Sentences with phrase «african american studies»

Cook - Harvey holds a Ph.D. in Education, an M.A. in the Teaching of English, and a B.A. in English and African American Studies — all from Stanford University.

Drummond - Forrester received her Bachelors in Psychology and African American Studies from Brandeis University and earned a Masters in Vocational Rehabilitation Counseling as well as a Certificate in Advanced Graduate Studies from Assumption College.

Tags for this Online Resume: All But Dissertation - Doctorate, African American Studies, American History

Instructed up to 100 bachelor and associate degree level students in four sections per semester in African American Studies with emphasis on Literature.

Akwasi Owusu - Bempah is an Assistant Professor of Criminal Justice and Adjunct Professor of African American Studies at Indiana University, Bloomington.

Bridget R. Cooks, Associate Professor in the Program in African American Studies and Department of Art History Kresge Auditorium November 11, 2014 4:30 pm

Kimberly Drew (a.k.a. @museummammy) received her BA from Smith College in art history and African American studies, with a concentration in museum studies.

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; and Contemporary And.

Sarah Lewis is assistant professor of History of Art and Architecture and African and African American Studies, Harvard University.

In Atlanta, where he essentially became dean of the black arts community, Long founded the African American Studies program at...

Moderated by Chika Okeke - Agulu, artist, curator and Associate Professor in the Department of Art and Archaeology, and Center for African American Studies at Princeton University.

Partners & Sponsors Community Folk Art Center (CFAC) and Light Work, members of the Coalition of Museum and Art Centers (CMAC), Syracuse University; Syracuse University Department of African American Studies; Department of Art Visiting Artist Lecture Series, Syracuse University College of Visual and Performing Arts; Everson Museum of Art; The Syracuse University Humanities Center; New York Council for the Humanities; the Central New York Humanities Corridor from an award by the Andrew W. Mellon Foundation; New York State Council on the Arts

Bramwell was awarded a 2011 fellowship in African American studies, from the Black Metropolis Research Consortium, for his work: Rough Trade: Representations of Slavery in Contemporary Visual Art.

Thomas F. DeFrantz, professor and chair of Duke's African and African American Studies Department, and SLIPPAGE presented an exhilarating performance of a dance duet in response to Kara Walker's Harper's Pictorial History of the Civil War (Annotated) prints.

Thelma Golden received a B.A. in art history and African American Studies from Smith College, Northampton, MA.

Professor of African American Studies and Theater Studies at Yale, Daphne Brooks writes about race, gender, performance and popular music culture.

James is a Ph.D. candidate in the Departments of African American Studies; English Literature; and Women's, Gender, and Sexuality Studies at Yale University.

Fred Moten is associate professor of African American studies and visual studies at the University of California, Irvine.

Former director of Princeton's African American Studies program, Painter is the author of the critically acclaimed book The History of White People.

Many members of the Duke Community watch a performance art piece entitlled reVERSE — gesture — reVIEWed by Thomas F. DeFrantz, professor and chair of Duke's African and African American Studies Department and SLIPPAGE.

Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies at Harvard University.

Co-sponsored by the Department of African and African American Studies, the Ethelbert Cooper Gallery of African and African American Art at the Hutchins Center for African and African American Research, the Department of History of Art and Architecture, and the Harvard Art Museums.

The museum will also feature work in two new dedicated galleries: The Walter O. Evans Center for African American Studies and the André Leon Talley Gallery, which celebrates style and design in its myriad forms.

Her bust of Douglass was installed in the Princeton University library in 1983 (and later was moved to the entry of the university's Center for African American Studies in 2009).

Art and Black Los Angeles 1960 — 1980, Dr. Darnell Hunt, director of the Ralph J. Bunche Center for African American Studies at UCLA, moderates a discussion with artists John Outterbridge and Andrew Zermeño, and collector Stan Sanders regarding the past and future of Watts as a creative hub.

Pace will publish a catalogue to accompany the exhibition that will include an essay by art historian and curator Dr. Kellie Jones, Associate Professor in Art History and Archaeology at the Institute for Research in African American Studies at Columbia University.

Written by a mixture of seasoned scholars and younger researchers in African and African American studies, the essays aim to bring new scholarship to a wider audience.

John Szwed is an anthropologist, musician, and writer who has taught African American studies, film studies, music, anthropology, and performance studies at New York University, the University of Pennsylvania, Yale University, and Columbia University, where he was director of the Center for Jazz Studies from 2009 — 14.

The California African American Museum (CAAM) and Art + Practice (A+P) are pleased to host esteemed author, curator, and Associate Professor in Art History and Archaeology and African American Studies at Columbia University Kellie Jones, who will discuss and sign her new book South of Pico.

Kobena Mercer, professor, history of art and African American studies, Yale University.

Hamilton has been the recipient of several residencies, fellowships and awards including the Skowhegan School of Painting and Sculpture, MacDowell Colony, MFAH Dora Maar program in Menerbes France, Smithsonian Artist Research Fellowship, Artadia Award, Art Matters Grant, Artist in Residence at Duke University's African and African American Studies and Bemis Center for Contemporary Art and the City of Chicago's IAP Award.

She was on the faculty of Yale University (1999 --- 2006) prior to joining the faculty of Columbia University, where she is currently an associate professor in the Department of Art History and Archaeology and a Faculty Fellow in the Institute for Research in African American Studies.

Wheatley earned a BA in English Literature with a minor in African American Studies from Loyola University, Chicago and an MA in Writing from DePaul University.

She received an MA in Writing from DePaul University, Chicago and a BA in English Literature and African American Studies (Minor) from Loyola University of Chicago.

With the renewed curatorial and academic interest in the African American contribution to the history of abstraction, «Mildred Thompson: Resonance, Selected Works from the 1990s,» presented in the Walter O. Evans Center for African American Studies, is a remarkable opportunity to expand this dialogue by celebrating the work of an under - recognized historical figure.

This installation complements a course taught by Sarah Lewis, Assistant Professor in the Departments of History of Art and Architecture and African and African American Studies, Harvard University.

Elliot Perry and Darrell Walker, collectors of African American art and art of the African diaspora and former players for the National Basketball Association, and Michael D. Harris, associate professor of art history and African American studies, Emory University.

About California Countercultures Thinking Through the Arts and Design at Berkeley: California Countercultures is a UC Berkeley course cotaught by Natasha Boas, independent curator and critic of contemporary art and theory, and Michael Cohen, associate teaching professor in the African American studies department.

At the Crossroads: Black Males + Race, Place, & Identity with Instructor Derrick Lanois, VCU Department of African American Studies Monday, January 20, 6 p.m. Elegba Folklore Society's Cultural Center

She has shown her work nationally and internationally and is represented in the collections of the Studio Museum in Harlem and the John L. Warfield Center for African and African American Studies.

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africa.

SLIPPAGE is directed by Thomas F. DeFrantz, Professor and Chair of African and African American Studies at Duke.

The exhibition will be accompanied by a fully - illustrated catalogue authored by Dr. Kellie Jones, Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies at Columbia University, with an introduction by Dr. Robert Storr, former Dean of the Yale School of Art, and a contribution by Alanna Heiss, founder and former director of P.S. 1 and current founder and director of Clocktower Productions.

Ward's work, presented for deFINE ART 2015 in the SCAD Museum of Art's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forms.

More than 1,280 people showed up that Saturday to take in the inaugural exhibitions by renowned artists Bill Viola, Liza Lou, Stephen Antonakos, Kendall Buster, Kehinde Wiley and Alfredo Jaar; peruse the Walter O. Evans Center for African American Studies and the Pamela Elaine Poetter and André Leon Talley galleries; view items from SCAD's personal collection throughout the museum; relax in the Alex Townsend Grand Courtyard; and enjoy treats at the museum's Tad Café such as zucchini bread as well as ham, Brie, apple and onion confit on a baguette.

Another focal point of the launch was the opening of Walter O. Evans Center for African American Studies, featuring a selection of close to 40 works from Evans» legacy collection of African American art - from 19th - century landscape paintings of the Hudson River School to works by masters of the Harlem Renaissance, as well as examples from the Federal Art Project of the 1930s and later 20th - century works by Jacob Lawrence and Romare Bearden, among others.

The collection is housed in the newly established Walter O. Evans Center for African American Studies and forms the foundation of a multidisciplinary center for the study, understanding and appreciation of African American art and culture.

Golden holds a B.A. in Art History and African American Studies from Smith College.

Bridget R. Cooks is Associate Professor of Art History and African American Studies at the University of California, Irvine.

She and George established the Joyce and George Wein Chair in African American Studies at Boston University (George's alma mater).