Sentences with phrase «african american passions»

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Not exact matches

Abortion is just about the most emotionally - sensitive issue for lawmakers on both sides of the aisle, but passions were kicked into overdrive in that afternoon's debate after Assemblyman Ron Castorina, a Republican who has been in the chamber for a little more than a month, compared the procedure to «African - American genocide.»

Many years ago, John H. Harmon, a man with a great passion for education, had a vision to preserve and showcase the contributions of African - Americans here in Westchester County and worldwide.

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Out of a job, Roman stumbles around like a legal Willy Loman, carting a huge briefcase filled with his lifelong passion project, a class action suit that he hopes will end the unjust sentencing of indigent African Americans.

Kudos to two - time Oscar - nominee Sayles (for Lone Star and Passion Fish) who has tackled themes of interest to the African - American community previously, both in his comic cult classic Brother from Another Planet and in the relatively cerebral Sunshine State.

Black Panther, on the other hand, was a passion project directed by African - American director Ryan Coogler, and transcended its comic book origins to become a deeply empowering vision for Black audiences, resonating well beyond the target audience.

Woodson's poetic memoir reflects her dual upbringing in her extended family in South Carolina and in New York City, growing up African American in the 1960s and»70s, experiencing difficulty with reading but a passion for words, stories, and writing.

But our friends at Column Five are hoping to remedy that with their new passion project Beyond the Beat, an interactive storytelling site that showcases the contributions of African - American artists whose work has had a meaningful and lasting impact on music as we know it today.

The Hewitt Collection of African American Art, is an assemblage of fifty - eight works that celebrates the expression and passion of twenty artists, including Romare Bearden, Margaret Burroughs, Jonathan Green, Jacob Lawrence, Elizabeth Catlett, and Henry Ossawa Tanner.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

«The level of passion and dedication Naima has applied to providing a platform for contemporary African American artists is extraordinary,» said Rand Suffolk, Nancy and Holcombe T. Green, Jr., director of the High.

The 1935 African Negro Sculpture exhibition at the Museum of Modern Art (MoMA) ignited a passion for what was then called «primitive» art, and Gottlieb began collecting African and Native American artworks.

Many of Alston's abstract works from this decade were inspired by African art, but unlike several of his his abstract expressionist contemporaries whose passion for American Indian, Pacific, and African art was connected to a modernist search for an imagined «primitive» impulse, Alston's paintings were created through an intimate knowledge of African aesthetics.

In this event recorded on February 15, 2009, as part of the National Gallery of Art lecture series The Collecting of African American Art, Ruth Fine speaks with Washington, DC - based collector Juliette Bethea about her life — long passion for learning and what inspired her to begin acquiring art nearly 40 years ago.

In this conversation recorded on February 22, 2009, as part of the National Gallery of Art lecture series The Collecting of African American Art, Deborah Willis speaks with the Kelleys about their passion and determination to build a collection that advances and preserves the legacy of African American art.

Passion: Collecting postwar and contemporary work from African - American artists and those from the global African diaspora.

By integrating new and old materials, Bearden created complex narratives that were often inspired by the African American experience, mythology and religion; many of his works have titles with origins in literature and music, two lifelong passions.

Bradford is only the third African American artist to be housed in the US Pavilion, and I found his blend of great painting with both social issues and context for his work to have the kind of reverberation and passion that deserves a response.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI