Sentences with phrase «african american art»

The Walter O. Evans Collection of African American Art spans more than 150 years of African American art and includes prized pieces by Bannister, Duncanson, Bearden, Hunt.

The museum's permanent collection includes the Walter O. Evans Collection of African American Art, the Modern and Contemporary Art Collection, the Earle W. Newton Collection of British and American Art, the 19th - and 20th - century Photography Collection and the SCAD Costume Collection.

Can African American art hold its own in the mainstream?

2005 Syncopated Rhythms: 20th Century African American Art from the George and Joyce Wein Collection, Boston University Art Gallery, Boston, MA Eye Contact: Painting and Drawing in American Art, Michael Rosenfeld Gallery, LLC, New York, NY The Collector's View, Noyes Museum of Art, Oceanville, NJ

Wilson will give public talks at SCAD locations in Savannah and Atlanta and will present an artistic intervention at the Walter O. Evans Collection of African American Art at the SCAD Museum of Art.

The Adept New American Museum, Mt. Vernon, NY The African - American Museum, Dallas, TX Arkansas Art Center, Little Rock, AR Atlanta University Collection of African American Art, Clark Atlanta University, Atlanta, GA Brooklyn Museum, Brooklyn, NY California African American Museum, Los Angeles, CA Columbia Museum of Art, Columbia, SC Dallas Museum of Art, Dallas, TX Diggs Gallery, Winston - Salem State University, Winston - Salem, NC Harvard University Art Museums, Cambridge, MA Hampton University Museum, Hampton, VA Harry Ransom Humanities Research Center, University of Texas, Austin, TX Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Mint Museum of Art, Charlotte, NC Museum of Fine Arts, Boston, MA The Museum of Fine Arts, Houston, TX New Orleans Museum of Art, New Orleans, LA Northeast Texas Community College, Mount Pleasant, TX Palmer Art Museum, Pennsylvania State University, University Park, PA Paris Public Library, Paris, TX Philadelphia Museum of Art, Philadelphia, PA San Diego Museum of Art, San Diego, CA Smithsonian American Art Museum, Washington, DC Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Texas Southern University Museum, Houston, TX Wadsworth Atheneum Museum of Art, Hartford, CT

2009 Collecting African American Art, The Museum of Fine Arts, Houston, TX Beyond Swastika and Jim Crow: Jewish Refugee Scholars at Black Colleges, Museum of Jewish Heritage, New York, NY; Reginald F. Lewis Museum of Maryland African American History & Culture, Baltimore, MD; I.P. Stanback Museum & Planetarium, Orangeburg, SC; Illinois Holocaust Museum & Education Center, Skokie, IL; Florida Holocaust Museum, St. Petersburg, FL; National Museum of American Jewish History, Philadelphia, PA; Holocaust Memorial Center, Farmington Hills, MI; Dusable Museum of African & American History, Chicago, IL

His solo show at PS1 is at once so direct and so changeable that it «anthologizes» a time in residence, a career, and contemporary African American art.

With luck, the art world can be open to African Americans — and African American art can be open to almost anything.

2014 RISING UP / UPRISING: Twentieth Century African American Art, Michael Rosenfeld Gallery LLC, New York, NY The Harmon & Harriet Kelley Collection of African American Art: Works on Paper, Pennsylvania Academy of Fine Arts, Philadelphia, PA

Find original African American art created by artist Malik Seneferu in North Richmond, California.

2015 Represent: 200 Years of African American Art in the Philadelphia Museum of Art, Philadelphia, PA Collectors Legacy: Selections from the Sandra Lloyd Baccus Collection, The David C. Driskell Center at the University of Maryland, College Park, MD

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

Recent notable group exhibitions include «All the World's Futures», La Biennale de Venezia, Italy (2015); «Not New Now», Marrakech Biennale, Marrakech, Morocco; «Glenn Ligon: Encounters and Collisions», Nottingham Contemporary, Nottingham, UK (2015); «Witness: Art and Civil Rights in the Sixties», Brooklyn Museum, New York; travelling to Blanton Museum of Art, Austin, Texas, USA (2014 - 15); «Beyond the Spectrum: Abstraction in African American Art, 1950 - 1975», Michael Rosenfeld Gallery, New York, USA (2014); «African American Art Since 1950: Perspectives from the David C. Driskell Center», Taft Museum of Art, Cincinnati, Ohio, USA (2013); «Blues for Smoke», Whitney Museum of American Art, New York, USA (2013); «Now Dig This!

SCAD presents «The Modern Era: Selected works from the Walter O. Evans Collection of African American Art» highlighting more than 25 works from the SCAD Museum of Art's Walter O. Evans Collection.

The Wichita Art Museum presents The Harmon and Harriet Kelley Collection of African American Art, in an exhibition on view February 19 through May 13, 2012 features sixty - nine works on paper by influential African American artists from the 19th, 20th and 21st centuries.

Now in its third edition, the satellite fair focuses on local African American art and artists of the African diaspora.

Walter O. Evans Collection of African American Art, Courtesy SCAD Museum of Art

The Sheldon Museum of Art presents The Harmon and Harriet Kelley Collection of African American Art: Works on Paper.

Evans, a retired surgeon who donated his extensive collection of African American art to SCAD, purchased «The Card Game» from a gallery in New York.

SCAD presents «The Modern Era: Selected works from the Walter O. Evans Collection of African American Art» highlighting more than 25 works from the SCAD Museum of Art's...

The 55 works on paper in this exhibition date from the late 1800s to 2002 and represent just a fraction of what is contained in the Harmon and Harriet Kelley Collection of San Antonio, Texas, one of the country's major repositories of African American art.

The subject of renewed attention since his death, Eugene J. Martin appears at ease with both Modernism and a particularly African American art.

BORN IN ATLANTIC CITY, Lawrence grew up in Harlem where his artistic talent was encouraged by local artists, now regarded as pivotal figures in African American art.

Her work is included in the collections of the National Museum of Women in the Arts, Washington, D.C.; Smithsonian National Museum of African American Art and Culture, Washington, D.C.; Smithsonian National Portrait Gallery, Washington, D.C.; Columbus Museum, GA; Kemper Museum of Contemporary Art, Kansas City, MO; and Nasher Museum of Art, Durham, NC.

Esteemed art historian David Driskell, Professor Emeritus at the University of Maryland at College Park, calls the Kelley Collection «one of the finest that has been assembled tracing the history of African American art.»

Is there a uniquely African American art?

Beauford Delaney, Norman Lewis, Alma Thomas (2005), African American Art: 200 Years (2008), Abstract Expressionism: Reloading the Canon (2011), and Beyond the Spectrum, Abstraction in African American Art, 1950 - 1975 (2014).

Lead funding for Something to Say: The McNay Presents 100 Years of African American Art is most generously provided by Jane Stieren Lacy; The Brown Foundation, Inc.; USAA, Guillermo Nicolas and Jim Foster; Metropolitan Methodist Hospital; Capital Group Companies Charitable Foundation; and San Antonio (TX) Chapter of The Links, Incorporated.

I believe your website will be a valuable resource for our gallery as dealers of African American Art since 1980

2009 Sound: Print: Record: African American Legacies, University Museums, University of Delaware, Newark, DE Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland College Park, MD Highlights from The David C. Driskell Center Permanent Collection, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

Her writing has been featured in publications by the Hammer Museum, Los Angeles Nomadic Division (LAND), The Studio Museum in Harlem, and in the International Review of African American Art, among others.

The three collages by Andrews, Binion, and Newsome will be featured in «Something to Say: The McNay Presents 100 Years of African American Art», opening February 8, 2018.

Proceeds from the dinner go toward the David C. Driskell African American Art Acquisition Endowment Fund, the David C. Driskell African American Art Acquisition Restricted Fund, exhibition support, and expenses associated with planning and activities for the David C. Driskell Prize and Dinner.

African - American Museum, Philadelphia, PA Akron Art Museum, Akron, OH The Anacostia Museum, Smithsonian Institution, Washington, DC The Art Gallery, University of Maryland, College Park, MD Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Brooklyn Museum, Brooklyn, NY California African American Museum, Los Angeles, CA Carl Van Vechten Gallery of Fine Arts, Fisk University, Nashville, TN Colby College Museum of Art, Colby College, Waterville, ME Columbus Museum, Columbus, GA Corcoran Gallery of Art, Washington, DC Crocker Art Museum, Sacramento, CA Crystal Bridges Museum of American Art, Bentonville, AR David C. Driskell Center, University of Maryland, College Park, MD Detroit Institute of Arts, Detroit, MI Dimock Gallery, George Washington University, Washington, DC Fort Wayne Museum of Fine Arts, Fort Wayne, IN H.C. Taylor Art Gallery, North Carolina Agricultural and Technical State University, Greensboro, NC Heckscher Museum of Art, Huntington, NY Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC LaSalle University Art Museum, LaSalle University, Philadelphia, PA The Metropolitan Museum of Art, New York, NY The Museum of African American Art, Tampa, FL National Air and Space Museum, Smithsonian Institution, Washington, DC National Gallery of Art, Washington, DC National Museum of Women in the Arts, Washington, DC New Jersey State Museum, Trenton, NJ New Orleans Museum of Art, New Orleans, LA Newark Museum, Newark, NJ Philadelphia Museum of Art, Philadelphia, PA The Phillips Collection, Washington, DC Schomburg Center for Research in Black Culture, New York, NY Smithsonian American Art Museum, Washington, DC Tampa Museum of Art, Tampa, FL Tougaloo College Art Collection, Tougaloo College, Tougaloo, MS University of Iowa Museum of Art, University of Iowa, Iowa City, IO Wadsworth Atheneum Museum of Art, Hartford, CT The Watkins Collection, American University, Washington, DC The White House Historical Association, Washington, DC Whitney Museum of American Art, New York, NY

For an artist of her stature, there is far more cachet in appearing in Documenta or Performa than in an exhibition devoted to African American art history.

1996 Twentieth Century African American Art from the Collection of Mr. and Mrs. Darrell Walker, University of Arkansas, Little Rock, AK

2012 Blues for Smoke, Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH Narrative of African American Art and Identity, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD Convergence: Jazz, Films and the Visual Arts, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Museum of Art, Bates College, Lewiston, MA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Magical Visions: Ten Contemporary African American Artists, University Museums, University of Delaware, Newark, DE

As a Bay Area native and long - term Southern California resident, Colony covers emerging contemporary art in California, the aesthetic of urban culture, and is a champion of African American art and media.

Born in Pine Bluff, Arkansas, Jeff Donaldson received his BA in studio art from the University of Arkansas Pine Bluff in 1954 and his MFA from the Institute of Design of the Illinois Institute of Technology of Chicago in 1963, and his PhD in African and African American art history from Northwestern University in 1974.

2005 The Chemistry of Color: The Harold A. and Ann R. Sorgenti Collection of Contemporary African - American Art, Pennsylvania Academy of Fine Arts, Philadelphia, PA; Taft Museum of Art, Cincinnati, OH; Columbia Museum of Art, Columbia, SC Syncopated Rhythms: 20th Century African American Art from the Collection of George and Joyce Wein, Boston University Art Gallery, Boston, MA

2002 In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr., Charles H. Wright Museum of African American Art, Detroit, MI; Delaware Art Museum, Wilmington, DE; Brooklyn Museum of Art, New York, NY; Brooks Museum of Art, Memphis, TN; Montgomery Museum of Fine Art, Montgomery, AL Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA

Pioneering collectors Harriet and Harmon Kelley paved the way for the collection of African American art by museums and private individuals across San Antonio, Texas, and the United States.

1994 The Harmon and Harriet Kelley Collection of African American Art, San Antonio Museum of Art, San Antonio, TX; El Paso Museum of Art, El Paso, TX; Michael C. Carlos Museum, Emory University, Atlanta, GA; Butler Institute of American Art, Youngstown, OH; Hunter Museum of Art, Chattanooga, TN

2008 In Search of Missing Masters: The Lewis Tanner Moore Collection of African American Art, Woodmere Art Museum, Philadelphia, PA

Because I didn't know about the Negro Art Guild and my background is in modern and contemporary African American art, I guess it's all the ephemera from those exhibitions.

2014 Witness: Art and Civil Rights in the 60's, Brooklyn Museum, Brooklyn, NY; Hood Museum of Art, Hanover, NH; The Blanton Museum of Art, Austin, TX Beyond the Spectrum: Abstraction in African - American Art 1950 - 1975, Michael Rosenfeld Gallery LLC, New York, NY Conversations: African and African American Artwork in Dialogue, Smithsonian National Museum of African Art, Washington, DC Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art, The Saint Louis University Museum of Art, Saint Louis, MO

Something to Say: The McNay Presents 100 Years of African American Art illustrates the Kelley Collection's impact on our cultural landscape by juxtaposing works from their renowned holdings with loans from the burgeoning collections of African American art of Guillermo Nicolas and Jim Foster, John and Freda Facey, and the McNay Art Museum.

How much, say, do the choices belong to African American art or a specifically black Abstract Expressionism rather than late Modernism?