Sentences with phrase «additional exhibitions include»

Additional exhibitions include Yossi Milo Gallery, Jackson Fine Art, Galerie du Monde, Euqinom Projects, the Aperture Foundation, and San Francisco Camerawork.

Additional exhibitions include Greenpoint Terminal, New York; and lead her series 4th.WAV at MoMA PS1, New York.

Additional exhibitions include the Nordic Museum, Seattle; Mitchell Algus Gallery, New York; The Scandinavian Institute, New York; Artipelag, Stockholm; and Swedish Art Now, Stockholm.

Additional exhibitions include: Socrates Sculpture Park, the Hudson Valley Center for Contemporary Art, ABC No Rio, Apartment Show, and Gallery Aferro.

UPDATE (10/7/17): Additional exhibition included — «Romuald Hazoume: All in the Same Boat» at Goodman Gallery.

Not exact matches

We only paid $ 15 for our tickets with included an additional exhibition.

Fall Forum exhibition fee: $ 750, which includes a 6 - foot table, two chairs, additional space for banners / other materials, and one registration, with breakfast and lunch included on December 2 and 3.

They bring more than 45 years of experience in exhibition production and management to the Show, and their company includes eight additional team members who carry CEM credentials.

Guests enjoy access to all the facilities and services at the four other resorts within the massive Barceló complex including 20 + restaurants and over a dozen bars, six swimming pools, water parks for the kids, free entrance to the disco including drinks, two kids clubs, open - air fitness center, convention center for capacity up to 850 guests with exhibition area and additional breakout rooms!

The Hotel's function rooms cater for 10 - 1,000 guests and includes a Grand Ballroom and large foyer for displays and exhibitions, with an additional eight function rooms between the first and ground levels.

Additional select solo exhibitions include Museum Ludwig, Cologne, Germany (2013); and Galerie Neue Meister, Albertinum, Dresden (2012); Wexner Center, Columbus, Ohio (2006); and Dia: Beacon, Beacon, New York (2005).

At the conclusion of the spring listing, I solicited readers to contribute additional exhibitions not included, particularly those presenting the work of black women artists that may have eluded my radar.

Three additional rooms in the exhibition include other accounts of the Migration, including novels and poems by writers such as Langston Hughes, Claude McKay, and Richard Wright; photographs by Dorothea Lange, Ben Shahn, Gordon Parks, and Robert McNeill; sociological tracts by Carter Woodson, Charles Johnson, Emmett Scott, and Walter White; and paintings by Charles Alston, Romare Bearden, and Charles White.

Additional solo exhibitions include Varios y Diversos, Kurimanzutto, Mexico City (2013); Wood, Stone and Friends, Palazzo Reale — Sala Dorica, Fondazione Morra Greco, Naples (2012); Rocks Encouraged, Portikus, Frankfurt (2010); Universal Miniature Golf (The Promised Land), the Glasgow International Festival (2010); Between the Furniture and the Building (Between a Rock and a Hard Place), Kunstverein Munich (1998), among many others.

The diverse meanings placed on the horizon — which includes a symbol of longing, containment or desire — radiate across the additional works in the exhibition that include painting, sculpture, drawing, video, and installation.

Additional artists in the exhibition include Joseph Beuys, Constantin Brancusi, Joseph Cornell, Henry Darger, James Ensor, Paul Feeley, Lee Friedlander, Katharina Fritsch, Paul Gauguin, Nan Goldin, Roni Horn, Ray Johnson, Roy Lichtenstein, Danny Lyon, Henri Matisse, Cady Noland, Georgia O'Keeffe, Pablo Picasso, Sigmar Polke, Dieter Roth, Henri Rousseau, Jack Smith, Cy Twombly, Weegee, Terry Winters, and Wols.

Highlights include contributions by Tate Curator Zoe Whitley and British artist Lynette Yiadom Boakye; reproductions of correspondence between Bowling and critic Clement Goldberg; a selection of writings by Bowling from 1969 to 1993; and full - color illustrations of the exhibition works and additional works from 1960 - 2015.

Additional projects included solo exhibitions on the work of Robert Therrien, 2011, and Matt Saunders, 2013, and a distinctive group exhibition exploring experimentation by artists utilizing drawing throughout the 20th century entitled Tracing the Century: Drawing as a Catalyst for Change, 2013.

Additional programs, including gallery talks, lectures, films and programming for families, teens and teachers will be scheduled throughout the run of the exhibition.

She had six additional solo shows, including a 2002 exhibition at the Museum of Contemporary Photography in Chicago, and participated in more than thirty group shows at galleries and museums throughout the world, including, among others, the Guggenheim Museum (New York and Bilbao), the Folkwang Museum, Essen; P.S. 1 / MoMA, New York; The Milwaukee Art Museum; and the Pusan Metropolitan Art Museum, Korea.

Additional exhibitions on view at ICA Miami include solo shows debuting new work by Chris Ofili (b. 1968), Tomm El - Saieh (b. 1984), Charles Gaines (b. 1944), Mark Handforth (b. 1969) and Abigail DeVille (b. 1981).

Additional loans included in the exhibition are works by Radcliffe Bailey, Michael Ray Charles, Willie Cole, and a video by renowned artist Kara Walker.

The exhibition included the work of three additional voices: the photographer Ming Smith, @nemiepeba (the Instagram feed of artist Frida Orupabo) and content from the YouTube channel of Missylanyus.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

We encourage you to visit our new galleries for the Arts of Korea on the 2nd Floor of the Museum to see a special exhibition of Dansaekwa paintings, including additional works by Lee Ufan.

Additional selected group exhibitions include: «Stolen Gestures», Kunsthaus Nurnberg, Germany, and «Subject», Lyman Allyn Museum, New London, CT (2006).

The exhibition will include works ranging from the early 1990s to the present, on view in the 1st Floor Main Galleries, with an additional work concurrently on view at The Museum of Modern Art in the 2nd Floor Café.

Additional first - time exhibitors at Art Basel in Miami Beach who will feature artists from Latin America in Survey include Galeria Jaqueline Martins, with an exhibition devoted to Letícia Parente (b. 1930, d. 1991), a pioneer of Brazilian video art, and Ricardo Camargo Galeria, who will transform its booth into the studio of Brazilian painter Wesley Duke Lee (b. 1931, d. 2010), encompassing paintings, collages and a sculpture created out of assembled objects.

Additional sections include: EXPOSURE featuring solo and two - artist presentations represented by galleries eight years and younger, EXPO PROFILE presenting solo booths and focused projects that showcase ambitious installations and tightly focused thematic exhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and orgexhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and orgExhibitions featuring select regional, national, and international non-profit institutions, museums, and organizations.

Pictures, this exhibition featured four costumes on loan from the film In the Heart of the Sea with additional artifacts included from the Museum collection.

This can include 5 weeks free yearly use of an impressive 8 x 8m gallery as an additional and professional exhibition, performance, residency and events venue.

Additional highlights include Francisco Costa for Calvin Klein Collection, an exhibition featuring the designs of the 2013 recipient of the André Leon Talley Lifetime Achievement Award, and Streaming Spirits: New Prints by Valerie Hammond and Kiki Smith, an exhibition of prints by Kiki Smith and Valerie Hammond that draw inspiration from the 19th - century genre of spirit photography guest curated by Crista Cloutier.

Addendum begins to do just that by including, ad hoc, additional images, objects, gestures and performance that provide a more complete representation of many of the artists that made up the,,, exhibition, while simultaneously further problematizing the original survey.

Additional programming tied to the exhibition includes a conversation with Victor Ekpuk on September 17, in which the artist and Art History Professor Lisa Aronson will discuss the source of inspiration for Ekpuk's wall drawings — the secret indigenous Nigerian script known nsibidi.

Additional recent solo exhibitions include The Artist Who Swallowed the World, Kunstmuseum St. Gallen, Switzerland (2008); Narrow Mist, Ullens Center for Contemporary Art, Beijing (2010); Liquid Reality, Kunstmuseum Bonn (2010); Wear Me Out, Middleheimmuseum, Antwerpen, Belgium (2011); Beauty Business, Bass Museum of Art, Miami (2011); Dallas Contemporary, Texas (2012); Am I A House, CAC Malaga, Spain (2012); and Erwin Wurm»» Good Boy, Museum of Contemporary Art, Krakow, Poland (2013).

Four additional prints are also included in the exhibition; Geisha (2003), Snow Pines (2004), Japanese Maple (2005), and Weeping Crabapple (2009), which were all printed using only the ukiyo - e woodcut technique.

The book contains essays by Morisot scholars including the exhibition co-curators Sylvie Patry and Nicole R. Myers; Cindy Kang, Barnes Foundation; Marianne Mathieu, Musée Marmottan; and Bill Scott, Pennsylvania Academy of the Fine Arts, as well as a chronology by Amy Wojciechowski with additional research by Monique Nonne (hardcover, $ 55).

This revised presentation is organized by Robert Scalise, Assistant Director for Exhibitions and Collections at the UB Art Galleries in collaboration with The Art Students League of New York, and will include additional artwork from the university's significant collection and other lenders.

Additional art venues include the student - run Cage Space, Gallery 650, and the Edgewood Sculpture Studio for critiques, artist talks, and informal exhibitions.

Additional help was provided locally by Javier Roberto Carlos Briones, 32K Productions (video production for Amor Muñoz), and by the numerous guitarists who are performing in our Floor 2 galleries over the course of the exhibition, including Erin Allen, Allyson Baker, Mike Ballan, John Burke, Giacomo Fiore, Shaina Lerner, Sean Nieves, Ryan Pate, Elsa Trash, and Christine Tupou (custom soundtracks for Chris Kallmyer and Mark Allen).

Former New Commissions artists have gone on to receive additional exhibition opportunities and much critical acclaim, including the following:

To celebrate our 20th juried exhibition, MOCA is offering additional prizes including a special People's Choice award this year!

Additional programs on July 4 include an exhibition of George Kuchar films organized by Trisha Donnelly, and public night conversations with Taryn Simon, Hans Peter Feldmann, and Juergen Teller.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

This includes the twelve in the exhibition and 28 additional: Ruth Abrams, Ruth Armer, Janice Biala, Bernice Bing, Joan Brown, Madeline Dimond, Amaranth Ehrenhalt, Claire Falkenstien, Lilly Fenichel, Shirley Goldfarb, Gertrude Greene, Buffie Johnson, Ida Kohlmeyer, Zoe Longfield, Mercedes Carles Matter, Emiko Nakano, Charlotte Park, Betty Parsons, Pat Passlof, Vita Petersen, Lil Picard, Anne Ryan, Sonja Sekula, Janel Sobel, Vivian Springford, Hedda Sterne, Alma Thomas, Yvonne Thomas, Michael West, and Jane Wilson.

Such were the concerns at the heart of the Spiral Group, whose only exhibition, the 1965 First Group Showing: Works in Black and White, is represented by works by Emma Amos, Reginald Gammon, Norman Lewis, Hale Woodruff, and others — along with additional works by these artists, including Woodruff's large abstract painting Blue Intrusion (1958).

The A.I.R. Fellowship includes a scheduled gallery exhibition, member artist liaison, and an additional stipend.

The publication includes an introductory essay by Elizabeth Armstrong as well as short entries on each of the Biennial artists by the curators and several additional writers: New York - based art historian Cary Levine, Los Angeles - based independent curator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of Contemporary Art.

The exhibition's Community Committee includes Harriet Kelley, Guillermo Nicolas, Freda Facey, and Veronique LeMelle; additional partners across San Antonio help further inform the exhibition and promote reflection, dialogue, and creativity within the larger community.

Marian Goodman is opening a new exhibition space in Paris, at 66 Rue du Temple, almost directly opposite her gallery at 79 Rue du Temple, which will include additional exhibition space and a small bookshop.