter Haas Fund, and Enzo Viscusi, with additional funding from The Director's Circle of MoMA PS1, The Contemporary Circle of MoMA PS1exhibition is made possible by the Annual Exhibition Fund with support from Hoor Al Qasimi, Richard Chang and Tina Lee, Adam Kimmel, Peter Norton and the Peter Norton Family Foundation, Jennifer McSweeney, Beth Swofford, David Teiger, Agnes Gund, Dana Farouki, Sydie Lansing, John Comfort, Philip E. Aarons and Shelley Fox Aarons, Mimi and Peter Haas Fund, and Enzo Viscusi, with additional funding from The Director's Circle of MoMA PS1, The Contemporary Circle of MoMA PS1Exhibition Fund with support from Hoor Al Qasimi, Richard Chang and Tina Lee, Adam Kimmel, Peter Norton and the Peter Norton Family Foundation, Jennifer McSweeney, Beth Swofford, David Teiger, Agnes Gund, Dana Farouki, Sydie Lansing, John Comfort, Philip E. Aarons and Shelley Fox Aarons, Mimi and Peter Haas Fund, and Enzo Viscusi, with additional funding from The Director's Circle of MoMA PS1, The Contemporary Circle of MoMA PS1, and MTV.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Additional support is provided by the New York State Council on the Arts and the Toby Devan Lewis Emerging Artists Exhibitions Fund.

Additional support for this exhibition was made possible by Galerie Thaddaeus Ropac, Paris; Xavier Hufkens, Brussels; and Lehmann Maupin Gallery, New York.

With additional support provided by the Mr. and Mrs. Hamish Maxwell Exhibition Endowment and the Priscilla and John Richman Endowment for American Art at the Norton Museum of Art.

SPONSORS: The exhibition is presented at VMFA by Altria Group with additional support from The Francena T. Harrison Foundation Trust, Mrs. Frances Massey Dulaney, The Julia and Tunnicliff Fox Charitable Trust, Virginia H. Spratley Charitable Fund II, Mr. and Mrs. Fred T. Tattersall, Lilli and William Beyer, Mr. and Mrs. Joseph T. Knox, The Robert Lehman Foundation, McGue Millhiser Family Trust, Norfolk Southern Corporation, Toni A. Ritzenberg, Mary and Don Shockey, Mr. and Mrs. Read Branch, Jr., Capital One Bank, and The Jeanann Gray Dunlap Foundation.

Additional support for this exhibition is provided by C L E A R I N G, New York / Brussels, Marianne Boesky Gallery, Jessica Silverman Gallery, and those who wish to remain anonymous.

This exhibition was organized by the AAM and funded in part by the AAM National Council with additional support provided by Linda and Bob Gersh and Barbara and Michael Gamson.

Additional support for the spring exhibitions has been provided by the Monique Beudert Fund.

Funding for this exhibition is made possible by the Herbert Simon Family Foundation with additional support from Steven C. Pettinga and Michael G. Byrum.

Underwriting support for this exhibition has been provided by the Anne Levy Fund, Cara and Jorge Barer, Olivia and Peter Farrell, Foto Relevance LLC, Joan Morgenstern, Judy and Scott Nyquist, Lisa and Michael Pearson, Sue and Bob Schwartz, Molly Simpson, Sarah Sudhoff and Kheli Willetts with additional support provided by the Buffalo Bayou Brewing Company and Stages Repertory Theatre.

Additional support for this exhibition from Patrick Media Group Inc. is gratefully acknowledged.

Additional support comes from the Cecil Amelia Blaffer von Furstenberg Endowment for Exhibitions and Program and the Houston Endowment, Inc., with additional funding from the Blaffer Art Museum Major Exhibitions Fund, the City of Houston through the Houston Arts Alliance, Texas Commission on the Arts, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and The George and Mary Josephine Hamman FAdditional support comes from the Cecil Amelia Blaffer von Furstenberg Endowment for Exhibitions and Program and the Houston Endowment, Inc., with additional funding from the Blaffer Art Museum Major Exhibitions Fund, the City of Houston through the Houston Arts Alliance, Texas Commission on the Arts, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and The George and Mary Josephine Hamman Fadditional funding from the Blaffer Art Museum Major Exhibitions Fund, the City of Houston through the Houston Arts Alliance, Texas Commission on the Arts, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and The George and Mary Josephine Hamman Foundation.

Additional generous support for the exhibition and publication is provided by the Andy Warhol Foundation for the Visuals Arts and the National Endowment for the Arts, with programming support from the Niagara Falls Bridge Commission and the University at Buffalo's Department of Visual Studies, The Poetry Collection, and the School of Architecture and Urban Planning.

Additional support for this exhibition provided by the Mexican Cultural Institute of New York.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

Additional support comes from the Blaffer Art Museum Major Exhibition Fund, the City of Houston through the Houston Arts Alliance, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and the George and Mary Josephine Hamman Foundation.

MoMA PS1 will offer additional studio space and performance support and staging throughout the Greater New York exhibition.

Additional support for this exhibition has been made possible by a grant from the LEF Foundation.

Additional funding for this exhibition is provided in part by a grant from the Western States Arts Federation, with support from the participating state arts agencies, the National Endowment for the Arts, and Bill and Robin Weiss of Jackson, Wyoming.

Additional support comes from the Cecil Amelia Blaffer von Furstenberg Endowment for Exhibitions and Program, the Houston Endowment, Inc., the City of Houston through the Houston Arts Alliance, the Texas Commission on the Arts through the Arts Respond project, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and The George and Mary Josephine Hamman Foundation.

Additional support comes from the Cecil Amelia Blaffer von Furstenberg Endowment for Exhibitions and Program, the Houston Endowment, Inc., the City of Houston through the Houston Arts Alliance, the Jo and Jim Furr Exhibition Endowment at Blaffer Art Museum, and The George and Mary Josephine Hamman Foundation.

Additional support is provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund.

«Goshka Macuga: Time as Fabric» is presented by The New Women's Project and Founding Partner D K N Y. Additional support for the exhibition is provided by the O'Grady Foundation, Fundación Almine y Bernard Ruiz - Picasso para el Arte, and the Toby Devan Lewis Emerging Artists Exhibitions Fund.

Additional support is provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund, and the Producers Council of the New Museum.

Additional support is provided by Acción Cultural Española (AC / E), and the Toby Devan Lewis Emerging Artists Exhibitions Fund.

Additional support is provided by the Jill and Sheldon Bonovitz Exhibition Fund.

Artist residencies are made possible, in part, by: Laurie Wolfert The Research and Residencies Council of the New Museum Additional support is provided by: The Toby Devan Lewis Emerging Artists Exhibitions Fund Further exhibition support is provided, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.