Sentences with phrase «african american men»

The way in which a client's behavior is defined leads to specific treatment, and thus it is necessary to investigate the psychological models used for assessment and diagnosis as well as explore alternative ways to understand behavioral «symptomology» among young African American men.

The relationships of substance abuse to illegal and violent behavior, in a community sample of young adult African American men and women (gender differences)

My specific specialty is working with African American men who have difficulty expressing their emotions in relationships.

Engaging African American men in empirically based marriage enrichment programs: Lessons from two focus groups on the ProSAAM project.

His book utilizes a psychoanalytic framework to portray and examine the subjective experiences of five professional African American men who transcended their origins in urban poverty, thus shedding light on a grossly overlooked demographic.]

These differing beliefs about love and romance may explain why the African American men and women in this study (compared to those in the three other ethnic groups) were less likely to adopt an agapic orientation to love.

Additionally, Erik created several workshops for teens and runs a support group for Young African American men.

«We found that the African American men who experienced greater racial discrimination and who displayed a stronger bias against their own racial group had the shortest telomeres of those studied,» he said.

Two commissioners of the United States Commission on Civil Rights recently wrote to the EEOC with some remarkable findings that the use of employment criminal records may actually reduce discrimination against African Americans — men, in particular: Employers who check criminal records are more likely to hire African American men.

And also how do the other friends who don't identify as African American men relate to their friends?»

«African American men are five percent of the population and are represented three times in this ad.

Hank Willis Thomas, Chris Johnson and several other artists produced a video montage from interviews with 150 African American men across the social spectrum, creating illusory dialogues that illuminate their shared concerns.

Those from B ® anded explore advertising language and logos, particularly those featuring African American men.

A multi-screen, documentary - style video installation, «Question Bridge: Black Males in America» presents a dynamic series of «exchanges» among black men, who span generations and backgrounds, about a range of contemporary issues particularly relevant in this post-Obama era and in the wake of Ferguson and countless other police involved killings of African American men that have dominated the news for more than a year now.

This large - sized silk scarf features still images from «The New Black Yoga» is a 10 - minute film by Rashid Johnson in which five African American men do yoga at the beach.

The video installation Cheshire (2007) presents a sequence of professionally attired African American men who each attempt to climb a large tree.

Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists — such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom - Boakye — who are reworking art history and questioning its depictions of people of color.

It includes early portraits of the men Wiley observed on Harlem's streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet, and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies, and baseball caps.

«In the»80s and»90s,» Hank Willis Thomas explained, «a lot of young African American men were getting killed over Michael Jordan sneakers.

On December 15, about 50 well - attired African American men gathered before the federal courthouse in Los Angeles for a silent vigil in support of Michael Brown, Eric Garner and countless other black men who have fallen victim to police...

Her small, spare, and flat paintings are appropriated from police headshots of white and African American men and women from the period.

Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture.

For Hinkle, this horrifying case is compounded by the mainstream media's reporting of a seemingly endless stream of stories about African American men being killed by police; one could be forgiven for thinking that black women are not victimized to the same degree.

In this series, Wiley paints young African American men in poses reminiscent of Memling's tightly composed, small - scale portraits, and encases these images in sturdy, wooden - framed boxes with panel doors.

Her powerful political song features chants of the names of many African American men and women who died at the hands of the police.

Together, The Lost Boys (Collection of Rick and Jolanda Hunting) and De Style (Los Angeles County Museum of Art) telegraph the artist's simultaneous attentions to structural racism — young African American men cyclically lost to drugs, incarceration, violence — and spaces such as the barbershop, a site of community and cultural empowerment.

Durant wrote, «We now know that one in 100 U.S. citizens are in jail and one in nine African American men are in prison... We know that innocent people have been executed and that there are many potentially innocent prisoners sitting on death row today.

Johnson, who was 24 years old at the time and the youngest artist in the exhibition, presented photographs from his Seeing in the Dark series of portraits of homeless African American men in Chicago.

The first artists to explicitly align themselves with the civil rights movement were a coalition of some fifteen African American men and women who formed the Spiral Group (1963 — 65).

Using her own photographs as a source, Casteel paints intimate portraits primarily of African American men in domestic environments and in street scenes.

Historically, the dap is both a symbol among African American men that expresses unity, strength, defiance, or resistance and a complex language for communicating information.

Four Outsider Artists: Holley, Mr. Imagination, Norbert Kox, Charlie Lucas Lehigh University, Bethlehem, PA Ogun Meets Vulcan: Birminghamʼs African American Men of Metal, Ruth Hall Hodges Art Gallery, Morris Brown University, Atlanta, GA

In Day Dreaming two young African American men stand holding each other, a complicated gesture that is both masculine and feminine, powerful and tender.

Kehinde Wiley's work raises intriguing questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture.

First focusing on young African American men in Harlem, Wiley eventually expanded his oeuvre and launched his World Stage series featuring «urban» men in Asia, Africa, Latin America and the Middle East.

The works presented in Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture.

The focal point of the show is a three - hour collaborative video piece — also a selection of the 2012 Sundance Film Festival — by Chris Johnson, Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair in which a spectrum of African American men across age and class propose a question in a direct - address to the camera.

At 22.9 %, the incarceration rate is highest among young African American men who didn't finish school.

Three stories of African American men from different socio - economic backgrounds and regions engaged in the beautiful struggle of fatherhood.

African American men also receive longer sentences than their white counterparts.

BookBrowse Review «Jesmyn Ward's memoir profiles five young African American men who have been lost in a spate of deaths in the small town of DeLisle, Mississippi.

In February, Boys» Latin — along with City Councilwoman Jannie Blackwell and State Senator and former mayoral candidate Anthony Williams — launched #blackdegreesmatter, a campaign to draw attention to the sorry state of college graduation among African American men from Philadelphia.

: The Funding Of Higher Education and Corrections and Its Impact on African American Men.

White students are concentrated in three high - quality college prep high schools, whereas the high school graduation rate is only 25 percent for young African American men in Buffalo's majority - black district.

Yet today, Blackmon, now 21, is a standout student at Southern University at New Orleans, in the Honoré Center for Undergraduate Achievement, an intensive new program that gives full scholarships to young African American men who show promise despite unremarkable transcripts.

Caire and the Urban League say the school is needed because of the dismal performance of minority students in public schools in Madison, along with high incarceration rates of young African American men in Dane County.

Last week President Obama announced a five - year, $ 200 million charitable initiative called My Brother's Keeper to help young African American men.

We should be thrilled that our President has acknowledged publicly the persistent challenges that young African American men face in modern day America and, more importantly, has pledged to encourage concrete actions to address those challenges.

Given the results of these three studies, one which was overseen by the U.S. Department of Education and two which were recognized with the Department's highest award for rigor, we might expect President Obama to receive a swift response regarding his call for the federal government to search for programs that boost educational outcomes for African American men.

The photograph showing African American men bound and face down is one that Alfred Tatum, dean of the College of Education and director of the University of Illinois - Chicago (UIC) Reading Clinic, regularly reflects upon.