Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit,
urban warfare, and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the exhibition catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and
Affects,» on the 1969 exhibition When Attitudes Become
Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); and «After the Production of Space» (forthcoming in Critical Landscapes, University of California Press, Berkeley).
For nearly three decades, Maisel has created rigorous, captivating aerial photographs of landscapes
affected by industry, agriculture,
urban sprawl, and other
forms of human intervention.
Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit,
urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2
urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and
Affects,» on the 1969 exhibition When Attitudes Become
Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «
Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2
Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2015).