Sentences with phrase «affect urban form»

A few years ago TreeHugger reviewed Emily Talen's wonderful book CITY RULES: How Regulations Affect Urban Form and learned how rules are what make cities.

Not exact matches

Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare, and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the exhibition catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); and «After the Production of Space» (forthcoming in Critical Landscapes, University of California Press, Berkeley).
For over two decades, Maisel has rigorously photographed aerial perspectives of landscapes affected by industry, agriculture, urban sprawl and other forms of human intervention.
For nearly three decades, Maisel has created rigorous, captivating aerial photographs of landscapes affected by industry, agriculture, urban sprawl, and other forms of human intervention.
Artist Statement By forming affecting snapshots of contemporary existence — such as intimate home settings, urban spaces and tropical scenes — my works are both diaristic and universally relevant.
Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2015).
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